revista guitarra clássica n9

7/23/2019 Revista Guitarra Clssica n9

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INDCE

Editorial 2

Entrevista a Paolo Pegoraro 6

Guitarra: testemunha de relaes de poder 10

Entrevista a Ricardo Barcel 18

Consideraes sobre o repertrio para Terz-Guitare 22

Novas gravaes 41

Pginas com msica 48

PUBLICACAO TRIMESTRALMagazine online Portugus sobre assuntos musicais com especial foco no mundo daguitarra clssica.

DIRECOPedro Rodrigues e J oo Henriques

COLABORARAM NESTA EDIOFrancisco Morais Franco

J oo Henriques | [email protected] S OliveiraPedro Rodrigues | [email protected]

PRODUO GRAFICA E DIGITALAntnio Rosa da Silva | [email protected]

FOTOGRAFIA

Vrias fontes abertas

Enviem as vossas opinies, criticas e propostas de colaborao para:

| [email protected]

Marketing e Publicidade contactar a revista ou a direco em:

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ESTA REVISTA NO FOI REDIGIDA SEGUNDO O NOVO ACORDO ORTOGRFICO


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PAOLOPEGORARO

Eleitoem2003comoomelhorguitarrista italianodoanopelos leitoresdarevistaGuitart.Tanto

crticoscomo

figuras

reconhecidas

do

panorama

musical

apreciam

em

Paolo

Pegoraro

uma

profundidade e sensibilidade artstica pouco comum. Vencedor de concursos de prestgio,participaregularmenteemalgunsdosprincipaisfestivaisdaEuropa,assimcomonosEUA,Amricadosul,fricaesia.Noanode2001,numaentrevistaaumadas revistasmais importantesdaespecialidade,DavidRussellcitouocomoumdosmelhoresconcertistasdapocaactual.

criadoredirectorartsticodoFestivalInternacionaldeGuitarraFriuliVeneciaGiulia,quetemlugaremPordenonedesdeh16anos.Comumgostoespecialpeloensino, fundoucoma suaesposa,Angela Tagliariol, o centro guitarrstico Francisco Trrega, uma escola estabelecida ereconhecidainternacionalmente,quecontacomestudantesdediversospasesdetodoomundo.

Desde2010

exerce

ocargo

de

professor

na

"Universitat

fr

Musik

und

Kunst

darstelende",

em

Graz (ustria). Vrios dos seu alunos tocam regularmente em concertos e nos ltimos anosalcanaram mais de 100 prmios em concursos nacionais e internacionais entre os quais,Alexandria, Benicassim, Almeiria, Parkening. convidado com frequncia para ser jri deconcursosinternacionaiseparadarmasterclassesemtodoomundo.

Tem vrias gravaes e o seu CD Solo recebeu crticas entusiastas, em particular da revistaalemGitarreundLaute,queodeclarouadescobertadoano.PeloseultimoCD,Pegorarofoi galardoado como PrmioGuitarradeOronaConvenodeGuitarradeAlexandria,paramelhorCDdoano(2010).

Nascido em Bassano del Grappa em 1968, comeou desde tenra idade a estudar Msica,demonstrando desde logo um talento distinto, cultivado por um ambiente familiar rico emestmulosmusicais.GraduousecomasmaisaltasnotasnoConservatrio"BenedettoMarcello"deVeneza,naclassedoprofessorTommasodeNardis.FrequentouconsecutivasmasterclassesdeManuelBarruecoeDavidRussellerecebeuodiplomademritodaAcademiaChigianadeSienaenquantoalunodeOscarGhiglia.

Em2010tornasemembrodafamliaDAddario.

EstoumuitofelizporsaberqueomundodaguitarratemumapessoaeummsicocomoPaoloPegoraroLeoBrouwer

Paolo toca as notas como uma srie de prolas, precisas umas atrs das outras. E o maisextraordinrioquetemprolasdetodasascoresetamanhoseordenaasdeformaaproduzirum efeito compacto e harmonioso. Paolo segue as suas ideias musicais sem compromisso:intensificandoedesvanecendoa fraseondenecessriopor razesde lgicamusicalenodeproblemas tcnicos.algodeextraordinrionomundodaguitarra.Apenasposso repetirmaisumavez,adescobertadoano!PeterPffgenRevistaGitarreundLaute


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CONSIDERAESSOBREOREPERTRIOPARATERZGUITARE

MRIOCARREIRA

ParteII:orepertrio

AsobrasaquiapresentadascompletamocatlogodePeterPieters1,comremissosemprequepossvelparaoCatalogueoftheRischelandBirketSmithCollection,(R&BS)ed.PeterDanner,Editions Orphe, Columbus, 1989; Jukka Savijoki, Anton Diabellis Guitar Works, EditionsOrphe, 2004; Thomas F.Heck, Mauro Giuliani: Virtuoso Guitarist and Composer, Orpheeditions,1995;BrianJeffery,MauroGiuliani,TheCompleteWorksinFacsimilesoftheOriginalEditions,TeclaEditions,London,1988(GCW)eparaaconsultadaobradeBeethoven,GeorgKinsky/Hans Halm (Kinsky/Halm), Das Werk Beethovens, ThematischBibliographischesVerzeichnisseinerSmtlichenVollendetenKompositionen,G.HenleVerlag,Mnchen,1955.

No presente trabalho, no foram consideradas as obras para Terzguitare com baixosadicionados,nemorepertriopublicadoemfinaisdosculoXIXeinciodosculoXXemtornode

Alois

Gtz

eHeinrich

Albert2.

Quanto famosa sonata para guitarra atribuda a Beethoven3, no foi includa no nossocatlogoporlevantardemasiadasquestes,designadamenteasuaautenticidade.

O acervo aqui catalogado representa a maior parte do repertrio conhecido, ainda queprovavelmente incompleto, tal como prudentemente advertiu Peter Pieters no artigo atrscitado(cf.n.1).

Para a datao das obras mencionadas consultamos a bibliografia seguinte: Otto ErichDeutsch, Music Publishers Numbers,A selection of Dated Lists (17101900), Aslib, London,1946; A.Devries & F.Lesure, Dictionnaire des Editeurs de Musique Franais, Minkoff, vol.II,Genve,1988.

