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editoras reais como inspirao para uma editora imaginria

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PROJECTO FAHRENHEIT 451Grupo F /Catarina Aguiar, Daniel Morgado, Filipe Martins & Ins SobralDesign de Comunicao 1/Fevereiro de 2014Faculdade de Belas-Artes da Universidade de Lisboa


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PROJECTO FAHRENHEIT 451Grupo F /Catarina Aguiar, Daniel Morgado, Filipe Martins & Ins SobralDesign de Comunicao 1/Fevereiro de 2014Faculdade de Belas-Artes da Universidade de Lisboa


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fessional subjects, and had 990 staffmembers with offices in the UnitedStates, UK, Australia, China, Denmark, Germany, Singapore and Japan.The company identified its mission as an expert publisher creating long-term partnerships with its clients that enhanced learning, disseminatedresearch, and improved the quality of professional practice. Blackwell Sci-ence launched online full-text service in 1999.On November 17, 2006, John Wiley & Sons announced it had enteredinto a definitive agreement to acquire Blackwell Publishing. The acquisi-tion was completed in February 2007, at a purchase price of 572 million.Blackwell Publishing was merged into Wileys Global Scientific, Technical,and Medical business to create Wiley-Blackwell. From June 30, 2008, thejournals previously on B lackwell Synergy are delivered through Wiley I n-terScience.

www.wiley.com/wiley-blackwell

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Wiley-Blackwell

1922

Wiley-Blackwell is the international scientific, technical, medical, andscholarly publishing business of John Wiley & Sons. It was formed by themerger of John Wileys Global Scientific, Technical, and Medical businesswith Blackwell Publishing, after Wiley took over the latter in 2007.As a learned society publisher, Wiley-Blackwell partners with around 750

societies and associations. It publishes nearly 1,500 peer-reviewed jour-nals and more than 1,500 new books annually in print and online, as wellas databases, major reference works, and laboratory protocols. Wiley-Blackwell is based in Hoboken, New Jersey (United States) and has officesin many international locations including Boston, Oxford, Chichester, Ber-lin, Singapore, Melbourne, Tokyo, and Beijing, among others.Wiley-Blackwell publishes in a diverse range of academic and professionalfields, including in biology, medicine, physical sciences, technology, socialscience, and the humanities.Access to more than 1,500 journals, OnlineBooks, lab p rotocols, electronicmajor reference works and other online products published by Wiley-Blackwell is available through Wiley Online Library, which replaced theprevious platform, Wiley InterScience, in August 2010.

Blackwell Publishing was formed by the 2001 merger of two Oxford-based

academic publishing companies, Blackwell Science (founded 1939 asBlackwell Scientific Publishing) and Blackwell Publishers (founded 1922),which had their origins in the nineteenth century Blackwells family book-shop and publishing business. The merger created the worlds leadinglearned society publisher, partnered with 665 academic and professionalsocieties. Blackwell published over 805 journals and 650 text and refer-ence books in 2006, across a wide range of academic, medical, and pro-

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income tax and corporate tax in most countries, but may pay sales andother commercial taxes on its products. The Press today transfers 30% ofits annual surplus to the rest of the University, with a commitment to aminimum transfer of 12 million per annum. OUP is the largest univer-sity press in the world by the number of publications, publishing morethan 6,000 new books every year and employing nearly 6,000 people.OUP publishes many reference, professional, and academic works includ-ing the Oxford English Dictionary, the Concise Oxford English Dictionary,the Oxford Worlds Classics, the Oxford Dictionary of National Biography,and the Concise Dictionary of National Biography. A number of its most

important titles are now available electronically in a package called Ox-ford Reference Online, and are offered free to holders of a readers card orother subscribing institutions (e.g., universities, colleges, etc.) worldwide.Books published by Oxford have International Standard Book Numbersthat begin with 0-19, making the Press one of a tiny number of publisherswho have two-digit identification numbers in the ISBN system. By inter-nal agreement, the first digit of the individual edition number (following0-19-) can indicate a particular originating division, for example: 3 for mu-sic (before ISMNs were defined); 5 for the New York office; 8 for ClarendonPress publications.

