STEPHEN DEAN . REHEARSAL WITH PROPSDE 09 DE FEVEREIRO A 16 DE MARÇO DE 2019

Stephen Dean . Rehearsal with props, 2019 . Casa Triângulo, São Paulo, Brasil . vista da exposição [exhibition view] . foto [photo]: Filipe Berndt

Stephen Dean . Rehearsal with props, 2019 . Casa Triângulo, São Paulo, Brasil . vista da exposição [exhibition view] . foto [photo]: Filipe Berndt

Stephen Dean . Rehearsal with props, 2019 . Casa Triângulo, São Paulo, Brasil . vista da exposição [exhibition view] . foto [photo]: Filipe Berndt

Stephen Dean . Rehearsal with props, 2019Casa Triângulo, São Paulo, Brasil

vista da exposição [exhibition view]foto [photo]: Filipe Berndt

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Janela [Window], 2019 . vidro dicróico e borracha [dichroic glass and rubber] . Ed.: única [unique] . 42 x 29 x 10 cm

vista da esquerda [left view] vista da direita [right view]

Atlas, 2018 . aquarela sobre papel de cigarro [watercolor on cigarette paper] . Ed.: única [unique] . 20 x 14 cm (cada) [each]

detalhes [details] Atlas, 2018 . aquarela sobre papel de cigarro [watercolor on cigarette paper] . Ed.: única [unique] . 20 x 14 cm (cada) [each]

Ladder, 2018vidro dicróico e alumínio [dichroic glass and aluminum]

Ed.: única [unique]244 x 44 cm

Stephen Dean é um artista franco-americano, que trabalha basicamente com aquarela, vídeo e instalação. Além de partir de formas existentes ou mesmo de eventos, outra característica de sua obra é a relação imediata do uso da cor em função de sua ca-pacidade de antecipar códigos linguísticos e culturais a partir de formas existentes ou eventos. Seus trabalhos baseados no tempo e suas instalações convidam a um olhar fisiológico e antropológico para a cor. Com um sentido de exploração, suas obras con-templativas e imersivas envolvem o espectro cromático como uma questão espacial esocial.

Para sua terceira exposição na galeria Casa Triângulo, intitulada Rehearsal with props [Ensaios com adereços], Dean apresentará trabalhos em vidro dicróico e aquarela que continuam a expandir os limites da cor tecendo junto noções de transparência e du-ração. Ao longo de sua carreira, ele usou vidro em função de suas propriedades con-ceituais e perceptivas. Para Dean, a transparência, reflexividade e mutabilidade fluida, são qualidades do vidro capazes de destacar a natureza temporal fugaz do mundoobservado.

Na galeria, sua famosa escultura Ladder, uma escada sem base fixa com painéis de vidro dicroico, ao mesmo tempo reflexivos e translúcidos, parece estar em constan-te estado de transformação. A obra é uma escultura para além de si. Vista de perto, percebe-se densidade e saturação estranhas. Mesmo sua estrutura, toda preta, muda de tonalidade. Quando vista mais de longe, a obra se espalha no ambiente deixandodifícil distinguir suas reflexões, suas projeções e suas sombras. Na série Atlas, Dean apresenta uma espécie de sintaxe quebrada, justapondo elemen-tos de vidro e aquarelas. Pintadas em papel de cigarro, essas pequenas obras trans-mitem uma sensação de imediatismo enquanto retratam fenômenos naturalmenteetéreos. A simplicidade do resultado de suas obras desmente o fato de que o artis-ta opera de maneira sofisticada e precisa, variando de movimentos suaves a gestosbruscos, nunca revelando o quadro por completo.

“As obras de Dean lidam de modo abstrato com o espaço, tanto geográfico quanto conceitual. O que conecta sua série é uma combinação de identificação comunal e especificidade no contexto das condições técnicas que nos cerca.“

Sara Reisman, diretora da Rubin Foundation, Nova Iorque.

Exposições coletivas incluem: The World’s Game, no Perez Museum of ArtMiami; Shock of the News, no National Gallery of Art, Washington D.C.; Les Maitres duDésordre, Musée du quai Branly, Paris; Double Down: Two Visions of Las Vegas, SanFrancisco Musem of Modern Art; Mouth Open, Teeth Showing: Major Works from the TrueCollection, Henry Art Gallery, Seattle.

