brasil 2018 -...

BRASIL2018

The Ministry of Human Rights presents

Ministério dos Direitos Humanos (MDH)

Setor Comercial Sul – B, Quadra 9, Lote C

Edifício Parque Cidade Corporate, Torra A, 10º andar

CEP 70308-200

Brasília – Distrito Federal

Telefone: (61) 2027.3900

www.mdh.gov.br

Instituto Cultura em Movimento (ICEM)

Rua Franklin Roosevelt, 23, sala 1202

CEP 20021-120

Rio de Janeiro – Rio de Janeiro

Telefone: (21) 3804.5600

www.icemcultural.org.br

12th Film and Human Rights Exhibition

Mostra Cinema e Direitos Humanos

Muestra Cine y Derechos Humanos

Brasília, DF / Rio de Janeiro, RJ: Instituto Cultura em Movimento, 2018.

1ª Edition: November 2018

Print run: 4.100 copies

Printed in Brazil, Logus Gráfica – www.logusgrafica.com

Free distribution

MICHEL TEMER President of the Federative Republic of Brazil

GUSTAVO DO VALE ROCHAMinister of Human Rights

MARCELO DIAS VARELLAExecutive Secretary

HERBERT BORGES PAES DE BARROSNational Secretary of Citizenship

JUCIARA RODRIGUESDirector of Promotion and Education in Human rights

ADRIANA ESCORSE DE MORAESGeneral Coordinator of Education in Human Rights

THAÍS MARIA LEMOS RIBEIROCoordinator of the General Coordination of Education in Human Rights

ALBERTO GRAÇAPresident of Instituto Cultura em Movimento

LUCIANA BOAL MARINHOVice- President of Instituto Cultura em Movimento

ANDERSON LUIZ DE CARVALHO FLÁVIOFELIPE NEGREIROS DE BRETAS FREITAS LUCILA VASCONCELOS AVELARManagement Council of Instituto Cultura em Movimento

15 November – 15 December2018

BRAZIL

The Ministry of Human Rights presents

12th Film and Human Rights ExhibitionMostra Cine e Direitos HumanosMuestra Cine y Derechos Humanos

PRESENTATION

PANORAMA EXHIBITION

THEMATIC EXHIBITION

TRIBUTE EXHIBITION

CHILDREN´S EXHIBITION

ACCESSIBILITY

CREDITS

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18

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PRESENTATION

HUMAN RIGHTS: A UNIVERSAL DECLARATION

In 2018, we are holding two important celebrations: the 70th anniversary of the Universal Declaration of Human Rights and the 30th anniversary of the Constitution of the Federative Republic of Brazil.

Far from being only philosophical and legal concepts, Human Rights are universal values and the Universal Declaration of Human Rights is one of the most important political proposals of the 20th century, built in a plural and participatory manner, with the aim of guaranteeing human rights and the fundamental freedoms for all people.

At the national level, the Federal Constitution is inspired by this proposal and directly contributes to the advancement of human rights in Brazil through public policies. The example of these public policies is the Film and Human Rights Exhibition, which for more than a decade has contributed to the formation of a new collective mentality for the exercise of solidarity, respect for diversity and tolerance, through support to the consolidation of culture and education in Human Rights, using audiovisual language to expand informa-tion spaces and debate on Human Rights.

In the 12th edition the theme is the celebration of the 70th anniversary of the Universal Declaration of Human Rights and, inspired by its 30 articles, will address the most diverse issues: LGBT citizenship and confrontation of LGBTphobia, rights of children and adolescents, rights of women, democracy and political participation, immigration, rights of persons with disabilities, religious diversity, rights of the indigenous population and of traditional communities, human right to adequate food, among many others. It is im-portant to remember that audiovisual works contain accessibility resources such as closed caption, audio description and Libras window.

The Tribute Exhibition will bring the work of Milton Gonçalves, one of the most important actors of today, whose trajectory in Brazilian cinema presents different views on many of the urgent issues for Brazilian society.

The moment is one of celebration and determination so that the culture of Human Rights in Brazil advances and consolidates. The 12th Film and Human Rights Exhibition is a demonstration of the commitment as-sumed by the Ministry of Human Rights.

Gustavo RochaMinister of State of Human Rights

The ICEM, HUMAN RIGHTS AND THE BRAZILIAN AUDIOVISUAL

Since its creation in 2002, the Instituto Cultura em Movimento - ICEM aims to set up non-formal circuits for the exhibition of audiovisual works, supported by the experience of cultural agents, grouped into networks and responsible for the management of these circuits throughout the Brazilian territory.

The Instituto Cultura em Movimento - ICEM builds and consolidates these mobilizing networks, which act simultaneously and unified throughout the national territory. A proposal where the audiovisual meets the spectators, and not the other way around.

Designed on a national scale and with specific purposes, these circuits have the common objective of pro-moting and disseminating culture and new worldviews. The space between the screen and the spectators begins to function in two ways, with the cultural agent as a multiplier of that connection, opening a channel to promote our culture and reflect on our reality.

These circuits are intended to create access to those who, for geographical or economic reasons, are de-prived of usufruct audiovisual cultural products, concentrated in large urban centers in our country. Anoth-er important role of this circuit is the formation of new audiences, expanding the view and perception of these new viewers on the topics proposed by the works, also promoting sessions and debates on the topics addressed in the films shown. These circuits are supported by a network of agents selected from among local cultural producers, in the case of the Community Circuit, and in higher education institutions, in the case of the University Circuit, ICEM partners throughout Brazil. These agents are trained and valued by the Institute and act as mobilizers in the most distant communities of the national territory as well as in the Brazilian academic universe.

For the past 17 years, the ICEM has been working to consolidate these networks of community agents and university institutions to carry out different dissemination projects for national cinema, such as the “Cinema em Movimento”.

In the case of the Film and Human Rights Exhibition, a project carried out since 2015 in association with the Ministry of Human Rights, we also act throughout the Brazilian territory, disclosing the most recent audio-visual national productions, which have content related to the 47 priority themes to dignify people. Our main objective is, through this initiative, to alert and guide Brazil and indicate ways for areas sensitive to the issue, collaborating for the transformation of our community contexts, our country and our humanity.

Being the organizer of the Film and Human Rights Exhibition again, this time having as its theme the “70 YEARS OF THE UNIVERSAL DECLARATION OF HUMAN RIGHTS”, is a source of great pride for the ICEM, for believing that it is also an acknowledgment of the work and the multiple actions of the Institute Culture in Movement - ICEM, throughout the last editions of this event.

Celebrating the birth of this historical document of 30 articles, proclaimed on December 10, 1948 in the General Assembly of the United Nations (UNGA), is the confirmation that the ICEM is in accordance with the principles that are the foundation of this exhibition . By using cinema in the mobilization of different audi-ences around issues that seek to promote respect for differences, dignity and human diversity, it promotes the valorization of the social and cultural net.

In this continuity of the association that we signed with the Federal Government through the Ministry of Hu-man Rights, ICEM once again assumes its role of sensitizing and instigating the public, through film screens, to reflect on the proposed topics for the Film and Human Rights Exhibition.