O repertrio para Terzguitare ainda desconhecido da grande maioria. No entanto,atendendo ao interesse crescente pela chamada guitarra romntica4, instrumento maisconhecidodosintrpretescomodevioleirosportuguesesdereconhecidomrito5,cremosqueeste artigo ser da maior utilidade, no momento em que a interpretao em instrumentoshistricosdosculoXIX,comeaaserencaradacomadevidaseriedadenonossopas.

1PeterPieters,LaChitarraTerzinanellaprimametdelsecoloXIX,IlFronimo,n73,Milano,1990,pp.3853.2

Vide

Stefan

Hackl,

prefcio

da

obra,

Ivan

Padovec,

Second

Concertino,

DGA

206,

2008,

p.

4.

3L.V.Beethoven,Sonataparaguitarra,(revisoedigitaodeJosAlbertoUbach),EdicionesMusicales

Yolotl,Mexico,1990;LudwigvanBeethoven,Sonate,ed.AlexSnchezeTakeoSato,ChanterelleVerlag(ECH446).https://groups.google.com/forum/?fromgroups#!topic/rec.music.classical.guitar/3U6

4Comojditonaedioanteriordapresenterevista,adesignaocorretaparaestecordofonedeseis

cordassimplesViolaFrancesa,terminologiaprovenientedosuldeItlia(emparticulardeNpoles)ondeoinstrumentoeraconhecidoporChitarrafranceseapartirdeca.1785,paraodistinguirdosinstrumentoscoetneos,armadosdeordensduplasoumesmotriplas.Paraumainformaocomplementarvide,ManuelMorais,violafrancesainEnciclopdiadaMsicaPortuguesanosculoXX,vol.IV,pp.13341336.5Paraalmdoautordopresenteartigo,citoosintrpretes,ManuelMorais,RicardoBarcel,Ricardo

Cerqueira,Baltar

Cassola

Duo

eos

violeiros

artesos

Carlos

Abreu,

Jorge

Ulisses,

Orlando

Trindade

eentreosguitarristasestrangeirosqueatuaramemPortugal,JosMiguelMoreno,DavidStarobinePavel

Steidl.


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Listadeabreviaturas

AMZ:AllgemeineMusikalischeZeitung

Arr.:arranjo

BoneG&M:PhilipJ.Bone:TheGuitarandMandolin

Col.priv.:colecoprivada

Copenhagen KB:DetKongeligeBibliotekCopenhagen

cl.:clarinete

DevriesEP:A.Devries/F.Lesure:Dictionnairedesditeursdemusiquefranais.Genve,

Minkoff,1976.

Ed.mod.:ediomoderna

fl.:flauta

GCW:GiulianiCompleteWorks(TeclaEditions,ed.BrianJeffery,London)

GFA:GuitarFoundationofAmerica

LondonBL:BritishLibrary

MnchenBS:

Bayerische

Staatbibliotek

Mnchen

Ms.:manuscrito

OEDeutsch:FranzSchubertDeutschVerzeichnis

pnf.:pianoforte

RIAM:RoyalIrishAcademyofMusic

R&BS:Rischel&BirketSmithsSamling

RISM:RepertoireInternationaldesSourcesMusicales

http://www.rism.info/en/service/opacsearch.html

s.d.:semdata

s.PN:semplatenumber

tzguit.:terzguitare

WoO:WerkohneOpus(obrasemndeopus)

WZ:WienerZeitung


25/47

Catlogo

a) Obrasasolob)

Duetos

a

duas

guitarras

c) Duetoscomoutrosinstrumentosd) Msicadecmara:trios,quartetos,quintetose) Concertosparaterzguitareeorquestra

ANNIMO:

b)BiedermeierTnze: 19GitarrenDuosauseineraltenHeidelbergHandschrift,frPrimund

TerzGitarreHerausgegebenvonDetlefHagge.Ed.Mod.Cornetto,s.d.semfontes

mencionadas(partitura

epartes).

AUERSPERG,AUGUST(??):

b)9/VALSES/pour/deuxGuitares/[]par/AugusteAuersperg/VIENNE/A.PennauerPN184

s.d.[R&BS/N25]6.

AUBRYDUBOULLEY,PrudentLouisde(17961870):

b)Op.52.4meDuo,Paris,RichaultPN2563,(1829)

c)PREMIRESRNADE/pour/Guitare&Violon/ddie/MadameAdlaideBaguet/et

compose/Par/P.L.AUBRYDUBOULLEY/ Oeuv.24/Paris,Richault,ca.1825,PN1161R(R&B

S/N)7,[Devris/Lesure,vol.IIp.369].

BARCO,BaronAntoinede(??):

b)Op.4: 12Lndler,Viena,Diabelli,PN582,(1820).

BATHIOLI,Francesco(fl.1820):

b)Op.4,

12

valsas,

Viena,

Diabelli,

PN

527,

(1820).

b)Op.9:Potpourri,Viena,Diabelli,PN3021,(1828).

PeasadoeasolodomtodoGemeinntzigeGuitareschule(Viena,ca.1823):

b)BrillanteVariationenfrzweiGuitarren(ca.1823)

b)Romanze,ausderOperNinavonDalayrac(ca.1823)

6AdesignaoTerzguitarenovemmencionadanocatlogodeRischelBirketSmith.Astonalidades

diferentesde

cada

guitarra

contudo,

sugerem

autilizao

de

uma

Terz

guitare

ou

uma

guitarra

normal

providadetranspositornaIIIcasa.7Nesteobraoautoradverte:Capotastosurla3emetouche,(conf.R&BS,p.8).


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a)Allegretto

a)EsKlingetsoherlich,vonW.A.Mozart

a)Allegromosso

a)Allegretto

a)Grazioso

BEETHOVEN,Ludwigvan(17701827):

v.Heeser,Nske,Schuster

BOBROWICZ,J.N.de(18051881):

c)SouvenirdePologne/GRANDPOTPOURRI/PourguitareouPiano/etVioloncelle[]par

/JeanNep.