Dean também participou de inúmeras bienais. Entre estas estão a Whitney Biennial, a Seville Biennial, a Istambul Biennial, a 51st Venice Biennial, a SITE Santa Fe Biennial e a Moscow Biennial. Suas instalações, esculturas e obras em papel podem ser encon-tradas nas coleções permanentes do Solomon R. Guggenheim Museum, Nova Iorque; do Whitney Museum of Art, Nova Iorque; da National Gallery of Art, Washington D.C.; da Fond National d’Art Contemporain, Paris e da Fundacion Jumex, Cidade doMéxico).

Em 2017, a Percent for Art/New York City Department of Cultural Affairs comissionou ao artista uma instalação permanente de 23 metros intitulada de Crosswords, para a parede de uma escola pública no Brooklyn. Em 2018, recebeu o prêmio Peter S. Reed para arte de mídia mista. Em Março, Dean apresentará a instalação Enigma of Arrivalnas vitrines da Hermès, no shopping Iguatemi.

REHEARSAL WITH PROPS

Stephen Dean is an American/French multi-media artist, whose interest spanswatercolor, video and installation. His time-based works and installations summonphysiological and anthropological approaches to color. Often working from existingforms or events, Dean focuses on the immediacy of color and it’s ability to precedelanguage and cultural codes. With a sense of exploration, his contemplative andimmersive works engage the chromatic spectrum as a spatial and social matter.

For his third exhibition at Casa Triângulo, titled Rehearsal with props, Dean will present works in dichroic glass and watercolor which continue to expand theboundaries of color by weaving together notions of transparency and duration. He has used glass throughout his career for its conceptual and perceptual properties. Glass, for Dean, embodied by its qualities of reflectivity, transparency, and fluid mutability,highlights the fleeting temporal nature of the observed world.

In the gallery, his signature Ladder sculpture, a self-standing black aluminumladder with panes of dichroic glass, simultaneously reflective and translucent, appears to be in a constant state of flux. Ladder is an outward bound sculpture. From up close, a strange density and saturation develops. Even the black frame changes hues. From a distant perspective, it opens up in the space confusing reflections, projections and shadows. The work speaks of a painterly awareness, drawing attention to the mobilityof color beyond the stillness of the object.

In the Atlas series, Dean stages a broken syntax, by juxtaposing glass elements and watercolors. Painted on cigarette paper, these small works convey a sense of immediacy while depicting ethereal and natural phenomena. Their simplicity belies the fact that these works operate in sophisticated ways, ranging from gentle motions to uncannygestures. and never revealing a complete picture.

“Dean’s works, abstractly engage with a sense of space, geographic and conceptual. What connects his series is a combination of communal identification and specificity within the technically produced conditions of the world that surrounds us.”

Sara Reisman, artistic director of the Rubin Foundation, New York City.

Stephen Dean has exhibited widely; notable group museum exhibitions include The World’s Game, Pérez Art Museum Miami; Shock of the News, National Gallery of Art, Washington D.C.; Les Maitres du Désordre, Musée du quai Branly, Paris; Double Down: Two Visions of Las Vegas, San Francisco Museum of Modern Art; Mouth Open, Teeth Showing: Major works from the True Collection, Henry Art Gallery, Seattle. Dean has also participated in numerous biennials, which include the Whitney Biennial, the Seville Biennial, the Istanbul Biennial, 51st Venice Biennial, SITE Santa Fe Biennial,

and the Moscow Biennial.

His video installations, sculptures and works on paper can be found in the permanent collections of the Solomon R. Guggenheim Museum, New York; the Whitney Museum of Art, New York; the National Gallery of Art, Washington D.C.; Fond National d’ArtContemporain, Paris and the Fundacion Jumex, Mexico City.

In 2017, the Percent for Art/New York City Department of Cultural Affairscommissioned him a 70’ wall permanent installation, titled Crosswords for a publicschool in Brooklyn.

In 2018 he received the Peter S. Reed grant in mixed media art.In March, Dean will present an installation Enigma of Arrival in the windows ofHermès at Iguatemi mall, São Paulo, Brazil.

