2 artigos anmpon 2010.pdf

1280Anais do XX Congresso da ANPPOM 2010

Comunicação - PERFORMANCEMenu

CONSIDERAÇÕES SOBRE A TÉCNICA ESTENDIDA NA

PERFORMANE E COMPOSIÇÃO MUSICAL

!"#$%"&'!&"##($)(*"+",$-.//.#.UEM/UNESP – [email protected]

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1. Introdução

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2.1. O timbre como elemento estrutural

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2.2. Música Conceitual e Música Cênica

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2.3. Desenvolvimento Tecnológico

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%JPP1c G$z"!+U{C",;$Musique et Arts Plastiques.$d!&(,0$f(+"&C"G$^mm_;

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f1E1R1PG$i#.;$Parcours de l’entité;$d!&'('4&!;$P7.$d!4#.0$15('.&!$cE1PdG$^mm_;$



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Musicais.$P7.$d!4#.0$d!4#(,'!+!G$Z[[_;

qbPx< -G$-&"C.&;$On Sonic Art.$E"S${.&X0$-!k#.&$�$i&!+6(,$)&.43G$^mmr;



TRÊS PEÇAS PARA VIOLINO E VIOLA DE SILVIO FERRAZ:

CRIAÇÃO, INTERPRETAÇÃO E TÉCNICA EXPANDIDA NA

MÚSICA BRASILEIRA DO SÉCULO XXI

(6!&5.$s.8.$l48!#!Universidade Estadual Paulista “Júlio de Mesquita Filho” (Unesp) - [email protected]

1#(!+"$-.X",Y(Universidade de São Paulo (USP) - [email protected]

1*"&,.+$s4(Q$5"$%(!22(Universidade Estadual de Campinas (Unicamp) - [email protected]

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