Bobrowicz/

et

Jean

Baptiste

Gross/

Breitkopf

&

Hrtel

PN

5575

[ca.

1834],

(Deutsch,

p.9);[R&BS/N45].

CALL,Leonhardvon(17671815)8:

d)Terzetto,op.100,paravln,vlaetzguit.,Viena,TranquiloMolloPN1356(1810)

d)Terzetto,op.106,paravln,vlaetzguit.,Viena,MolloPN1369(1810)

d)Quartetoop.118paravln,vlacelloetzguit.Viena,MolloPN1388(1810)

d)Quartetoop.121paravln,vla,celloetzguit.Viena,SteinerPN1910(1812)

d)Serenataop.131paravln,vlaetzguit.,Viena,MolloPN1516(1814)

d)Serenataop.134paravln,vlaetzguit.,Bonn,SimrockPN1000(181214)

b)Serenataop.139paravlnetzguit.Viena,MollosPN(1815)

COSTA,Onorato(fl.Viena,ca.18181832):

b)Douzes

Valses

Brillantes

pour

deux

Guitarres/

composes

et

ddies

Monsieur

Dominique

deCostaparsonfrreOnoratoCosta/Oeuvre9me/Wien,beyPietroMechettiqm.CarloPN

1283(c.1822).Exemplar:Copenhaga,RoyalLibrary.Conf.BrianJeffery,prefciodaedio,

OnoratoCosta,SouvenirdOrient,Op.12,TeclaEditions,London,1983.

c)VariationsetRondosurunthmedelaDameBlanchepourlePianoforteetGuitare/

composesetddiesMonsieurdeHakenau[]parOnoratoCosta/Oeuvre10Viennechez

Ant.DiabellietComp.PN2613(1827).Exemplar:Viena,sterreichischeNationalbibliotek;

Viena,GesellschaftderMusikfreunde.conf.BrianJeffery,prefciodaedio,OnoratoCosta,

SouvenirdOrientOp.12,TeclaEditions,London,1983.

8NB:AsobrasdeLeonhardvonCallforamconcebidasparaumaguitarramunidadetranspositor

(GuitarreavecCapodAstronasediesoriginais).


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DARR,Adam(18111866):

d/e)Ms.Adagio&rondofrdieTerzguitarre(concertant)mitBegleitungderBassguitarre&2

Violinen(c.1849).Col.priv.

Ms.

Lndler

fr

Terz

&

Bass

guitarre

&

2

Violinen

(c.1849).

Col.priv.

b)Ms.Einleitung&WalzerfrTerz&Bassguitarre(c.1849).Col.priv.

DIABELLI,Anton(17811858):

b)GrandeSrnadeop.51,Viena,SteinerPN1338(ca.1810)Savijoki,p.30.

b)op.57:Variazioni/Soprauntemafavorito/Per/Duechitarre/[]daAntonioDiabelli/op.57

MilanoGio.RicordiPN310(Savijoki,p.34).Ed.mod.G.Zanibon,LaChitarranell800,Padova,

Italia.

d)Grand

Trio,

op.62,

Viena,

Steiner

PN

2136

(1814),

[Savijoki,

p.35];

Viena,

Imprimerie

Chimique(ca.1815).

b)Op.63:Serenataparaduasguitarras,Viena,MaischPN491(1813),Savijoki,pp.3536.

b)op.96:4meSrnade,Viena,SteinerPN2246(1814),Savijoki,pp.4445.

b)op.100:5meSrnade,Viena,SteinerPN2250(1814),Savijoki,p.48.

c)THMESFAVORIS/delOpera:Zelmira,deRossini,/varis/pourleCsakanseul/avec

accomp:deGuitarreadlibitum/[Op.128]/parAntoineDiabelli/CahierI/IIVienna/Cappiund

DiabelliPN

1113

4(1822).

Savijoki,

pp.57

58.

c)VALSESMELODIEUSES/pourle/PianoforteetGuitare/concertantes/composespar/ANT.

DIABELLI/Op.141/Vienna/A.DiabelliundComp.PN2255(1828).Savijoki,pp.5960.

a/c)op.140:IVLeichteundangenehmeRondino(pnf/tzguit.),Viena,DiabelliPN2248(1826)9,

Savijoki,pp.5859.

b)GrosserMarschausAlfred.ComponiertvonHrnGrafenW:RobertvonGallenberg,Viena,

DiabelliPN614(1820).

b)La

Gitana

[]

Fr

eine

oder

zwei

Guitarren,

A.Diabelli,

Viena

D.

&

C.

PN

6875

(1839)

Savijoki,

2004:132.

b)AlfredWalzer/mitTriosundCoda,/nachdenbeliebtestenMotivendesvomHrnGrafen/

W.RobertvonGallenberg/componirtenBalletsebendesselbenNahmens/bearbeitet,undfr/

zweyGuitarren/eingerichtet/von/ AntonDiabelli/WIEN/beyAnt.DiabelliundComp.PN693

(1820).

9

Jukka

Savijoki

refere

aexistncia

de

outras

fontes

para

guitarra

solo

desta

obra

(Savijoki,

2004:

58

59).


28/47

b)VariationenvonP:v:WinterbereinThemavonCaraffa,(Ocaramemoria).Viena,Diabelli

PN708(1821).

b)Orpheus(12vol.)Viena,DiabelliPN726731(1821).

b)Ouverture

aus

der

Oper

Die

diebische

Elster,

(La

Gazza

Ladra)

von

G.Rossini.

Viena,

Diabelli

PN765(1821).

c)24OriginalLndler(fl.&tzguit.)WoO,Viena,CappiundDiabelli,PN528529(ca.1820).