REHEARSAL WITH PROPS

EXPOSIÇÕES INDIVIDUAISSOLO EXHIBITIONS

2019Rehearsal with props, Casa Triângulo, São Paulo, BrazilFRAC, Corsica, Corte2016Stephen Dean, Ameringer McEnery Yohe, New York, USA2014Jugglers, Ameringer McEnery Yohe, New York, USAChaos theory of color, McClain Gallery, Houston, Texas, USAStephen Dean, Casa Triângulo, São Paulo, Brasil2013Works on Paper and Edges, Baldwin Gallery, Aspen, Colorado, EUA2010Fever, curadoria de [curated by] Dominique Abensour, Chateau d’eau, Chateau d’Art, Bourges, FranceBaldwin Gallery, Aspen, Colorado, USATrampoline, Ecole Superieur d’Art et Media, Caen, France2009Watercolors and Videos, Baldwin Gallery, Aspen, USAGaleria Max Estrella, Madrid, SpainSilent Pictures, Sara Meltzer Gallery, New York, USA2008Miniature, Tokyo Wonder Site institute of Contemporary Art, Tokyo, JapanCountdown, Casa Triangulo, São Paulo, Brazil2007 Sara Meltzer Gallery, New York, USANo More Bets, Galeria Max Estrella, Madrid, SpainAngle of bending, Baldwin Gallery, Aspen, Colorado, USA2006Volta, Miami Art Museum, Miami, USAGalerie Xippas, Paris, France2005Museum of Fine Arts of Santander, Santander, Spain2004Galerie Xippas, Athens, Greece2003Fuse, Galerie Xippas, Paris, FranceVolta, Henry Urbach Architecture, New York, USA

2001Weatherspoon Art Gallery, Greensboro, USAPulse, Henry Urbach Architecture, New York, USA2000Galerie Xippas, Paris, France

EXPOSIÇÕES COLETIVASGROUP EXHIBITIONS

2018The World’s Game, curadoria de [curated by] Franklin Sirmans, Pérez Art Museum, Miami, USARose Ocean: Living with Duchamp, The Tang Teaching Museum and Art Gallery at Skidmore College, New York, USANaturel pas Naturel, curadoria de [curated by] Anne Alessandri e [and] Philipe Costamagna, Palais Fesch Musée des Beuaux-Arts d’Ajaccio, Ajaccio, FranceLa Photographie Française Existe... Je L’ai Recontrée, Maison Europeene de la Photographie, Paris, France2017Zoo Machine, curadoria de [curated by] Thierry Ollat, Musée d’Art Contemporain, Marseille, FranceRound Color, Monteverita, Paris, FranceSans Réserve, Parcours de la collection du MacVal, Vitry sur Seine, FranceSmell of Malaga, Perceptiones alfativas de coleccion olorVISUAL, Museo Municipal de Málaga, Málaga, SpainFever, MOVIMENTA, Fachada do teatro nacional de Nice [Façade of Nice’s National Theater], Nice, France2016coleccion olorVISUAL, curadoria Nekane Aramburu, Es Baluard, Museum of Modern and Contemporary Art, Palma, SpainSlow Dimwitted Carnage, Coustof Waxman gallery, New York, USARadiant Space, McClain gallery, Houston, USAMatin Midi Soir, curadoria de [curated by] Laure Flammarion, Honoré Visconti, Paris, FranceBlack & White & Red All Over, curadoria de [curated by] Sara Reisman, Galerie L’Inlassable, Paris, France Tropicalia, L’Inlassable Museum, Paris, France2015Saideira, curadoria de [curated by] Fernando Mota, Casa Triângulo, São Paulo, BrazilCariocas!, Maison Folie de Wazemmes, Lille, France