Alberto GraçaInstituto Cultura em Movimento

FILM AND HUMAN RIGHTS EXHIBITION: 12 YEARS FOR CULTURE AND HUMAN RIGHTS EDUCATION

Education in Human Rights is understood as a systematic and multidimensional process that guides the build-ing of rights holders.

The Film and Human Rights Exhibition is inserted in the National Human Rights Program (PNDH-3) as one of the ways to expand mechanisms and production of pedagogical and didactic materials for Human Rights Education. It is also an instrument for disseminating the Brazilian and regional audiovisual, with emphasis on works that address the various issues related to Human Rights. Throughout the last decade, the Exhibition has already exhibited more than 400 works, which thrilled a diverse public throughout the national territory.

Through film language, the Film and Human Rights Exhibition offers us the apprehension of knowledge in different historical constructions and contexts, as well as being a mechanism for affirming values, attitudes and practices that express the culture of Human Rights. Its objective is to strengthen individual and collective practices in favor of the promotion, protection and defense of Human Rights. The Sample thus brings togeth-er all the dimensions of Human Rights Education and strengthens access to culture with a national scope.

In the 12th edition of the Film and Human Rights Exhibition we are pleased to celebrate the 70th anniversary of the Universal Declaration of Human Rights. In this context, we can think of education, formal and non-for-mal, as a means of access to other rights.

Thus, the Exhibition is presented with redoubled importance, as it will give us free access, in a playful and accessible manner and as an instrument of Human Rights Education, to the understanding of the set of rights expressed in the 30 articles of the Declaration.

Education for the full development of the human personality and the strengthening of respect for human rights together with access to culture, film shows and human rights takes place during the months of Novem-ber and December 2018 in all the capitals of the country.

We hope that each exhibition session in each city is a step towards a common understanding of the impor-tance of the rights and freedoms that we have practiced and promoted for 70 years!!

Herbert Borges Paes de BarrosNational Secretary of Citizenship

PANOR AMA EXHIBITION

A 70-YEAR OLD FIGHT THAT CONTINUES ALIVE AND NECESSARY

The films selected for the 12th Film and Human Rights Exhibition, which this year celebrates and honors the 70th anniversary of the “Universal Declaration of Human Rights”, summarizes in an exemplary manner the main concerns of the event. The representativeness of the audiovisual works of this edition synthesizes the spirit of the Exhibition through the sharp and impressive images made by filmmakers concerned with por-traying and sensitizing audiences about the uncertainties, gaps and social injustices specified and pointed out in the letter of the UN in 1948 against which humanity must face to overcome them.

The works exhibited in the sessions of the Panorama Exhibition reveal the battles fought in the last dec-ades, in the most varied forms of resistance and mobilization, against all those forms of oppression and exclusion pointed out in the broad document that is the Universal Declaration of Human Rights.

Attentive to new times and new ideas, the exhibition highlights the poetic and visceral approaches present in the richness of the harvest of short, medium and feature films, filmic fruits of the reflections of the new and diverse views of the directors scattered throughout the country, proving that time and size do not matter when you want to think and debate the issues that impact the lives of populations and individuals.

In the year in which the “Universal Declaration of Human Rights” completes 70 years the 12th Film and Human Rights Exhibition pays special tribute to this occasion, not only exhibiting the films chosen here, which seek to encompass the 30 articles present in the document original but also arousing the debate and the vehement defense of the humanistic audiovisual, betting on transformation and hope, highlighting the natural vocation of the so-called seventh art to study man and arouse dreams.

The selection, in its diversity of proposals, addresses issues of social vulnerability, issues related to repre-sentativeness, racial discrimination, mental health, rights of the indigenous population and traditional peo-ples and communities, the environment, the rights of children and adolescents, the elderly among others of equal relevance and urgency.

The perception of Human Rights is also at the center of films that address the struggle for the rights of communities and individuals, presenting complex and inspiring actions and characters. Stories that reach audiences in all Brazilian states, with the potential to awaken feelings of empathy and indignation among viewers, increasingly necessary to face adversity, especially those related to vulnerable groups.

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Affirming his belief that in the face of recurrent violations of Human Rights, the audiovisual can be a power-ful weapon because of its ability to make people understand that they progress only with knowledge, with understanding and love, not with violence. The 12th Film and Human Rights Exhibition calls on everyone to commit to this task, broadening the access of the most diverse publics to a program that has its humanist intention as a common element.

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À Espera (Waiting) Nivaldo Vasconcelos e Sónia André | Mozambique | 2016 | 22 min | Documentary filmIndicative Classification: Free

In Mozambique, 39% of girls marry before age 15 with men older than them, making the country the tenth among the countries most affected by early marriages, denying their rights such as education and to be what they want.

Theme: Rights of children and adolescents / Women’s rights

Film Credits Screenplay: Nivaldo VasconcelosPhotography: Matheus NobleEdition: Nivaldo VasconcelosCast: Cátia, Hilaria, Doctors: Maridza and Rondinho, teachers and students of the Elementary School of Mbambala Producers: Thandy Produções Culturais and Estúdio Atroà

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A Rua das Casas Surdas (The Street of Deaf Houses) Gabriel Mayer e Flávio Costa | Brazil | 2016 | 8 min | FictionIndicative classification: 16 years

EIn a silent neighborhood, during the dictatorship of the 70s, Car-los and Ernesto accompany a football game on the radio, until they decide to take advantage of the rest of the first time to return to work.

Theme: Right to memory and truth

Film Credits Roteiro: Gabriel Mayer e Flávio CostaScreenplay: Gabriel Mayer and Flávio CostaPhotography: JP SiliprandiEdition: Nicole FochesattoCast: João França, Evandro Soldatelli, Rafael Franskowiak and Léo Tietboehl.Producer: Submerso Filmes

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A Rua é NÓIZ (The Street is Oursz)Eduardo Cunha Souza e Pedro Cela | Brazil | 2018 | 14 min | Documentary filmIndicative Classification: Free

A Rua é Noiz is the periphery on the scene. It is the warrior people of the neighborhoods and favelas under the reflectors of the light of the sun and the light of the moon, which illuminate the daily and routine struggle of our strong people. It is a will to know oneself, to reveal the identities of those who live in each street, alley and housing complex.

Theme: Right to culture / Right to education / Social Inclusion

Film CreditsScreenplay: Eduardo Cunha Souza and Pedro CelaPhotography: Pedro CelaEdition: Eduardo Cunha Souza and Pedro CelaInterpreters: dancers and staff of the Katiana Pena Institute - IKP.Producer: 202B Filmes

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As Sementes (The Seeds) Mário Eugênio Saretta | Brazil | 2015 | 32 min | Documentary filmIndicative Classification: Free

Neneide talks about female empowerment and how the group “Women Decided to Defeat” went to work with bees in a settle-ment in Rio Grande do Norte. Izanete resists the agribusiness that occupies extensive lands in Rio Grande do Sul, where it produces organic milk and breads for the school snack. For Efigenia, the gar-den is therapy and work in the field in Minas Gerais, independen-ce. Maria de los Santos recalls struggles for land ownership and gender equality and against malnutrition in the Quilombola areas of Bahia. Four seeds of solidarity economy, of cooperativism, of feminism, of agroecology.