Savijoki:2004,69.

c)24OriginalLndler(csakan/tzguit.),Viena,CappiundDiabelli,PN608(ca.1820).

c)DerAbschiedderTroubadour(canto&tzguit.)arranjodeDiabellidaobradeGiuliani

[PhilomeleNr.50].Viena,Cappi&DiabelliPN137(ca.1819).

c)

Di

tanti

palpiti

(canto/

tzguit.),

Viena,

cappi

&

Diabelli

PN

44

[Philomele

Nr.12]

(ca.1819).

c)Daltuostellatosoglio(canto/tzguit.),Viena,A.Diabelli&Comp.PN2536[PhilomeleNr.181]

(1817).

d)DerTroubadour(3vozes/tzguit.),Viena,Cappi&DiabelliPN278[PhilomeleNr.70]

(ca.1820).

b)DerFreyschtze/RomantischeOpervonC.M.vonWeber,/fr/zweyGuitarren/

eingerichtet/von/AntonDiabelli/1teAbtheilung/WIEN/beyCappiundDiabelliPN107172

(ca.1821).RIAM,http://library.riam.ie/terms.html

c)PremierGrandConcertoop.30[]parMauroGiuliani(arr.deDiabelli,pnf/tzguit.GCW

vol.27)Viena,Cappi&DiabelliPN1143(ca.1822).

c)SecondGrandConcertoop.36[]parMauroGiuliani(arr.deDiabelli,pnf/tzguit.GCW

vol.36),Viena,Cappi&Diabelli,PN1190(ca.1823).

c)TroisimeGrandConcertoop.70[]parMauroGiuliani(arr.deDiabelli,pnf/tzguit.GCW

vol.32),Viena,Cappi&DiabelliPN1121(ca.1822).

c)[WoO]24/Original=Lndler/frdenCsakan/mitwillkhrlicherBegleitungderGuitarre/

Nachden

beliebtesten/

Oesterreichischen

Volksliedern/

bearbeitet

von/

Anton

Diabelli/

Vienna/CappiundDiabelliPN608(1820).Savijoki,pp.8586.

HENRY,Fritz(??):

b)Op.3:Valses,Viena,Pennauer,s.d.


29/47

GALLENBERG,W.R:von(??):

FavoritCotillon/ausderBallet:/Arsena/frzweyGuitarren/vonHrnGrafen/W:R:von

Gallenberg/WIEN/beyA.DiabelliPN1264s.d.Exemplar:RIAM,

http://library.riam.ie/terms.html

GAUDE,Theodor(1782?):

b)GrandDuoconcertant,Op.53.Ms.[R&BS/N251].

GELLI,VINCENZOF.(??):

?

GIULIANI,Mauro(17801829):

b)OverturadellOperaLaClemenzadiTitodiMozart,Viena,Artaria(WZ:22/04/1822)PN2237

(1812);OUVERTURE/dela/ClmencedeTitus/MUSIQUE/DEMOZART/ARRANGE/pour

DeuxGuitares/par/M.GIULIANI/APARIS/chezRICHAULT/PN1674[GCW/vol.23].

b)RondeauallaPollaccatirduPremierConcert[op.30],Viena,DiabelliPN1144(1822),[GCW/

vol.20].

b)III/ROND/perdue/Chitarre[]daMAUROGIULIANI/Opera66./aViennapressoS.A.

SteinereComp.

PN

2478

(1816),

[GCW

/vol.20].

b)Grand/PotPourri/perdue/Chitarre[]daMauroGiuliani/Opera67/ViennapressoPietro

MechettiqmCarloPN410(1816),[GCW/vol.20].

b)LaLiraNotturna,op.69,Viena,MechettiPN442(1816),[GCW/vol.21].

d)DerAbschiedderTroubadours/ROMANZE/[]fr/Gesang,Pianoforte,Guitareund

Violine/COMPONIRT/von/I.Moscheles,M.GiulianiundJ.Mayseder/Wien/beyA.Diabelliet

Comp.PNC.etD.N93(1819).[GCW/TE667].

b)Polonaise

tire

du

3me

Concert,

op.70,

Viena,

Diabelli

PN

1123

(1822),

[GCW/vol.21].

e)TroisimeGrandConcerto,op.70,Viena,1816(?);Viena,CappietDiabelliPN111920

(1822),[GCW/vol.30];G.Zanibon,LaChitarranell800Padova,Italia.

d)TroisimeGrandConcerto[op.70],avecaccompagnementde/deuxViolons,Altoet

Violoncelle[]parMauroGiuliani,Viena,DiabelliPN111920(1822),[GCW/vol.31].

b)TroisimeConcertopourlaguitaretierceavecaccompagnementduneguitareordinnaire

[]lapartyiedeguitareestarrangedaprslapartiedupianoforteparDegen.Ms.15pp.


30/47

a)VARIATIONS/pourlaGuitareseule/tiresdu3meConcertoeuvr:70./Composes/par/

MauroGiuliani./VIENNE,/chezA.DiabellietComp.PN1122(1822).[GCW/vol.8];(Heck,

1995:20510).

b)XII/Lndler/comfinale/PERUNAODUECHITARRE/composteda/MAUROGIULIANI/

Op.75/Vienna/

Presso

Weigl

PN

1580

(WZ:

31/01/1817);

[GCW/vol.19].

b)12/Laendler/per/DUECHITARRE/composteda/MAUROGIULIANI/Opera80/Vienna,/

pressoArtariaeComp.PN3052(1818?)[GCW/vol.19].

b)12/NeueLndler/fr/ZweyGuitarren/von/MAUROGIULIANI/Op.92/beyTranquillo

MolloPN1696(1818),[GCW/vol.19].

c)GRAND/POTPOURRINATIONAL/pour/GuitarreetPianoForte/[]Oeuvre93/VIENNE/

chezTranquilloMolloPN1688(181718),[GCW/TE587].

b)XII/

LAENDLER/

per/

DUE

CHITARRE/

composte

da/

MAURO

GIULIANI/

Opera

94/

Vienna

pressoArtariaeComp.PN3056(?)[GCW/vol.19].

d)VARIAZIONI/sullaCavatinafavorita/(Deh!Calmaohciel)/dellOperaOtello/per/Chitarra/

comaccompagnamentode/dueViolini,ViolaeVioloncello,/composte/da/MAUROGIULIANI/

Op.101/pressoAnt.DiabellieComp.PN589(1820),[GCW/vol.33].