STEPHEN DEAN

NASCEU EM [BORN IN] PARIS, FRANCE, 1968VIVE E TRABALHA EM [LIVES AND WORKS IN] NEW YORK, USA

Car Fetish. I drive, therefore I am., Museum Tinguely, Basel, SwitzerlandMary Poppins is a junkie, ShowRoom Gallery, New York, USAGrande Image Lab, curadoria de [curated by] Christophe Domino, Nuit Blanche, Paris, FranceL’ Art est un sport de combat, curadoria de [curated by] Jean-Marc Huitorel, Musée des Beaux Arts de Calais, Calais, France2010Colección Premios Altadis de Arte Contemporáneo (2000-2007), curadoria de [curated by] Maria Corral, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, SpainThe Jewel Thief, curadoria de [curated by] Ian Berry e [and] Jessica Stockholder, Tang Museum, Saratoga Springs, New York, USACromocronias, Centro Jose Guerrero, Granada, SpainProcess in Dialogue, Koldo Mitxelenea Kulturunea, San Sebastian, SpainThink Pink, curadoria de [curated by] Beth Rudin DeWoody, Gavlak Gallery, Palm Beach, USAContemplating the Void, curadoria de [curated by] Nancy Spector e [and] David van der Leer, Guggenheim Museum, New York, USAQuartet, Sara Meltzer Gallery, New York, USA2009Against Exclusion, curadoria de [curated by] Jean Hubert Martin, 3rd Moscow Biennial, Garage for Contemporary Culture, Moscow, Russia Trampolines, École Supérieure D’Arts & Médias de Caen, Caen, FranceContemplating the Void, Guggenheim Museum, New York, USATalking Pictures, curadoria de [curated by] Laura Steward, SITE Santa Fe, New México, USAWintry, Magazzino d’ Arte Moderna, Rome, Italy AUTO, Dream and Matter, curadoria de [curated by] Alberto Martín e [and] Victoria del Val, Laboral Centro de Arte y Creación Industrial, Gijón, Spain; Centro de Arte Dos de Mayo de Madrid, Spain2008 Double Down: Two Visions of Las Vegas, Museum of Modern Art, San Francisco, USATokyo Wonder Site, Tokyo, JapanAn Unruly History of the Readymade, curadoria de [curated by] Jessica Morgan, La Colección Jumex, México City, MéxicoInto the Trees, The Fields Sculpture Park at Omi International Arts Center, Ghent, New York, USA MMKK Inter-Nationals, Museum Moderner Kunst Kärnten, Klagenfurt, AustriaPlus de réalité, Hangar à bananes, Nantes, France2007 Mouth Open, Teeth Showing - Major works from the True Collection, Henry Art Gallery, Seattle, USAL.I.C., NYC, Socrates Sculpture Park, Long Island City, New York, USAEsquiador en el fondo de un pozo, La Colección Jumex, México City, MéxicoBuilding Spills and Spins Past Midnight, Galerie Filles du Calvaire, Brussels, Belgium2006

The Museum Imagined, curadoria de [curated by] Lilly Wei, Danese Corey gallery, New York, USANature/Nurture, curadoria de [curated by] Ron Platt, Grand Rapids Art Museum, USAArquitecturas y Espacios en la Coléccion RAC, curadoria de [curated by] Pia Ogea, CentroCentro Cibeles de Cultura y Ciudadanía, Madrid, SpainRio: Uma Paixão Francesa, curadoria de [curated by] Jean Luc Monterosso e [and]Milton Guran, Museu de Arte do Rio, Rio de Janeiro, BrasilIRIS Time, L’Inlassable Museum, New York, USA(647912), L’ Inlassable galerie, New York, USAMicro Salon, L’Inlassable Museum, New York, USA2014FAIR PLAY. Art, video and sport beyond limits and borders, MAXXI, National Museum of XXI Century Arts, Rome, ItalyArt=Text=Art: Private Languages/Public Systems, works from the collection of Sally and Werner Kramarsky, University of Buffalo Anderson Gallery, New York, USALight3, curadoria de [curated by] Lilly Wei, Fridman Gallery, New York, USAOne Shot! Futebol e Arte Contemporânea, curadoria de [curated by] Pierre-Olivier Rollin, Museu da Escultura Brasileira-MuBE, São Paulo, BrazilCasa Triângulo no Pivô, Pivô, São Paulo, BrazilFutbol - The Beautiful Game, Country Museum of Art, Los Angeles, California, USARumor: historias decoloniales en la Colección ”la Caixa”, curadoria de [curated by] Suset Sánchez, Caixa Forum, Barcelona, Spain2013Art=Text=Art - Works by Contemporary Artists From the collection of Sally and Wynn Kramarsky, curadoria de [curated by] N. Elizabeth Schlatter e [and] Rachel Nackman, The Hafnarfjordur Centre of Culture and Fine Art, Hafnarfjordur, IcelandJunkies’s Promises, curadoria de [curated by] Ivan Navarro, Paul Kasmin Gallery, New York, USA2012Cibles, Musée de la Chasse et de la Nature, Paris, FranceShock of the News, National Gallery of Art, Washington DC, USAAudience as Subject, Part 2: Extra Large, Yerba Buena Center for the Arts, San Francisco, USAArt=Text=Art, Works from the Kramarsky Collection, Zimmerli Art Museum, New Brunswick, USATargets, curadoria de [curated by] Claude d’Anthenaise, Musee de la Chasse et de la Nature, Paris, FranceLes Maitres du Désordre, curadoria de [curated by] Jean de Loisy, Musee du quai Branly, Paris, France2011Contemporary Art in the Traditional Museum, Pro Arte foundation / Russian Ethnographic Museum, St.Petersurg, RussiaArt=Text=Art - Works by Contemporary Artists From the collection of Sally and Wynn Kramarsky, curadoria de N. Elizabeth Schlatter e Rachel Nackman, University of Richmond Museums, Richmond, USA