Theme: Right to a sustainable environment

Film Credits Script: Beto NovaesPhotography: Cleisson VidalEdition: Gislaine LimaProducer: Terra Firme and Federal University of Rio de Janeiro

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Batuque Gaúcho (Gaucho Batuque)Sérgio Valentim e Mestre Paraquedas (Eugênio Alencar) Brazil | 2014 | 26 min | Documentary filmIndicative Classification: Free

Documentary showing the largest Afro-religious manifestation of Rio Grande do Sul, the Batuque Gaúcho. Religion that was created here by the mixture of the Yoruba nations and today becomes the greatest African cultural expression in the south of Brazil.

Theme: Religious diversity

Film CreditsScreenplay: Sérgio Valentim and Thais FernandesPhotography: Bruno Polidoro and Anderson CamposEdition: Thais FernandesCast: Mãe Santinha do Ogum, Pai Hendrix of Oxalá, Norton Corrêa, Jorge de Ogum, Mãe Simone da Oxum.Producers: Cooperativa Cartase

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Chega de Fiu Fiu (Stop the Fiu Fiu) Amanda Kamanchek e Fernanda Frazão | Brazil | 2018 | 73 min | Documentary filmIndicative classification: 14 years

The cities were made for women? The film Chega de Fiu Fiu tells the story of Raquel, Rosa and Teresa, residents of three Brazilian cities, who through activism, art and poe-try resist and propose new ways of living with public space.

Theme: Women’s rights

Film Credits Screenplay: Amanda Kamanchek and Fernanda FrazãoPhotography: Lucas KakudaEdition: CIbele AppesCast: Raquel Carvalho, Rosa Luz and Teresa Chaves.Producer: Brodaje Filmes

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Do Outro Lado (From the Other Side) Bob Yang e Frederico Evaristo | Brazil | 2018 | 14 min | FictionIndicative Classification: Free

On the eve of an important decision, the Supreme Court judge of Taiwan receives an unexpected letter.

Theme: Sexual diversity / LGBT citizenship

Film CreditsScreenplay: Bob Yang and Frederico EvaristoPhotography: Bob Yang and Frederico EvaristoEdition: Bob Yang and Frederico EvaristoCast: Chang Hsi OhProducer: Bob Yang & Frederico Evaristo

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Enrolado na Raiz (Twisted in the root) Camila Caracol | Brazil | 2015 | 23 min | Documentary filmIndicative Classification: Free

Black women talk about the different forms of physical and symbolic violence that racism imposes on their bodies on a daily basis. The desires, dreams, frustrations, traumas and confrontations are exposed in the conversations that recover experiences of the childhood to the adult age, demanding a gesture of political emancipation in front of the society marked by the racial and gender discrimination.

Theme: Rights of the Afro-descendant population / Racial equality

Film Credits Screenplay: Camila CaracolPhotography: Camila CaracolEdition: Camila CaracolCast: Alda da Silva, Aline Serze Vilaça, Ana Paula Costa, Carla Valéria, Creuza Maria Oliveira, Menezzes Geruza, Juiana Costa, Juliana Rosa, Kayla Lucas França, Marianna Morena, Marina Gabriela, Paula Regina Cordeiro, Raissa Rosa, Simone Moraes, Vanesca Quintana

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Era Um Garoto que Como Eu Amava os Beatles e os Rolling Stones (It was a boy that like me loved the Beatles and Rolling Stones) Rosana Cacciatore, Elias Norberto da Silva, Juana Morais, José Guntin Rodriguez, Maurício Nunes e Sandro Livramento | Brazil | 2018 | 25 min | Documentary filmIndicative Classification: Free

“Era Um Garoto que Como Eu Amava os Beatles e os Rolling Stones” is a documentary on inclusion, with a duration of 25 minutes. Three young people with disabilities, one with cerebral paralysis and two with autism, find in music a form of expression and social interaction. Gabriel, Eduardo and Felipe like rock and, through a music therapist and two psychologists, who are also musicians, they create a band: Los Goiabeiras. The documentary shows that musical experience, and, especially, its inclusive character.

Theme: Rights of persons with disabilities

Film CreditsScreenplay: Elias Norberto da Silva, Juana Morais, José Guntin Rodriguez, Maurício Nunes and Sandro LivramentoPhotography: Juana Morais, José Guntin Rodriguez, Maurício Nunes and Rosana CacciatoreEdition: Maurício Nunes and Rosana CacciatoreCast: Banda “Os Goiabeiras”, formed by Bárbara Trelha, Cauê Fantin Dietrich, Diogo de Oliveira Boccardi, Felipe da Silva Fedrizzi, Guilherme Francisco Coronado Rubio Ignácio and Luiz Eduardo Prestes da SilvaProducer: Elias Norberto da Silva and Sandro Livramento

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Lacerda, O Corvo da Guanabara (Lacerda, the Crow of Guanabara) Sayd Mansur | Brazil | 2018 | 18 min | Documentary filmIndicative classification: 12 years

The trajectory of Carlos Lacerda, first governor of Guanabara and radical leader of the UDN, in TV news film format, and his direct participation in conspiracies and coup at-tempts at key moments in the history of Brazil, from the enmity with Getúlio Vargas to the military regimen of 1964.


Film Credits Script: Sayd MansurEdition: Renato Ranquine and Nathalia LambertCast: Adriana Brites, João Carlos Martins, Rodrigo Guerón, Sayd Mansur, Felipe Cataldo and Stevenson IsmaelProducer: A Gota Preta Filmes

31PA

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Marcos Medeiros, Codinome Vampiro (Marcos Medeiros, Codinome Vampire) Vicente Duque Estrada | Brazil | 2018 | 84 min | Documentary filmIndicative classification: 12 years

The life of one of the most important student leaders in Brazil: Marcos Medeiros.


Film Credits Screenplay: Vicente Duque EstradaPhotography: Vicente Duque EstradaEdition: Leonardo DuarteProducer: Cavideo

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Menina de Barro (Girl of Mud) Vinícius Machado | Brazil | 2017 | 97 min | FictionIndicative classification: 16 years

The young Diana is a skilled and special girl. In the dawn of his 12 years of age she already has a baggage of knowledge and talent that is difficult to deal with: she brings the stigmatized and generous mark of being gifted. Between loneliness and curiosity, between aggression and affection, Diana weaves a meticulous self-criticism while discovering the strength of knowledge and friendship to release her most supportive impulses. At the same time that she seeks to “fight” Bullying at her school, Diana will need to be ready to face her family problems, her heart and a typical fury of those who are not content with the apathy of others.

Theme: Right to life and physical integrity / Rights of children and adolescents

Film Credits Script: Vinícius MachadoPhotography: João Guilherme Patriota and Jorge NetoEdition: Vinicius Machado, Jorge Neto and Thays ElinneCast: Rafaela Machado, Vitor Lamego, Marina Mara, Roberta Rangel, Marcelo Pelucio, Duda Marques, Tais Bizerril, Gerimário Junior, Augusto Botelho, Pedro Nasser, Darlana GodoiProducer: OF Produção Cultural

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Monocultura da Fé (Monoculture of Faith)Joana Moncau e Gabriela Moncau | Brazil | 2017 | 23 min | Documentary filmIndicative Classification: Free

As in the rest of the country, also among the Guaranies Kaiowá the evangelical church is gaining space. The mini-documentary covers villages in Mato Grosso do Sul to show reports of the increasingly frequent violence committed by evangelical groups against traditional priests. The contrast between the evangelical cults and the shamanic rituals, between ancestral leaders and that new political actor that is the reverends and the relation of the religions with the disputes for the land, give the narrative tone of the short film.