d)INTRODUZIONE/e/VARIAZIONI/sopralaCavatinafavorita/(Numeperdonami,siintale

istante)[]/per/Chitarra/comaccompagnamentode/dueViolini,ViolaeVioloncello/

composteda/MauroGiuliani/Op.102/Vienna,/pressoA.DiabellietComp.PN590(1820),

[GCW/

vol.33].

d)Introduction/et/VARIATIONS/sur un(sic!)Valsefavori/pourla/Guitare/avec

accompagnementde/deuxViolons,AltoetVioloncelle/composes/par/MAUROGIULIANI/

Oeuvre103/Vienne/chezA.DiabellietComp.PN2133(1826),[GCW/vol.33].

c)TEMA/CONVARIAZIONI/sullAriafavorite/PartantpourlaSyrie/PER/PianoFortee

Chitarra/composteda/MAUROGIULIANI/Op.104/MILANO/PressoGio.RicordiPN11620

(ca.1840),[GCW/TE601].

c)Grand/POTPOURRI/pourla/FlteetGuitarre/compose/par/MAUROGIULIANI/Op.126/

Leipsic,chez

Frdric

Hofmeister

PN

1447

(1827),

[GCW/TE

622].

GIULIANI,MICHELE(18011867):

b)Grandes/VARIATIONS/pourdeuxGuitares/surlair:/(Ditantipalpiti)delOpera:Tancred/

Composes/par/MichelGiuliani/Oeuvre1/VIENNE,/chezA.DiabellietComp.PN4902

(1834).[R&BS/N385].

10muitoprovvelqueaobratenhasidopensadaparaserexecutadanumaTerzguitare,vistotratarse

deuma

verso

asolo

do

2

andamento

do

concerto

Op.70

para

Terz

guitare

eorquestra,

em

tudo

semelhanteaeste,namesmatonalidadededmaior(v.Revistaguitarraclssica,N8/Agosto2012,p.13).


31/47

d/e)RONDOLETTO/frdie/Guitare/mitBegleitungzweier/Violinen,ViolaundVioloncell./

Componirt/von/MICH.GIULIANI/4tesWerk./Wien/beyA.DiabelliundComp.PN591

(ca.1822).Exemplar:GFA,http://archives.guitarfoundation.org/

HEESER,ALEXANDRE(??):

b)QUATREWALSES/composes/parL.vanBEETHOVEN/arrangespour/DeuxGuitares/par

AlexandreHeeser/BonnchezN.SimrockPN2750(1830).Deutsch,p.24;(Kinsky/Halm,p.727);

[R&BS/N403].

HORETZKY,FELIX(17961870):

b)PolonaiseNationale,Op.1,Viena,DiabelliPN732(1821),[R&BS/N407].

b)

Variations

brillantes

sur

un

Thme

du

Ballet:

Nina,

Op.2,

Viena,

Diabelli

PN

878

(1821),

[R&BS/N413].

b)SixValses,Op.13,Mayence,SchottPN2381(1826),[Pieters,op.cit.p.52].

a/b)VARIATIONS/Brillantes/pour/uneoudeuxguitares/DDIES/SonAmi/[]par/

F.HORETZKY/OEuv.9/APARIS/chezRICHAULTPN1559.(ca.1827),conf.Devris/Lesure,vol.II

pp.365369;videtambmOp.16domesmoautor,RichaultPN2543(ca.1829),reeditadocomo

opus9naeditoraAdolpheFischer,Frankfurts.d.

HUMMEL,JOHANNNEPOMUK(17781837):

d)GrandeSrnade/enPotpourri/pourlePianoForte,Violon,Guitarre,ClarinetteetBasson,

/ouFlteetVioloncelle/composeetddie/MONSIEURLECOMTEFRANOISDEPLFFY/

par/JeanNp.Hummel/Oeuvre63/ViennechezArtariaetComp.PN2384(oautor,1814e

1815paraaedioArtaria).

d)GrandeSrnade/enPotpourri,/pourlePianoForte,Violon,Guitarre,ClarinetteetBasson,

/ou

Flte

et

Violoncelle/

compose

et

ddie/

MONSIEUR

LE

COMTE

FRANOIS

DE

PLFFY/

par/JeanNp.Hummel/Oeuvre66/ViennechezArtariaetComp.PN2387(oautor,1814e

1815paraaedioArtaria).Zimmerschied,p.102.11

11AsobrasdeHummelop.66e71(LaSentinelle),foramrecentementeapresentadaseminstrumentos

originais,no

mbito

das

Comemoraes

dos

95

anos

do

Conservatrio

de

Msica

do

Porto,

sob

ottulo

UmsaraumusicalnaVienadeBeethoven,(2/10/2012)comaparticipao deMrioCarreira,HelenaMarinho,OlavoBarros,CecliaFalco,JosFidalgo,MagnaFerreiraeRicardoCerqueira.


32/47

d)LASENTINELLE/DIESCHILDWACHE/pourle/CHANT/PIANOFORTE,VIOLON,GUITAREou

VIOLONCELLECONCERTANTS/ETCONTREBASSEADLIBITUM/composetddie/

MADEMOISELLEEUGENIESILNY/par/J.N.HUMMEL/Oeuvre71./[](2Edition)/Vienne,chez

TobieHaslingerPNT.H.2327(1815);Paris,Schlesinger,ca.1826;Paris,Richault,PN593;

ViennechezS.A.SteinerPN2327:[GCW/TE666]12;GFA:http://archives.guitarfoundation.org

c)GRAND/POTPOURRINATIONAL/pour/GuitareetPianoforte/composeetddi//

Mad.meHelenedeMalicheff/par/MAUROGIULIANI13/Oeuvre92(sic)/VIENNE/chez

TranquilloMolloPN1688(c.181718).[GCW/TE587].

JUST,I.(??):

b)POLONAISE/ausder/OperFaust/frzweyGuitarren/eingerichtet/vonI.JUST.Frankfurt

a/M,A.FischerPN211s.d.[R&BS/N423].