http://global.oup.com

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ASSRIO & ALVIMCOTOVIARELGIO DGUAGRADIVATICA

BABELBERTRANDANTGONATINTA DA CHINADOM QUIXOTE

PRESENAALMEDINAEDIES 70AFRONTAMENTOPORTO EDITORA

PLANETA TANGERINABRUGATAFUNHO

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Oxford University Press

1586

Oxford University Press (OUP) is the largest university press in the world,and the second-oldest. It is a department of the University of Oxford andis governed by a group of 15 academics appointed by the Vice-Chancellorknown as the Delegates of the Press. They are headed by the Secretary tothe Delegates, who serves as OUPs chief executive and as its major repre-

sentative on other university bodies. Oxford University has used a similarsystem to oversee the Press since the 17th century.The university became involved in the print trade around 1480, and grewinto a major printer of Bibles, prayer books, and scholarly works. Its Presstook on the project that became the Oxford English Dictionary in the late19th century, and expanded to meet the ever-rising costs of the work. Asa result, the last hundred years has seen Oxford publish childrens books,school text books, music, journals, the Worlds Classics series, and a best-selling range of English Language Teaching texts to match its academicand religious titles. Moves into international markets led to the Pressopening its own offices outside the United Kingdom, beginning with NewYork City, United States in 1896. With the advent of computer technologyand increasingly harsh trading conditions, the Presss printing house atOxford was closed in 1989, and its former paper mill at Wolvercote wasdemolished in 2004. By contracting out its printing and binding opera-

tions, the modern Press publishes some 6,000 new titles around the worldeach year. As part of a charitable organization, OUP is committed to majorfinancial support of its parent university, and furthers the university s aimsof excellence in scholarship, research, and education through its publish-ing activities.OUP was first exempted from US Corporation Tax in 1972 and from UKCorporation Tax in 1978. As a department of a charity, OUP is exempt from

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Walker Books

1978

Walker Books is an independent British publisher of childrens books,founded in 1978 by Sebastian Walker.The success of their Wheres Wally? series enabled them to expand intothe American market, starting a sister company called Candlewick Pressin 1991.

Amelia Edwards, co-founder of Walker Books, was presented with the El-eanor Farjeon Award in 2001 for her contributions to childrens literaturethrough her role as the publishers art director.The companys logo of a bear holding a candle was designed by HelenOxenbury and has come to be seen as a symbol of quality books for chil-dren.The company have supported Bliss, the special care baby charity since2008.

http://www.walker.co.uk/

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tica

1930

Luiz de Montalvor

Almada Negreiros

Fundada em 1930 pelo poeta e ensasta Luiz de Montalvor, a tica rapida-

mente se afirmou no panorama editorial portugus pelo aparato grficodas suas edies, e pela criteriosa seleco de ttulos.Em 1942 iniciou a publicao das Obras Completas de Fernando Pessoa.Numa primeira fase dirigidas por Luiz de Montalvor e Joo Gaspar Simes,a organizao da obra foi posteriormente continuada sob a direco de al-guns dos nomes mais relevantes da cultura port uguesa, tais como Jacintodo Prado Coelho, Joel Serro, Georg Rudolf Lind, David Mouro-Ferreira,Vitorino Nemsio ou Jorge de Sena.Editora exclusiva da obra de Fernando Pessoa de 1942 at sua entradano domnio pblico foi a tica a editora responsvel pela divulgao na-cional e internacional da obra de Fernando Pessoa.Em 1945, publicou as Obras Completas de Mrio de S-Carneiro, e, maistarde, a Coleco Poesia, cuja capa - desenhada por Almada Negreiros - setornou uma referncia da iconografia portuguesa do sculo XX.

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BABEL

Babel o nome escolhido pelas editoras Guimares, tica, Athena,Centauro, Verbo e Ulisseia para denominar o novo grupo onde pas-sam a desenvolver uma estratgia comum de penetrao no mercadolivreiro.Com Paulo Teixeira Pinto, da Guimares Editores, como principal res-ponsvel, o grupo Babel dar continuidade aos projectos j existentesem cada um dos parceiros, como a edio da obra de Agustina Bessa

Lus, Jorge de Sena, Ferreira de Castro e Fernando Pessoa, ou a ediode livros infantis, ensaios e romances.Em simultneo, ser desenvolvida uma aposta em novos autores e atna criao de coleces que podero envolver as diferentes editorasagrupadas.Entre os objectivos do mais recente grupo editorial portugus est acriao de canais de venda alternativos, bem como a produo de umcatlogo capaz de dar resposta s necessidades dos mltiplos pblicosque hoje compem o universo de leitores.