Theme: Rights of indigenous populations

Film CreditsScreenplay: Joan Moncau, Gabriela Moncau, Izaque John and Spensy PimentelPhotography: Joana Moncau and Gabriela MoncauEdition: Joana Moncau and Gabriela Moncau

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Narrativas de Um Crime (Narratives of a Crime) Alison Zago | Brazil | 2017 | 15 min | FictionIndicative classification: 12 years

Constantin, a researcher of the Civil Police and aspiring writer, is looking for a good story. Paulo, a military policeman, has just returned from a period of suspension from the corporation where he works. The different points of view of Constantin and Pau-lo collide when they intersect in a scene of a crime: a young drag queen was brutally murdered. The conflict between them deconstructs prejudices and flirts with tragedy, revealing a harsh reality full of ironies, tears and blood.


Film Credits Screenplay: Alison ZagoPhotography: Lúcio KodatoEdition: Alex Lacerda and Alison ZagoCast: Paulo Campos, Kiko Vianello, Martha Meola, Musipere, Vítor FadulProducer: Movie & Art

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Nomes Que Importam (Names that matter) Muriel Alves e Angela Donini | Brazil | 15 min | 2018 | Documentary filmIndicative Classification: Free

The short film Nomes Que Importam reveals the stories that permeate the options of the names of the transvestites and transsexuals that participate in the film. Through testimonies, the documentary triggers emotional memories and places the claim of the name as a battlefield for the affirmation of life.


Film CreditsScreenplay: Muriel Alves and Angela DoniniPhotography: Jorge Bernardo and Douglas EngleEdition: Vinícius BirthCast: Angela Leclery, Welluma Brown, Esther Morgannah, Jovanna Baby, Evelym Gutierrez, Jacqueline Brazil, Indianara Siqueira, Ludymilla Anderson and Marcella Alves MontteiroProducer: Modo Operante Produções

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Nós (We) Thiago Simas | Brazil | 2017 | 6 min | Documentary filmIndicative Classification: Free

The film shows the cyclical trajectory of the refugees through the ages, a reissue of past events.

Theme: Refugee rights / Immigration

Film CreditsWriters: Thiago Simas and Lucas StorckEdition: Thiago SimasProducer: independent production

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Nunca Me Sonharam (Never Dreamed of Me)Cacau Rhoden | Brazil | 2017 | 84 min | Documentary filmIndicative Classification: Free

The challenges of the present, the expectations for the future and the dreams of those who live the reality of the Middle School in the public schools of Brazil. In the voice of students, managers, teachers and specialists, ‘Nunca me sonharam’ reflects on the value of education.

Theme: Right to education

Film Credits Screenplay: Tetê Cartaxo, André Finotti and Cacau RhodenPhotography: Janice D’Avila and Carlos FirminoEdition: André FinottiCast: Christian Dunker, Renato Janine Ribeiro, Gersem Baniwa, Mel Duarte, Macaé Evaristo, Regina Novaes, Bernadete Gatti, Marcus Vinicius Faustini, Ricardo Paes de Barros, Alemberg QuindinsProducer: Maria Farinha Filmes

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O Começo da Vida (The Start of Life) Estela Renner | Brazil | 2016 | 97 min | Documentary filmIndicative Classification: Free

One of the greatest advances in neuroscience is discovering that babies are much more than genetics. The development of all human beings is found in the combination of genetics with the quality of the relationships we develop and the environment in which we are inserted. The beginning of life invites everyone to reflect as part of society: are we taking good care of the first years of life, which define both the present and the future of humanity?

Theme: Childhood

Film Credits Screenplay: Estela RennerPhotography: Janice D’AvilaEdition: Jordana Berg, edt.Cast: Jack Shonkoff, James Heckman, Vera Iaconelli, Raffi Cavoukian, Gisele Bündchen, Charles A. Nelson III, Alison Gopnik, Andrew Meltzoff and Patricia Kuhl.Producer: Maria Farinha Filmes

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Outro Olhar – Convivendo Com A Diferença (Another Look - Living With The Difference)Renata Sette | Brazil | 2014 | 26 min | Documentary filmIndicative Classification: Free

“Outro Olhar - Convivendo com a Diferença” is a documentary that tells the story of an individual seeking the universal. The individual, in the case, is Charbel Gabriel, a 60-year-old man who still works, exercises, takes care of himself, studies, interacts daily with the family and the community and has Down syndrome what it ends up being proof that special condition neither distances him nor limits him in his coexistence with his community, his family and his friends. And, mainly, it does not diminish its impact and its influence on those who live with him.

Theme: Rights of the person with disability

Film Credits Film CreditsScript: Marcelo A. MachadoPhotography: Renata UrsaiaEdition: Murillo MouraCast: Charbel GabrielProducer: Maria Farinha Filmes

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Repense o Elogio (Rethink the Compliment) Estela Renner | Brazil | 2017 | 48 min | Documentary filmIndicative Classification: Free

Repense o Elogio is a documentary that proposes a reflection on the way children are praised. While girls are beautiful, princesses and delicate, boys are strong, intelligent and brave. To what extent do these adjectives imprison the true being of each one? This is a film that reflects on the power of words and culture, which brought this imbalance so deep in the way we praise children.

Theme: Gender identity / Women’s rights

Film Credits Screenplay: Estela RennerPhotography: Carol QuintanillaEdition: Renata TerraProducer: Maria Farinha Filmes

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Sociedad Etiquetada (Tagged Society) Helena Araújo Creczynski | Brazil | 2018 | 5 min | FictionIndicative classification: 10 years

Fernando, a gay man, lives in a society in which the social labels, which are given to us by other people, are seen by the naked eye. He has to endure the day by day within that society and he feels more tired every day.

Theme: Human Rights

Film CreditsScript: Agostina Vesco and Helena AraújoPhotography: Guillermo LemosEdition: Agostina VescoCast: Gabriel Guaraciaba

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Tente Entender O Que Eu Tento Dizer (Try To Understand What I Try To Say) Emília Silveira | Brazil | 2018 | 80 min | Documentary filmIndicative classification: 12 years

it is a documentary about the strength of the collective and the militancy in the transformation of people who live a reality marked by the barriers imposed by HIV. The film shows that life is rich in possibilities by accompanying the lives of 6 HIV positive characters of the most varied social classes, professions, sexual and religious orientations in their daily lives.

Theme: Right to health

Film CreditsScreenplay: Miguel PaivaPhotography: Jacques CheuicheEdition: Vinícius BirthProduction Company: MPC Filmes

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Um Café e Quatro Segundos (A Coffee and Four Seconds) Cristiano Requião | Brazil | 2018 | 15 min | FictionIndicative classification: 16 years

Two torturers meet for a coffee after more than thirty years without seeing each other, to evaluate that time.