KFFNER,JOSEPH(17771856):

d)SrnadeOp.35(vln/vla.)Schott,MainzPN797(181516).

d)SrnadeOp.37(vln/vla.)Schott,MainzPN821(ca.1816).

d)SrnadeOp.45(clar.ouvln./vla.)Schott,Mainz(ca.1816).

d)SrnadeOp.65(vln./vla.)Schott,Mainz PN1324(ca.1820).

b)7Sonatines,Op.93, Paris,RichaultPN529(182223).

b)8Pices,Op.140,Offenbach,AndrPN4749(182325).

b)Divertissement,Op.196,Schott,MayencePN2600(182627).

12Existeumaversoalternativaparaguitarra(Terzguitare?)escritaporFernandoSor,equevem

reproduzidanoseumtodo(FernandoSor,MthodepourlaGuitare,Paris,1830).AsrazesquelevaramSoreescreverumaversodiferentedadeGiulianisoexplicadaspeloprprio(op.cit.p.85):DevantjoueravecMM.HertzetLafontletriodeHummelsurlaSentinelle,jaitobligdemefairelavariationdeguitareEx.88,parcequecellequisytrouvemoffraitdesdifficultsbienplusgrandesquelamienne.Daprscetaveu,onpeut voirquesilegenrepculierlaguitareestceluidelavariationenquestion,jenesuispassifortsurcetinstrumentqueceluiquilacrite.Jepourraislexcuter,maisceseraitauxdpensdesprincipesdontjenevoudraismedepartirjamais.EstetestemunhodeSorparaalmdomais,parececonfirmarasuafamiliaridadecomaTerzguitare,aindaquenoseconhea

nenhumaobra

do

autor

escrita

para

este

instrumento.

13Afolhaderostodaediooriginaladverte:LaPartieduClavecinestarrangeparN:Hummel.


33/47

LEGNANI,LUIGI(17901877)/LEIDESDORF,MAXJOSEF(17801840)14:

c)VARIATIONSCONCERTANTES/surunthmeoriginalde/ROSSINI/pour/Guitare&

Pianoforte/composspar/LEGNANI&LEIDESDORF/Oeuv.28/VIENNE/Sauer&LeidesdorfPN

2567(1823).[R&BS/N903].

c/d)VARIATIONS/concertantes/surunthmefavor.DelOpra:CenerentoladeRossini/

pour/GuitareetPianoforte/ouavecaccompagnementdedeuxViolons,AltoetVioloncelle/

composes/par/LegnanietLeidesdorf/Oeuvre28/Vienne/A.DiabellietComp.PN589394

(1823).[R&BS/N504].Ed.Mod.UtOrpheus,Bologna.

MERTZ,JOSEPHKASPAR(18041856):

c)DUETTEN/FRGUITARREUNDPIANOFORTE/UnterhaltendeTonstckeverschiedenen

Characters./MAZURKA,

BARCAROLLE/

Comp.

v.

J.K.Mertz

u.

Josephine

Mertz,

Op.40.

MNCHENBEIJOS.AIBLPN10641065(1852).Pieters,op.cit.p.52;[R&BS/Ns539,520].

Ed.mod.ALAMIRE,ed.P.Pieters,1990.

c)Duetten,(AlessandroStradella,Flotow),Op.51,Mnchen,J.Aibl(1852).Pieters,op.cit.p.52;

[R&BS/N529].www.earlyromanticguitar.com(Boije.coll.).

c)DivertissementberMotivederOper:RigolettovonG.Verdi,Op.60,Mnchen,J.AiblPN

1206(1853).Ibid.DIVERTIMENTO/per/ChitarraePianoforte/sopramotivedellOpera/

RIGOLETTO/diVERDI/compostda/J.K.MERTZ/Op.60/G.RICORDI&C.PN26310(s.d.).

Pieters,

op.cit.

p.52;

[R&B

S/N

526].

Ed.

Mod.

ALAMIRE,

ed.

P.Pieters,

1990.

c)WasserfahrtamTraunsee/Tonstuck/fr/GUITARREUNDPIANOFORTE/componirt/von/

J.K.Mertz/[WoO]/Mnchen,Jos.AiblPN1645(1864).Pieters,op.cit.p.52;[R&BS/N550];


c)EINSIEDLERSWALDGLCKLEIN/TONSTCK/fr/GUITARREUNDPIANOFORTE/componirt/

vonJ.K.Mertz/Mnchen,Jos.AiblPN1646(1864).Pieters,op.cit.p.52;[R&SS/N530].


b)EinsiedlersWaldglcklein/TonstckvonJ.K.Mertz/TerzguitarreundPianoforte/Seconde

guitarrearrang

par

S.Degen.

Ms.

b)NnienTrauerlieder:Unruhe,Vespergang,Mazurka,Tarantella,Stndchen,DeutscheWeise,

Barcarolle,Impromptu[Ms.DK:Kk];Pieters,op.cit.p.52;Ed.Chanterelle/424,vol.VIIIed.Simon

Wynberg,1985.

b)PotPourri(MeyerbeersLesHuguenots),WasserfahrtamTraunsee,EsLebederFasching

(walsen),DerBall.Ms.DK:Kk(Boijecollection:www.earlyromanticguitar.com).

14v.PhillipBone,TheGuitarandMandolin,p.179.


34/47

MENDELSSOHNBARTHOLDY,FELIX(18091847):

b)Ms.BryllupsmarschafSommernatsdromme.[R&BS/N145].

MLLER,J.J.(??):

b)Potpourris

sur

des

Opras

favoris,

Op.3

(Weber,

Der

Freischtz),

Andr,

Offenbach

PN

6249

(1839).Pieters,op.cit.p.52;[R&BS/N571].

b)PotpourrissurdesOprasfavoris,Op.4(Auber,LaMuettedePortici),Andr,OffenbachPN

6250(1839).Pieters,op.cit.p.52;[R&BS/N568].

b)PotpourrissurdesOprasfavoris,Op.5(Auber,FraDiavolo),Andr,OffenbachPN6251

(1839).Pieters,op.cit.p.52;[R&BS/N569].

b)POTPOURRI/tiredelOpera/IPURITANI/deVinc.Bellini/compospour/DEUXGUITARES/

PAR/

J.