Poetic Justice, 8th Istanbul Biennial, Istanbul, TurkeyPost-Impact, Portalakis Collection, Athens, GreeceNuits Blanches, Musée Zadkine, Paris, FranceLiving with Duchamp, Tang Museum, Skidmore College, Saratoga Springs, USAThe Stadium, Muro Sur: Contemporary Art Gallery, Santiago, ChileReady-Made Color, la couleur importée, Centre d’art Passerelle, Brest, FranceVideos in Progress, Rhode Island School of Design Museum, Providence, Rhode Island, USAVolta, Galerie Xippas, Espace Vidéo Cube, FIAC, Paris, France 2002Whitney Biennial, Whitney Museum of American Art, New York, USAThe Theory of Leisure, La Colección Jumex, México City, MéxicoNão é cinema, não é televisão e nem é vídeo, Capacete Entertainments, Rio de Janeiro, BrazilDéplacements, Le Quartier, Quimper, France3, Henry Urbach Architecture, New York, USA Exotisme, Vu d’ici, vues d’ailleurs, Frac Corse, FranceMurmurs, remparts du château d’Angers, Angers, FranceAttack: Attraction, Marcel Sitcoske Gallery, San Francisco, California, USAPlayground, The Standard Projection: 24/7, The Standard Hotel, Los Angeles, USAPrescient Then and Now: The Resonance of Support/Surface, Dorsky Gallery, New York, EUA

PROJETOS COMISSIONADOSCOMISSIONED PROJECTS

2017Crosswords, Percent for Art, New York City Department of Cultural Affairs, PS/IS 338, New York, USA2015How far is red?, instalação para [installation for] Swatch, Zurich Airport, Zurich, Switzerland2014Ladder descending a staircase, Rice University, Anderson-Clarke Center for Continuing Studies, Houston, USA

PRÊMIOS E RESIDÊNCIASAWARDS AND RESIDENCIES

2018 Peter S. Reed Foundation Grant, New York, USA2011 CEC Artslinks grant, Pro Arte Foundation, St Petersburg, Rússia2009/10Rome prize, Villa Medici, Italy

Stillpoints of the Turning World, Site Santa Fe Biennial, Santa Fe, Seattle, USANew York interrupted, PKM gallery, Beijing, ChinaBall the Wall, David Risley Gallery, London, UKYou never walk alone, OK Centrum, Linz, AustriaLe Troisieme Oeil, Le Tripostal, Lille, FranceThe Beautiful Game, Roebling Hall Gallery, New York, USANuremberg Museum of Contemporary Art, GermanyHuman game. Winners and Losers, curadoria de [curated by] Francesco Bonami, Maria Luisa Frisa e [and] Stefano Tonchi, Fondazione Pitti Discovery, Stazione Leopole, Florence, ItalyArt and Football, Centro Cultural Banco do Brasil, Rio de Janeiro, BrazilLa Force de l’art, Grand Palais, Paris, FranceDark Places, Santa Monica Museum of Art, Santa Monica, USA2005 Always a little further, 51st Venice Biennial, Venice, ItalyFaçade projections, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USARoundleather world, Martin Gropius Bau, Berlin, GermanyWar is over, Galleria d`Arte Moderna e Contemporanea di Bergamo, Bergamo, ItalySélect’Art 05, 16 Contemporary Art Biennial of Sélestat, Sélestat, FranceParis à Shanghaï, Shanghai museum of Fine-Arts, Xangai, ChinaParilla, curadoria de [curated by] Ivan Navarro, Centro Cultural Matucana 100, Santiago, ChileAirborne, Henry Urbach Architecture, New York, USADouble Vision, curadoria de [curated by] Maria Rosa Sossai, Magazzino d’Arte Moderna, Rome, Italy2004The joy of my dreams, 1st International Contemporary Art Biennial of Sevilla, Monastary of Nuestra Senora de las Cuevas, Sevilla, SpainLa Planète Foot a 100 ans - FIFA 1904-2004, Olympic Museum, LaEUAnne, Switzerland At the Still Point of the Turning World, FACT, Liverpool, UKCouleurs à dessein/Color Energy, Galerie Villa des Tourelles, Nanterre, FranceEm Jogo/On Side, Centro des Artes Visuais, Coimbra, PortugalPrix Altadis, Galerie Anne de Villepoix, Paris, FranceGalerie Elba Benitez, Madrid, SpainOpen House, Brooklyn Museum of Art, Brooklyn, New York, USALa Condition Humaine, Le Rêve d`une Ombre, Museo d`Història de la ciudad, Barcelona, SpainMaking Differences, Kulturhuset, Stockolm, SwedenJusqu’où irez-vous?, Parcours Saint-Germain-des-Prés, Paris, FranceThe Human Condition, The Dream of a Shadow, Museo d’Historia, Barcelona, SpainMultitudes, Frac Corse, Corte, FranceCromofagia, Espacio Borges, Buenos Aires, ArgentinaSportivement vôtre, Domaine de Chamarande, France 2003