Film Credits Script: Cristiano RequiãoPhotography: Cristiano RequiãoEdition: Saulo MoretzsohnCast: Osmar Prado and Samir Murad.Producer: Raconto

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Uma Bala (A Bullet) Piero Sbragia | Brazil | 2018 | 2 min | Documentary filmIndicative Classification: Free

Marielle Franco was murdered on March 14, 2018. Who killed Marielle? Who ordered Marielle to be killed? The crime remains without solution! “A bullet, a bullet really shakes, it shakes, but it does not shut up, who fights for equality!”

Theme: Protection of human rights defenders

Film CreditsScreenplay: Adriano César and Piero SbragiaPhotography: Fabiano RamosEdition: Piero SbragiaCast: Vitória Rodrigues, Helena Gomes, Sandra Luciano, Bel França, Giovanna Mamedio, Victoria Lee, Jogê Pinheiro and Analu Nogueira.Producer: Segunda Estórias Filmes

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Waapa (Waapa)David Reeks, Paula Mendonça e Renata Meirelles| Brazil | 2017 | 20 min | Documentary filmIndicative Classification: Free

The documentary proposes a diving in childhood Yudja (Xingu Indigenous Park / MT) and the care that accompanies its growth. The game, community life and the influences of a spiritual relationship with nature, are revealed as elements that organize the body-soul of these children.

Theme: Rights of indigenous populations

Film CreditsScreenplay: Henry GrazinoliPhotography: David ReeksEdition: Nana Ribeiro and Raimo BenedettiCast: The indigenous community.Producer: Maria Farinha Filmes

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THEMATIC EXHIBTION

THEMATIC EXHIBTION70 YEARS OF THE UNIVERSAL DECLARATION OF HUMAN RIGHTS

The Universal Declaration of Human Rights was proclaimed on December 10, 1948 in the General Assembly of the United Nations (UNGA). The 30 articles are the result of contributions from intellectuals, representa-tives of various countries, non-governmental organizations and extensive consultations.

The context of the political process around its elaboration has marked experiences: the Spanish Civil War and the bombing of Guernica, in 1937; the rise of Nazism in Germany and its well-known consequences; the Nanquim massacre in China, also in 1937; and the rise of the National Party in South Africa, with policies of apartheid, among other events.

In the last 70 years, the Declaration has fulfilled its purpose of searching for the transformation of reality, based on reflection and criticism of existing discriminatory and repressive practices. The proposal for the construction of universal Human Rights can be seen as equivalent to the proposal for the construction of a global culture, marked by ethical, social and economic transformations.

Within the framework of the United Nations, this path was drawn from the Universal Declaration of Human Rights and accompanied by the International Covenant on Economic, Social and Cultural Rights and the In-ternational Covenant on Civil and Political Rights, both adopted by the UNGA in 1966, effective as of 1976. Together with the Additional Protocols, these three instruments constitute the International Charter of Human Rights.

In 1993, the World Conference on Human Rights, held in Vienna, resulted in the Vienna Declaration and the Vienna Program of Action, instruments for the protection and promotion of human rights, described as universal, indivisible, interdependent and interrelated .

This understanding indicates that the violation of any right can generate violations of other rights, that the non-guarantee of a right can compromise the exercise of others and reinforces that Human Rights must be respected without any restriction of nationality, race, sex, creed , political, religious or philosophical conviction.

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All human beings are born free and equal in dignity and rights.

They are endowed with reason and conscience and should act

towards one another in a spirit of brotherhood.

Universal Declaration of Human Rights. Art 1

The Universal Declaration of Human Rights has already been translated into more than 360 languages. The 12th Film and Human Rights Exhibition brings as its theme the celebration of the 70th anniversary of this important framework through audiovisual language, an experience that should be more than just watching the movies.

We hope that you can transport yourself in this experience and transform yourself into this celebration with us!

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Café com Canela (Coffee with Cinamon) Ary Rosa e Glenda Nicácio | Brazil | 2017 | 100 min | FictionIndicative classification: 14 years

Bahia bay. Margarita lives isolated because of the pain of losing her son. Violeta con-tinues her life with the adversities of everyday life and the traumas of the past. When Violeta meets Margarita a process of transformation begins, marked by visits, cleanings and coffees with cinnamon, capable of awakening new friends and old loves.

Theme: Human Rights

Film Credits Script: Ary RosaPhotography: Leticia RibeiroEdition: Poliana Costa and Thacle de SouzaCast: Arlete Dias, Aline Brune, Aldri Anunciação, Antônio Fábio, Babu Santana, Guilherme Sil-va, Valdinéia Soriano.Producer: Rosza Filmes

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Eduardo Galeano Vagamundo (Eduardo Galeano Vagamond) Felipe Nepomuceno | Brazil | 2018 | 70 min | Documentary filmIndicative Classification: Free

A movie about hugs, for the greatest storyteller in Latin America.

Theme: Human Rights

Film Credits Script: Felipe NepomucenoPhotography: Breno Cunha, Pedro von Krüger, Lula Carvalho, Guga Millet, Walter CarvalhoEdition: Felipe NepomucenoCast: Eduardo Galeano, Ricardo Darín, Mia Couto, Paulo José, Francisco Brennand, João Miguel.Producer: Nepomuceno Filmes

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Henfil (Henfil)Angela Zoé | Brazil | 2017 | 74 min | Documentary filmIndicative classification: 12 years

The documentary will reveal parallel narratives that present the life of the caricaturist and activist, Henrique de Souza. The film explores a movement of discovery of the cha-racter with a group of animators that tries to bring Henfil’s work to the present day. They join the discoveries made, from the testimonies of friends, revelations about the way the artist used his drawings as an apparatus to “dribble” the political censorship and also as a resource to deal with his fragile health, caused by the hemophilia, and expose their creative restlessness.

Theme: Human Rights

Film CreditsScreenplay: Angela Zoé and Gabriela JavierPhotography: Ane Hinds, André Monteiro, Guy Gonçalves, John MonteiroEdition: Indira Rodrigues, João RodriguesProducer: Documenta Files

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Heróis (Heroes)Cavi Borges | Brazil | 2018 | 70 min | Documentary filmIndicative Classification: Free

Three Olympic judo athletes. Three Heroes: Rafaela Silva, Popople Misenga and Rogério Sampaio.

Theme: Human Rights

Film Credits Script: Cavi BorgesPhotography: Vinicius BrumEdition: Gabriel DuranCast: Rafaela Silva, Popole Misenga and Rogério Sampaio.Producer: Cavideo

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Histórias da Fome no Brasil (Stories of Hunger in Brazil) Camilo Tavares | Brazil | 2017 | 52 min | Documentary filmIndicative Classification: Free

Stories of hunger in Brazil shows a chronology of hunger in the country. From colonial Brazil, where the seeds of social inequalities were planted, to the recent public policies that culminated in the departure of Brazil, in 2014, from the Map of Hunger published by the UN, we portray how the confrontation of this evil by the society and government took place. The importance of overcoming hunger can be measured when we consider that this scourge lasted for centuries in our country and that until recently there was no glimpse of the history of the belief that it was a fatality that we would never reverse. The film tells us the thoughts of those who “swam against the current”, such as Josue de Castro, Mons. Hélder, Betinho and many others who believed that hunger was a reversible evil, caused by men and their policies.