J.

MLLER/

Op.33/

Mayence/

Anvers

et

Bruxelles/

chez

les

fils

de

B.

SCHOTT/

PN

6973

[R&BS/N572].

NAVA,ANTONIO(17751826):

a)VARIAZIONI/PerChitarra/EstrattedallaDanzadetreMoretti/NelBallolAllievodella

Natura/ComposteeDedicate/alSigr./INGEGNEREVINCENZOMAGGI/DaAntonioNava/

Op.34/Milano,Gio.RicordiPN257(181517).Pieters,op.cit.p.52;Ed.mod.UtOrpheus,

Bologna,1999.

b)Divertissement/pourdeuxGuitares/PAR/Ant.Nava/Oeuv.52/Leipsic/chezBreitkopf&

HrtelPN3318(1821).Pieters,op.cit.p.52.[R&BS/N576].

NICOLAI,F.(??):

b)Ms.Themavari.[R&BS/N246,251].

NSKE,J.A.(??):

c)12AirsfromBeethovensFidelio(BooksI/II)/ArrangedbyJ.A.Nske,[tzguit./pnf]London,

R.Cocks&Co.[183233].RIAM, http://library.riam.ie/terms.html

OBERLEITNER,ANDREAS(1786?):

b)GrosseSrnade,Op.12,Wien,SteinerPN2504(1816).Pieters,op.cit.p.52.

b)12LinzerLndler,Op.20,Wien,SteinerPN2508(1816).Pieters,ibid.

b)12STEYERSCHELNDLER/fr/zweyGuitarren/von/AND:OBERLEITNER/21tesWerk.

[R&BS/N909].


35/47

PADOVETZ,JEAN(18001873):

b)Deux/POLONAISES/pour/deuxGUITARES/compossetddies/Monsieur/JEAN

POSCHINGER/par/JeanPadovetz/Oeuv.3./Vienne,/chezAnt.Diabelli&Comp./PN3553

(1832).[R&BS/N597].

b)PremierGrandRondeau,Op.10,Viena,A.DiabellietComp.PN4553(1833).[R&BS/N

598].

b)PremireGrandePolonaise,Op.18,Wien,A.DiabellietComp.PN5058(1834);Mr.Joseph

Benedikt/GRANDE/POLONAISE/pourdeuxGuitares/par/JEANPADOVETZ/Op.18/APARIS,

chezS.RICHAULT/[PN4026R.]Ed.mod.:TeclaEditions,ed.BrianJeffery,1994.

e)Premier/CONCERTINO/pour/laGuitare/avecaccompagnement/dedeuxViolons,Alto,et

Violoncelle/parJeanPadovetz/[Ms.c.1850].Ed.mod.:StefanR.Hackl,DGA,Texas,2008.

e)Second/

CONCERTINO/

pour/

la

Guitare/

avec

accompagnement/

de

deux

Violons,

Alto

et

Violoncelle/par/JeanPadovetz/[Ms.c.1850].Ed.mod.:StefanR.Hackl,DGA,Texas,2008.

PETTOLETTI,PIETRO(ca.1795ca.1870):

b)Divertissement(Variationsfacilessurunthemesudois),Op.11.Ms.[R&BS/N615].

b)FantaisiesurunmotifdeBellini,Op.22,St.Petersbourg,BernardPN2101(1842).

b)FANTAISIE/surdesmotifsdelOpra/LASTRANIERADEBELLINI/pour/DEUXGUITARES/

composetddie/MonsieurlePrinceObolensky/par/P.PETTOLETTI/Oeuv.24/St.

PetersbourgchezM.BernardPN2124(1842).

b)POTPOURRI/pourlaGuitare/avecaccompagnement/dun(sic!)secondeguitare,/

compose&executesonconcert/STOCKHOLM,/en1829,/par/P.Pettoletti/Oeuv.9/[R&B

S/N631].

d)FANTAISIE/surdesmotifsfavoris/DELOPERA/LESHUGUENOTS/pourquatreGuitares/

Composeetddie/SonExcellence/Mr.N.deLOUNIN/EcuyerdelaCourdeS.M.

lEmpereurdetouteslesRussies./PAR/P.PETTOLETTI/Oeuvre16/St.Petersbourg,Davignon

[R&BS/N

620].

PRAEGER,H.A.(17831854)15:

b)DuoOp.48(Ed.?)

PRUME,FRANOISHUBERT(??):

b)Ms.LaMelancolie.[R&BS/N257]

SELLNER,JOSEPH(17871843):

15InformaogentilmentecedidaporStefanHackl.


36/47

b)Ms.6VariationssurunthemetirolienparSellner.[R&BS/N247a]

SCHUBERT,FRANZ(17981828)16:

c)DerAlpenjger,D.588/Op.37:WillstdunichtdasLmmleinhten[Ms.]arr.deFranzvon

Schlechta.

OEDeutsch,

pp.

341

42.

SCHUSTER,VINCENZ(??):

b)Pot=Pourri/pour/deuxGuitarres/composetddi//MonsieurVincentEkl,/parson

ami/VINC:SCHUSTER./Op.2/VIENNE,/chezA.DiabellietComp./[PN102](1819).[R&B

S/N673].

b)2emePotpourri,Wien,Mollo,PN175(1819).Pieters,op.cit.p.53.

a/b)6/

Lndler

mit

Coda/

fr

eine/

Guitare/

mit

willkhrlicher

Begleitung

einer

Zweiten./

Verfasst/von/VINCENZSCHUSTER./9tesWerk./WIEN/beiAnt.Diabelli&Comp.PN2582

(ca.1827).[R&BS/N679].

b)3me/Potpourri/pour/deuxGuitares,/composetddie/MonsieurleBaron/Maurice

deManfeld/par/Vinc.Schuster/Oeuvre12./Vienne/chezAnt.DiabellietComp.PN2660

(1827).[R&BS/N677].

b)VARIATIONS/tiresdunquatuor[Op.18N5]/de/LOUISvanBEETHOVEN,/arrangespour/

deuxGuitarres/etddies/Messieurslesfrres/AntoineetFrdericSpina/par/VINC:

SCHUSTER/Oeuvre

4./

VIENNE,/

chez

Ant.Diabelli

PN

733

(1821).