Filmvideo, Festival de Montecatini, Pistoia, Italy - Melhor Fotografia [Best Photography]International Art Film Festival, Bratislava, Slovakia - Golden Key - Artefatos [Artfacts]International Film Festival, Rio de Janeiro, BrasilInternational short film Festival, La Ciotat, FranceInternational Film Festival of Fine Arts, Szolnok, Hungary Bilbao International Film Festival, Spain - Melhor Documentário [Best Documentary]2001Festival International du Film d’Art, Montréal, Canada COLEÇÕES PÚBLICASPUBLIC COLLECTIONS

Blanton Museum of Arts, Austin, USA Coleccion La Caixa, Barcelona, Spain Elgiz Museum, Istanbul, TurkeyFond Régional d’Art Contemporain, Corse, FranceFonds National d’Art Contemporain, Paris, FranceGuggenheim Museum, New York, USAHarvard University Art Museum, Cambridge, USA Institut Valencia d’Art Modern, Valencia, SpainIsrael Museum, Tel Aviv, IsraelLa Fundación Jumex, México City, MéxicoMaison Européene de la Photographie, Paris, FranceMusée d’Art Contemporain, Vitry-sur-Seine, FranceMusée des Abattoirs, FRAC Occitanie, Toulouse, FranceMusée des Beaux-Arts, Chaux-de-Fonds, SwitzerlandNational Gallery of Canada, Otawa, CanadaNational Gallery of Art, Washington D.C, USAProgressive Corporation, Cleveland, USARice University, Anderson-Clarke Center for Continuing Studies, Houston, USA Société Générale, Paris, FranceSwatch AG, Biel, SwitzerlandYale University Art Gallery, New Haven, USAWeatherspoon Art Gallery, Greensboro, USAWhitney Museum of American Art, New York, USA

2008Tokyo Wonder Site Institute of Contemporary Art, Tokyo, Japan2004Altadis prize, Spain and France2003Travel grant, US Department of State, Bureau of Educational and Cultural Affairs, Diyarbakir, Turkey1994Artists in the Marketplace, Bronx Museum, New York, USA

FESTIVAIS E EXIBIÇÃO DE FILMESFESTIVALS AND SCREENINGS

2016ARTE Video Night, Maison Européenne de la Photo, Paris, France2015Videos d’ Artiste #8, Stephen Dean & Anne Deleporte, Maison Européenne de la Photo, Paris, France2012ARTE Video Night, Palais de Tokyo, Paris - ARTE TV, Germany / France2011Stephen Dean painter/film-maker, ARTE TV, Germany / FranceInitiation to Mystery, Soirées Nomades, Fondation Cartier, Paris, France2010ARTE Video Night, Petit Palais, Paris - ARTE TV, Germany / France2009 Cutting the edge, Miami international film festival, Flórida, USA2006Histoires courtes, France 2 TV, France2005L’experience metisse, Auditorium du Louvre, Musée du Louvre, Paris, France2004In Progress, Locarno International Film Festival, Locarno, SwitzerlandSituations construites, Attitudes, Geneva, SwitzerlandFestival Art Rock, Saint Brieuc, FranceExhibition, ARTE TV Alemanha / France2003Edinburgh Film Festival, Scotland Rencontres International Paris/Berlin, Arsenal, Berlin, Germany 2002Corto Circuito, Short-film festival, Nápoles, Italy - Melhor curta-metragem Europeu [Best European Short Film]Festival du court métrage en plein air de Grenoble, France - Menção Especial do Júri [Jury’s special mention]International Film Festival, Athens, GreeceFestival du Film d’Aubagne, France - Melhor Documentário [Best Documentary]