Theme: Human Rights

Film Credits Script: Camilo TavaresPhotography: Ralf TambkeEdition: Fernando VidorProducer: MPC Filmes

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TRIBUTE EXHIBITION

MILTON GONÇALVES

The extraordinary actor Milton Gonçalves is one of the most important figures of the contemporary Brazil-ian dramaturgy, owner of a consolidated career in theater, film and television, with nationally and interna-tionally awarded films, successful of public and critics.

With his unmistakable voice, Milton Gonçalves made a victorious career on stage and on screens: he was part of the Arena Theater and acted in 60 films, such as the classics O Grande Momento (1958), Cinco Vezes Favela (1962), initial frame of Cinema Novo, Macunaíma (1969), and O Beijo da Mulher-Aranha (1985). Com Reina Diaba (1974), a film we present in this exhibition, he played the main protagonist, a transsexual ban-dit, with which he won the four main awards of Best Actor of the Brazilian cinema of the time: Festival de Brazilia, Air France, Governor of the State and Coruja de Oro.

Milton Gonçalves was born in Minas Gerais, moved with the family to São Paulo, where he was a shoemaker, tailor and graphic designer. He made children’s theater and premiered professionally in 1957, in the Arena, the piece Ratos e Homens, by John Steinbeck: “The Arena Theater had some revolutionary proposals, which were: discovering, or formatting, formalizing a Brazilian way to interpret: how the Brazilian man walks, how he eats, how he talks, how he gesticulates” he says. He left the group in 1958 and became part of the Na-tional Comedy Theater.

He was already an actor of TV Globo before its inauguration in 1965. Along with Célia Biar and Milton Car-neiro, he formed the first cast of actors of the channel and participated in the first dramaturgical experi-ences: the series Rua da Matriz, the soap opera Rosinha do Sobrado, in addition to the humorous TV0-TV1 and Balança Mas No Cai (1968).

In the channel he acted and directed more than 40 soap operas and series: Irmãos Coragem (1970), A Grande Família (1972), Escrava Isaura (1976), Roque Santeiro (1985), Tenda dos Milagres (1985), Carga Pesada (1972) and Caso Verdade (1982-1986). As Father José in the soap opera Sinhá Moça (2006 version) he won the Best Actor International Emmy Award. He was the Professor of Vila Sésamo (1972), he lived the Zelão das Asas in O Bem Amado (1973), O Filé de Gabriela (1975), and currently, at 83, he plays the character Eliseo in the soap opera O Tempo Não Para .

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Milton Gonçalves always had an important political militancy committing himself in social causes, coming to present himself to the government of the State of Rio de Janeiro in 1994, always attentive to the diverse themes of Human Rights in his participation in these diverse works, acting in a profound and sensitive way , with characters and contexts that are taken from our day to day.

Through a selection composed of five feature films - A Rainha Diaba, Lucio Flavio, Carandiru, Eles Não Usam Black Tie and O que é isso Companheiro, where Milton Gonçalves acted, the 12th Filmand Human Rights Exhibition, in addition to paying tribute to this important actor and director offers the public the opportu-nity to meet, or review on the big screen of the dark room, part of the excellent career of one of the most talented and vibrant active actor in this country.

A Rainha Diaba (The Queen Diaba) Antônio Carlos da Fontoura | Brazil | 1974 | 110 min | FictionIndicative classification: 18 years

Lapa, Rio de Janeiro. Diaba (Milton Gonçalves), a homosexual, runs in a brothel room a band responsible for the control of various “points” of the sale of drugs. Knowing that one of his trusted men is going to be arrested, Diaba “makes” a new outcast, to eventually turn him over to the police. She orders Catitu (Nélson Xavier), her trusted man, to do this. Catitu decides that the target will be Bereco (Stepan Nercessian), a boy very proud of himself who is maintained by Isa (Odete Lara), a cabaret singer. Catitu attracts Bereco for a series of crimes and makes him a “dangerous bandit”. It happens that Bereco happens to believe in this “fame”. Diaba begins to have its power diminished when Bereco tries to control the sale of drugs and Catitu, in turn, wants to increase its power.

Theme: LGBT citizenship

Film Credits Screenplay: Antonio Carlos da FontouraPhotography: José MedeirosEditing: Rafael Justo ValverdeCast: Mílton Gonçalves, Odete Lara, Wilson Gray, Stepan Nercessian, Haroldo de Oliveira, Arthur Maia, Lutero LuizProducer: R. F. Farias and Lanterna Mágica Produções Cinematográficas

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Carandiru (Carandiru) Héctor Babenco | Brazil | 1998 | 97 min | FictionIndicative classification: 16 years

Carandiru, a story based on real events and in the book written by Dr. Drauzio Varella (Luiz Carlos Vasconcelos), begins when he decides to do AIDS prevention work in the largest prison in Latin America: the Detention House of São Paulo, Carandiru, victim of one of the darkest days in the history of Brazil, when the Military Police of the State of São Paulo, under the pretext of maintaining law and order, shot 111 people. There, the doctor makes contact with what, out here, we even have fear of imagining: violence, overcrowding, precarious facilities, lack of medical and legal assistance, lack of everything. The Carandiru, with its more than seven thousand detainees, deserves its fame as hell on earth. But our character soon perceives that, even living in a situation limit, inmates do not represent demonic figures. On the contrary, he testifies to solidarity, organization and, above all, a great willingness to live. It is not enough and it is enough for him, fascinated, to decide to start a voluntary work. Famous oncologist, accustomed to the most sophisticated medical technology, Dráuzio Varella practices medicine like the old ones: with stethoscope, sensitive look and lots of conversation.

Theme: Right of the prison population

Film CreditsScript: Victor Navas, Fernando Bonassi, Hector BabencoPhotography: Walter Carvalho, A.B.C.Edition: Mauro AliceCast: Luiz Carlos Vasconcelos, Milton Gonçalves, Rodrigo Santoro, Maria Luisa Mendonça, Wagner Moura, Gero Camilo, Caio Blat.Producer / Co-Producer: Globo Filmes, HB Filmes and Columbia Tristar

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Eles Não Usam Black-Tie (They don´t use Black-Tie) Leon Hirszman | Brazil | 1981 | 122 min | FictionIndicative classification: 14 years

Eles não usam black-tie deals with the conflicts, contradictions and desires of the working class at the end of the 1970s, in the final crisis of the military dictatorship. Based on a homonymous piece by Gianfrancesco Guarnieri written two decades before, the film adopts a realistic narrative that situates, in antagonistic poles, hope in collective action and the bet on individual exits, as an alternative of life for workers. Around the conflict between the trade unionist father, Octavio (Guarnieri), and the alienated son, Tião (Carlos Alberto Ricelli), a moving plot is created that reflects the effects of the struggle for survival within the working family. They did not use black-tie captivated the public and critics, and received several awards, among which the Golden Lion at the Venice Festival of 1981.

Theme: Democracy and Human Rights / Right to political participation / Right to decent work

Film Credits Screenplay: Gianfrancesco Guarnieri and Leon HirszmanPhotography: Lauro EscorelEdition: Eduardo EscorelCast: Gianfrancesco Guarnieri, Fernanda Montenegro, Carlos Alberto Riccelli, Milton Gonçalves, Beth Mendes, Paul Joseph, Nelson Xavier, John Acaiabe.Producer: Leon Hirszman Produções

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Lúcio Flávio, O Passageiro da Agonia (Lúcio Flávio, The Passenger of Agony) Héctor Babenco | Brazil | 1977 | 118 min | FictionIndicative classification: 16 years

Focus on connections between thieves and police. Lúcio Flávio is a famous bandit who undertakes escapes and spectacular actions. His band is taken by a detective who concealed his actions, which ends up being denounced by Lucio in a meeting with the press. He is offered a passport to flee the country and not report the police. However, upon learning that his brother was killed, he rejects it. When he returns to his cell, he is executed with a knife.