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Thames & Hudson

1949

Walter Neurath

Thames & Hudson (also Thames and Hudson and sometimes T&H for brev-ity) is a publisher of illustrated books on art, architecture, design, and vi-sual culture.[1] With its headquarters in London, England it has a sister

company in New York and subsidiaries in Melbourne, Singapore and HongKong. In Paris it has a further subsidiary company, Interart, which is en-gaged in the distribution of English-language books and a sister compa-ny, ditions Thames & Hudson. It has been an independent, family-ownedcompany since its founding in 1949.Thames & Hudsons World of Art series is especially well-known. In par-ticular, A Concise History of Painting: From Giotto to Czanne by MichaelLevey (of the National Gallery in London), originally published in 1962(ISBN 0-500-20024-6), is a classic and authoritative introduction to the his-tory of European art from the beginnings of perspective in Italy to thefoundations of modern art at the start of the 20th century.Thames & Hudson employs some 200 people worldwide, mostly in theLondon headquarters, with an annual publishing programme that re-leases approximately 180 books a year on art, photography, architecture,graphics, three-dimensional design (industrial, furniture, product), gar-

dens, fashion and textiles, archaeology, history, travel, lifestyle and inte-riors, and popular culture.

http://www.thamesandhudson.com/

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Antgona

Personagem mtica, Antgona simboliza, antes de mais, a desobe-dincia.

1979

As editoras no se definem apenas pelos autores que aceitam ourecusam, mas sobretudo pela maneira como os aceitam ou recu-

sam.Fundada em Junho de 1979, a Antgona iniciou a sua actividadecom a publicao do livro Declarao de Guerra s Foras Armadase outros Aparelhos Repressivos do Estado. Esta obra emblemticaanunciava j o programa editorial que se tem vindo a concretizar,sem desvios, nos ltimos trinta e um anos.Hoje, com mais de 200 ttulos, a Antgona mantm a sua paixoinicial pelos textos subversivos, e vai continuar, ainda por muito tem-po, a empurrar as palavras contra a ordem dominante do mundo.

http://www.antigona.pt/

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upheaval in the country even greater than that brought on by World WarI. Gaston Gallimard considered selling his business and going into exile inthe United States but ultimately remained in France. Gaston Gallimardspolicy during the occupation was to push as much as possible withoutmaking waves, to placate the Germans without violating his principles.He published classic German authors like Goethe, Meister Eckhard, andTheodor Fontane, while continuing to publish bold new French works.Albert Camus Ltranger appeared in June 1942, at the height of the oc-cupation, and his Le mythe de Sisyphe soon afterward. Saint-ExuprysPilote de guerre was published despite some disparaging references toHitler that had to be deleted from the manuscript. The war helped sales.With public entertainment greatly limited, French interest in reading wasunprecedented. However, the Nazi takeover of NRF cast a dark shadowover the magazine until into the 1950s.After the liberation of France, Gallimard continued to boast an impressiveroster of authors. They included the so-called Resistance writers--Jean-Paul Sartre, Camus, and Malraux, among others--who were the most in-fluential literary figures of postwar France. Important new writers such asmile Cioran and Jean Genet were also joining the house. The Srie Noire,a series of crime and mystery novels translated from English, was intro-duced in 1948.In 1951, the company is renamed Les ditions Gallimard.

www.gallimard.fr


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EDITORAS

ESTRANGEIRAS

FABER & FABERPENGUIN

KALANDRAKABLOOMSBURY

TASCHENDITIONS GALLIMARD

WORDSWORTHTHAMES AND HUDSON

WALKER BOOKS

RANDOM HOUSEROUTLEDGEYALE UNIVERSITY PRESS

OXFORD UNIVERSITY PRESSCAMBRIDGE UNIVERSITY PRESS

WILEY-BLACKWELL

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Faber and Faber

depois da sada do co-fundador da firma, para manter a dinmica donome, o nome Gwyer foi substitudo pelo de Faber

1929 (1925-1929 Faber and Gwyer)

Geoffrey Faber

John McConnell, Pentagram, 1981

Barnett Freedman, TS Eliot, Margeret Wolpe, David Jones, BertholdWolpe, Trog, Anthony Gross, Neil Gower, Donna Muir, Aaron Judah,Pentagram, Leonard Baskin, Steve Caplin, Jenny Grigg, Darren Wall

Faber and Faber began as a firm in 1929, but its roots go back further- to The Scientific Press, founded in the early years of the twentiethcentury, which was owned by Sir Maurice and Lady Gwyer and whichderived much of its income from the weekly magazine The NursingMirror. The Gwyers desire to expand into trade publishing led themto Geoffrey Faber, a fellow of All Souls College, Oxford, and Faberand Gwyer was founded in 1925. Four years later, The Nursing Mir-ror was sold and Geoffrey Faber and the Gwyers agreed to go theirseparate ways. Searching for a name with a ring of respectability,Geoffrey hit upon the name Faber and Faber, although there wasonly ever one of him.In the meantime, the firm had prospered. T. S. Eliot, who had beenrecommended to Faber by a colleague at All Souls, had left LloydsBank in London to join him as a literary adviser and in thefirst seasonthe firm issued his Poems 1909-1925. Also appearing in the catalo-gues from the early years were books by Ezra Pound, Jean Cocteau,

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