[R&B

S/N

676].

Kinsky/Halm, p.44.

b)VARIATIONSFAVORITES/pourdeuxGuitarres/tiresdugrandSeptuordeL:van

Beethoven,/arrangesetddies/Monsieur/C:deBeuthen/parVinc:Schuster./VIENNE/

chezA.DiabellietComp.PN103.[R&BS/N675].Kinsky/Halm,p.51.

b)Andantefavorit/tirdunquatuor/deLouisvanBeethoven,/arrange/pour/deux

Guitarres/par/Vinc:Schuster/Oeuvre5/VIENNE/chezA.DiabellietComp.PN739.[R&BS/N

667].Kinsky/Halm,p.142.

SEEGNER,FRANZGR.(??):

d)Variazionen/frdie/Guitarre/mitBegleitungdes/Quartetts/gesetzt/von/FranzSeegner/

WIEN/19tesWerk/gedrucktimlithogr:Institutnchstderk.k.BurgN2.PN315,s.d.[R&B

S/N681].

b)SrnadeOp.31,Wien,ArtariaPN3029(1831).Pieters,op.cit.p.53.

16InformaogentilmentecedidaporStefanHackl.


37/47

STEINFEELS,ADOLPH(fl.1840?):

b)SEPT/MONFERINES/pour/deuxGuitarres/composespar/ADOLPHSTEINFEELS./Oeuv.18/

Vienne,

chez

A.Diabelli

et

Comp.

PN

2990

[R&B

S/N

890].

d)VIVariationssurunthmeoriginale17(tzguit.equartetodecordas)Ed.?

SPINA,FREDERICH(??):

b)OuvertureTancred(Rossini),Wien,WeiglPN1612(1817).Pieters,op.cit,p.53.

b)12Walses,Op.12,Vienne,A.DiabellietComp.PN479(1819).Pieters,ibid.

d)VariationenberdasbeliebteDuettBrderleinfein,Op.30(tzguit.equartetodecordas),

Diabelli&Comp.PN?18

ZANIDEFERRANTI,MARCOAURELIO(18011878):

a)FANTAISIE/VARIESURLAIR/Waninderfruhaufsteh/compose/pourGuitareseule/

PAR/M.A.ZanideFerranti/GuitaristeduroidesBelges/Op.1/MAYENCE/ANVERSET

BRUXELLES/chezlesfilsdeB.Schott.PN5913(1828).[VandeCruys,p.229].

a)FANTAISIE/VARIE/surlaromancedOtello/Assisapidunsalice/compose/pour

GUITAREseule/par/M.A.ZanideFeranti./Op.7/MAYENCECHEZLESFILSDEB.SCHOTT/PN

6512(1841).[VandeCruys,ibid.].

WAGNER,RICHARD

(1813

1883):

b)Arranjoannimo,Marcha&PilgrimschordeTannhuser[R&BS/N246].

WEISS,ANTON(??):

a/b)ZwlfWalzer/frdie/GUITARRE/mitwillkhrlicherBegleitungeinerZweitenundDritter/

componirtundseinemFreundedemHerrn/MaxGaudin/gewidmetvon/AntonWeiss./6tes

Werk/DRESDEN,s.d.

WOLF,LOUIS19:

b)Duoconcertantpourdeuxguitares(Ed.?)

17

Informao

gentilmente

cedida

por

Stefan

Hackl.

18

InformaogentilmentecedidaporStefanHackl.19

InformaogentilmentecedidaporStefanHackl.


38/47

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sempre

rall...

( s rudo de raspar )

( just nail's scrach )

2 = Bb

6= Eb

64

i

3

m6

U

m

Dur. Ad Lib.

molto legatto sempre

26 3

m

m

ia a m i a m i m a m i a m i

(segue)

m

regolare (molto leg. sempre)

9

4

m ia i m a m i m a

531

m

]

m

ia i m a

1

m

1 2

sempre

0

m

(segue)15ia i m a

6X

4

m

4__

24

ia i m a ia

1__5

0m

5 4

3

ia

2

i m a

0

m

1

4

ia

3

i m a

2

m

0

1

i m a

2

0 4

5 3

m

m

ia

1 2 4

i m a m i m a m

1 40

molto

12

(segue)

44

m ia

Lascia Vib.

i m aca

4

Lascia Vibr. tutta corda pos.

p

sb

i m p i

%x 5 4

p

sb

2

i m p i

x 43

p

sb

2

i m p i

%x 4 x 4

4

p

1

i m a p i

Textura I: "Das cores sombrias",

para guitarra soloEli Camargo Jr

8'' ca 10'' ca 5'' ca


46/47

49 2

p i m p ip i m p i

1x 3

4 1x 2

%

1

p

2

i

44

m

0

a

x 2

i

Lascia Vib.

mi m - i

34rubato, expres.

1

02

2

sb

1 0

3

6

4 0

5

5

3

1

43

0 0 0

56

aa

il basso

35 0 0

6 2 1

0 51__

0

5 3

Rit. molto

64

34

3

A tempo, deciso

41

0 5

2

0

b1

a0 3

b

3

b

3

a0 0 ab02

3 41 0

0

Agitato, tempo lbero

3

642

Regolare

3

a

b

1

2

10

ab

0

2

010

a

b

0b

aaa

0304

Tempo libero

sb

20

b1

2

6

0

precipitando...

Tambora, sull tasto

b ab

Tambora, ord. e regolare

W

: Giusto, sempre

68

b3

sull

b

6

1

b4

p - a

sbb

4

m

b1

b4

p - ap - a

b1

b1

b4

1

p - a

4

p - a

2 4

m

b1

cavalete

2

3

ord.

a ab

1

ba

3

1

Rasgueando, sempre

1

20

4 3 2

3

341

2

12

003

4m

ULascia Vib.

UXIX

ababb b

" "

Vila Franca de Xira12/2007


47/47

revista guitarra clássica n9

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