Theme: Right of the prison population / Fight against torture

Film Credits Screenplay: Hector Babenco, Jorge Durán and José LouzeiroPhotography: Lauro EscorelEdition: Sylvio RenoldiCast: Reginaldo Faria, Ana Maria Magalhães, Grande Otelo, Milton Gonçalves, Paulo César Pereio.Producer: H. B. Filmes Ltda.

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O Que É Isso, Companheiro? (What´s that , my comrade?)Bruno Barreto | Brazil | 1997 | 105 min | Fiction Indicative classification: 14 years

Brazil reached the height of the military dictatorship after the declaration of AI-5, in December 1968. The Institutional Act number 5 provokes radical censorship of the press, as well as the loss of the civil rights of Brazilian citizens. Numerous militants of the left were imprisoned and tortured. In mid-1969, a group of young people from the middle class of Rio opted for clandestinity and armed struggle. To break the “wall of silence” of the press, those young people belonging to the underground leftist movement MR-8 (Revolutionary Movement October 8), plot the first kidnapping of an ambassador for political purposes. The objective was the US ambassador (Alan Arkin), kept in captivity by the kidnappers who, to free him, demand the reading of a manifesto on television and the release of 15 fellow prisoners.

Theme: Right to memory and to the truth / Right to political participation

Film Credits Roteiro: Leopoldo SerranScript: Leopoldo SerranPhotography: Feliz MontiEdition: Isabelle RatheryCast: Alan Arkin, Claudia Abreu, Fernanda Torres, Luís Fernando Guimarães, Milton Gonçalves, Pedro Cardoso.Producers: Produções Cinematográficas L.C. Barreto Ltda and Filmes do Equador Ltda

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CHILDREN´S E X H I B I T I O N

THE DECLARATION OF HUMAN RIGHTS AND THE PATH TO CHILDREN’S AUDIENCES

The audiovisual for children is today the largest and fastest source of communication capable of bringing information, art, entertainment, culture anywhere in the world. It is in the possibility of multiple narratives, in the diversity of languages and approaches that the audiovisual becomes a powerful educational tool.

The Statute of the Child and Adolescent (ECA) is based on the inspiration of the articles aimed at the pro-tection and development of the potential of the human beings / inhabitants of the planet included in this age group, of the UNIVERSAL DECLARATION OF HUMAN RIGHTS. The ECA affirms the right to education for children and adolescents, seeking the full development of their person and preparation for the exercise of citizenship and qualification for their activities and future actions, with respect to the cultural, artistic and historical values of their context, with freedom of creation and access to varied and different sources of culture.

Most children in Brazil only have access to films via television, DVDs and digital media. We know that in Brazil the vast majority of public school students never enjoyed the experience of going to the movies.

The dark and welcoming atmosphere of the screening room allows a different perception and attention of the films as if they were an illusion or a dream, allows suggestions, generates ideas and thoughts, mobilizes feelings and emotions.

Therefore, the union between cinema for children and young people with culture and education in Human Rights is one of the ways to not only expand access to culture for children and adolescents, but also to offer an education that aims at full development and preparation for this exercise of citizenship. In the use of the audiovisual, a huge potential for raising awareness for the various human rights issues presented to this audience at the 12th Film and Human Rights Exhibition, both in the playful language suggested by the dark room, and by educational mediation, which enriches that dialogue and favors the construction of meanings and understandings of reality based on the cinematographic experience.

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In this edition of the Film and Human Rights Exhibition, we present for the second time our Children’s Ex-hibition, a special selection of short and medium-length movies aimed at children and young people, with the purpose of awakening, through emotions and imagination, interest in the various topics that make up the Universe of Human Rights.

Reflecting on what is cinema and on the possibilities of audiovisual language is a fundamental condition to understand the cultural experience of children with cinema.

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A Bicicleta do Vovô (Grandpa´s Bike)Henrique Dantas | Brazil | 2012 | 22 min | FictionIndicative Classification: Free

A Bicicleta do Vovó is a short film for children and adults that deals with the relationship between a grandfather and his grandchild. In a very distant place, the Kingdom of Sertao Pelejado, batmen capture legends through televisions. Then the Super Tiger and the Master Counselor emerge to save our planet from the evil forces of the sorceress Maba. It is telling those stories that grandpa Rui transforms the childhood of his grandson Cauê into a universe of adventures and fantasies, re-signifying symbols through a more playful look on the things of life.

Theme: childhood / Right of the person of the third age / Right of the person with disability

Film Credits Screenplay: Henrique Dantas, Taque SiqueiraPhotography: Pedro SemanovichEdition: Bau Carvalho and Henrique DantasCast: Edgar Navarro, Fátima Pimentel, Cauê Interminense and Frida FritzProducer: Hamaca Produções Artísticas Ltda

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A Câmera de João (Joao´s Camera)Tothi Cardoso | Brazil | 2017 | 22 min | Fiction Indicative Classification: Free

A strip of light passes through a small hole, and image is made. Juan discovered that photographs are legacies.

Theme: childhood / Right of the person of the elder / Right of the person with disability

Film Credits Script: Tothi CardosoPhotography: Larry SulivanEdition: Maurélio ToscanoCast: Lucas Romão, Adilson Maghá, Neusa Borges and Valéria VieiraProducer: Dafuq Filmes

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A Natureza Agradece (Nature thanks)Ana Maria Cordeiro e Ricardo de Podestá | Brazil | 2018 | 14 min | FictionIndicative Classification: Free

Bernardo lives in a small ranch full of environmental diversity. One day a factory appe-ars, putting all nature at risk.

Theme: Right to a sustainable environment

Film Credits Script: Ana Maria CorderoEdition: Renan OliveiraProducer: Mandra Movies

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Louise (Louise) Amanda Gomes, Andressa Fernandes e Nathanael Cruz | Brazil | 2017 | 5 min | FictionIndicative Classification: Free

During the street soccer game between four boys, the ball is kicked away and falls near Louise and Bia. Juca runs to catch the ball, perceives the ability of the two girls for football and invites them to play. Iago does not accept his participation, but Louise does not want to be left out of the game.

Theme: Women’s rights

Film Credits Screenplay: Amanda Gomes, Andressa Fernandes, Natanael Cruz and the Surda Culture CirclePhotography: Nathanael CruzEdition: Andres FernandezProducer: Domingos Coelho and Luiza Camurça

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Príncipe da Encantaria (Prince of Charms)IzisN | Brazil | 2018 | 11 min | FictionIndicative Classification: Free

On the banks of the Rio Negro, Aninha’s imagination creates wings while Vó Esmeralda tells the story of Benito, the pink dolphin.

Theme: Childhood / Right to Culture

Film Credits Script: IzisNPhotography: Ivan PerinEdition: Michelle MoraesCast: Socorro Langback, Louise dos Santos, Michelle Moraes, Leandro NegreirosProducer: Maya Movies LTDA

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ACCESSIBILIT Y

According to data from the IBGE Census (2010), 45.6 million people have some type of disability (auditory, intellectual, physical, visual and multiple) in the country, which represents 23.9% of the Brazilian popula-tion. Over the last few years, various legal frameworks have been constructed for the effective regulation of the rights of this group of people in the Brazilian society, in various fields.

In terms of accessibility, Law 10.048 / 00 and 10.098 / 00 and Decree No. 5.296 / 04 that regulate them stand out. In its article 8, the decree defines accessibility as a condition for the use, with security and autonomy, total or assisted, of the spaces, movilia and urban equipment, of the buildings, of the transport services and of the devices, systems and means of communication and information, by people with disabilities or with reduced mobility. The same article classifies as barrier any obstacle that limits or impedes access, freedom of movement, circulation with security and the possibility of people communicating or having access to information.

In this sense, accessibility has as its main objective to identify and eliminate these barriers and work so that the world is made for all people. In general, architectural barriers are the most perceptible, but there are several other barriers. Law nº 13.146, of July 6, 2015 - known, also, as LBI - indicates, still, the urbanistic bar-riers, in the transports, in the communications and in the information, the attitudes and the technological ones.

The LBI points out that people with disabilities have the right to culture, with equal opportunities with oth-er people, guaranteeing access to cultural assets in accessible formats. With regard to the offer of audio-visuals in cinemas, the law provides that accessibility resources for people with disabilities will be offered at all sessions.

In this way, to ensure accessibility in the cinema, for example, it is necessary that the exhibition places con-tain elements that eliminate physical barriers, such as reserved vacancies, accessible toilets, ramps, spaces for people in wheelchairs, seats for people obese or with other restrictions of mobility, among other items provided for in the technical standard ABNT NBR 9050. However, what is to be able to access the theater and does not have access to the content of the films?

For this reason, to eliminate barriers in communication, three very important accessibility resources are used - audio description; the descriptive legend (usually available as a closed caption, or hidden legend); and the window of Libras (Brazilian Language of Signals).

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The audio description consists of the translation of images into words by techniques and applied skills with the objective of providing a descriptive narration in audio, to broaden the understanding of all the elements that cannot be understood without the use of vision. The descriptive legend is the translation of the words and the sound effects of an audiovisual production in the form of a text. And the Libras is used by the deaf community in Brazil and is recognized as a legal means of communication in the country by Law No. 10,436, of April 24, 2002.

Today, it is possible that these resources reach the user through assistive technology. In October of this year, the National Film Agency published a Normative Instruction establishing a new chronogram for the implementation of this technology in cinemas. Soon, we are building a more inclusive Brazil.

Enjoy the films in the show to get to know these features up close and invite friends who could not enjoy that moment without the accessibility resources!

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CREDITS

Executive ProducersLUCIANA BOAL MARINHOALBERTO AUGUSTO DOS REIS GRAÇA

General Coordinator RICARDO F. FERREIRA

Midia and Social Midia CoordinatorJANET DUARTE ROCKENBACH

Institucional CoordinationTATIANA MACIEL

Logistics CoordinatorDIEGO PAIVA

Logistics AssistantMARCO LUNA

Production CoordinatorANDERSON FLÁVIO

Production Coordinator´s AssistantMARIANA KISSA

Communication Coordinator RAQUEL BARRETO

Programme ProducerRAFAEL FAVILLA FERREIRA

Curation Coordinator DANIEL CARVALHO DE SOUZA

Curation SupervisionLUCIANA BOAL MARINHOJANET DUARTE ROCKENBACHTATIANA MACIEL

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Films Selection s ADRIANA ESCORSE DE MORAES JUCIARA RODRIGUES JANET DUARTE ROCKENBACHTATIANA MACIELTHAIS MARIA DE MACHADO LEMOS RIBEIROJÉSSICA PAULA DE MELO

Financial ManagerLEONARDO FRANCO

AccountantALAC ASSESSORIA CONTABIL

AccountabilityLEONARDO FRANCO

ReviewERICA CASADO

Webpage PEDRO HERTAL

Video ProducerADRIANA NOLASCO PRODUÇÕES

Accessibility / BrailleURECE – ESPAÇO E CULTURA PARA CEGOS

Audiodescription / Subtitles / Closed-captionRENDER BRASIL PRODUÇÕES

Graphic DesignARCHIV FOTO E DESIGN LTDA

CommunicationMARCELLE BRAGA / PROJETO PARALELO COMUNICAÇÃOASCOM – ASSESSORIA DE COMUNICAÇÃO

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Exhibition MarkARTHUR FAJARDOCLÁUDIA RANZINIFARJADO RANZINI DESIGN

ICEM Team

Coordination ANDERSON FLÁVIO

Production AssistantMARIANA KISSA

FinanceGILVAN SALLES DE ALMEIDARAFAELA GOMES DOS SANTOSEVERALDO MOREIRA DA SILVA

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PRODUCERS IN THE CAPITALS

MidwestBRASÍLIA – DFSomos TantasAlice LanariMelina BomfimMicaela Neiva

CAMPO GRANDE – MSRender BrasilTania SozzaFábio Flecha

CUIABÁ – MTKeiko OkamuraAndréa OkamuraSernon Nonres

GOIÂNIA – GOIcumamMaria AbdallaKassio PiresVinícius Queiroz

NortheastARACAJU – SEFormatto ProduçãoMário Eugênio Paula de Lima

FORTALEZA – CERedemoinho Produções Cesar TeixeiraMuniz Filho

JOÃO PESSOA – PBEmpresa de Serviços Culturais - EMSERCOrlando JuniorMercicleide RamosSilmara BrazMíria Ferreira

MACEIÓ – ALMarola ProduçõesMário Ramires

NATAL – RNMapa Realizações CulturaisTatiane FernandesRaphael Jhoy Pontes

RECIFE – PEAndréa MotaGilvan Noblat Luciana PoncioniJessica CoelhoSilvana Marpoara

SALVADOR – BATarcicio NetoVitor GuimarãesJader MirandaMarcos Neves

SÃO LUÍS – MANat Maciel

TERESINA – PIIpê Produções AudiovisualLeide Sousa

NorthBELÉM – PAAmplicriativa Produções LtdaViviane ChavesMarcel AredeLaíra MineiroLeandro Moreira

BOA VISTA – RRAmazônia Comunicação e EventosNeuraci Soares

MACAPÁ – APDuda FilmesAna VidigalThomé Azevedo

MANAUS – AMChicão FillHenrique Vidal Israel dos SantosIgor Cosso

PALMAS – TOOs TawerasTaiom Nunes Wertem Nunes Wertemberg Nunes

PORTO VELHO – ROPalma ProduçõesEmanuela Palma

RIO BRANCO – ACRose Farias

SoutheastBELO HORIZONTE – MGPimenta FilmesAlexandre PimentaBeatriz Goulart

RIO DE JANEIRO – RJEliane Birmam

SÃO PAULO – SPEduardo Liron

VITÓRIA – ESSimone Marçal

SouthCURITIBA – PRJosé Padilha

FLORIANÓPOLIS – SCLume Produções CulturaisLuiza da Luz Lins

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