tanteidan magazine 131...origami tanteidan gseszeem (t)ri8gjifdii«icot^r (un)foldableorigami* ±sip...
TRANSCRIPT
ORIGAMI TANTEIDAN
GsESZEEm(T)Ri8gJifDii«icot^r(Un)Foldable Origami*
±SiP§¥Uehara Ryuhei
Poison Dart Frog
Robert J. Lang
RME9!/tDIC!X9!! Crease Pattern Challenge
I5IB£Sunflower
Morisue Kei
s«635n(**605R)
enszmmm2012011 Origami Tanteidan Nagoya Convention Report
..131
(JOAS) <DH£The Purpose of Japan Origami Academic Society
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Chapter 1: Name and Purpose
Article 1: Name1 . This society is to be called Nihon Origami Gakkai in Japanese.
2. This society is to be called Japan Origami Academic Society in English.
3. The abbreviated name of this society is JOAS.
Article 2: Purpose
1. The purpose of JOAS is to promote studies of origami, diffusion of origami, and both
domestic and international association of all origami-lovers.
2. The studies of origami mentioned above includes designing, designing techniques,
criticism, mathematical studies, educational studies, history, bibliography, studies of the
intellectual property rights, studies of industrial and commercial design, and so on.
3L The diffusion of origami mentioned above includes widening appreciation of origami,
expansion of the community of origami-lovers, scouting and rearing the origami talent, and
SYMBOLS FOR FOLDING
Line indicating
valley fold
Oj*ftJU
Line indicating
mountain fold
^WlcifrS
Foldforwards
n>Fold i
backwards
/===̂Iff U*5«r
OltiMaking a crease li
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Turn paper over Pull out arntfixtyiRotation
A magnified view tZiA 4- i-A-A «A rwXHfO line
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Poison Dart Frog
tt:PA-h-J*7>7(P.22)by Robert J. Lang (P.22)
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(Mutate®®) Comments : Hojyo Takeshi
M A G A Z I N E
No. 131
PoaonDariFfog Hobart J Lang
9rD69 Thematic Series with Diagrams
m 5-r*§3>©tts?The Spiral Module Series
Bed for Small Creatures
JWSSStfaKawasaki Toshtkazu
m mOrigami Odds and Ends
©usThe Dragon Noshi
**<*>*Yamagochi Makoto
Articles
pm ttetaauiadStory of Origami Tanteidan Group
Ams*Tokyo Group Hojyo Takashi
From the Bookshelves of the JOAS Library
rOrigami Design Secrets J ^2KS“Origami Design Secrets” Second Edition
Haton Koshiro
p.i8 mmmA Long Excursus on Crease Lines
#rDMS&©£ltf»S©f*Jt£iI
Meguro Toshtyukt
The Husimi Theorem When There Are Multiple Crease Lines
P.35 i-yzuv-ommPaper Folders on File
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Obituary: David Petty
1 Dyk/ Columns
}ffDfft©JIIiSOrigami and Its Neighbors
Fuse Tomoko
P.32 asDTi;Orisuzi ("Fold-Creases")
Ogata Hiromi
P-33
Origami-Zanmai (This Origami and That)
s;iim€]Nrsh.kawa Seiji
I flW/ Information
P.36 3^3513 Rabbit Ear
201201 1 Origami Tanteidan Nagoya Convention Report
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§ JfHIt$ Meguro Toshiyuki
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The Husimi Theorem When There Are Multiple Crease Lines
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From the Regular Meetingsof the Origami TanteidanTokyo Group
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Poison Dart Frog HP, opus 593 B*m*-w*m
by Robert J. Lang
^^7
1 . Begin with a square, white
side up* Fold and unfold.
4* Fold the edge to the crease
intersection; pinch where the
fold crosses the existing crease,
and unfold.
4 .
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2. Make a short pinch in the
middle of the paper*
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5. Bring the comer to the
vertical crease and unfold
3. *jh'£#r0S5ICS:bt*r
mmzo
\ N\ v\ \\ V
/\/
\
5* Fold the comer to the crease
intersection and unfold.
5. *K®4roi^fcaica^ttz
6, Fold the top edge to the
crease you just made and
unfold*
22 13] 2012 ^
7.
Repeat on the other side ,
7 . EMmmstmmzm
10- Fold the bottom edge up to
the crease intersection; again,
crease across the middle and
unfold.
io. mtm&tityvTiRoyzpwiz
13* Fold the sides in to the
creases you just made and
unfold.
1
3
, 2£ 1 2T?OWfiimm^£>t£Z
8.
Fold the top point down to
the indicated intersection and
unfold. The fold you create
should pass through two crease
intersections.
e.
11. Fold the two points on the
bottom up to lie on twodiagonal creases; crease all the
way across and unfold.
1 1
.
14* Fold the edge up to a
crease intersection and unfold.
1
4
. 4T(D9^m\zBt^UZ
9
.
Fold the bottom edge up to
the crease you just made;
crease across the middle and
unfold.
9 , mtmmzsnnz&vy
12. Fold the side comers in to the
crease intersections and unfold:
note that the creases pass through
existing intersections.
1 2.
15* Fold and unfold along an
angle bisector.
1 5.
131 *2012 23
16. Repeat on the left.
16. £H& 14-15£ntt
19.
Fold up on the existing crease,
1 9. wriwff
22. Unfold.
22. BW
25. Fold and unfold.
17. Bring two points together,
making a crease that runs through
two crease intersections,
17 .
20.
Fold and unfold through
both layers on the existing
crease.
20.
23. Fold and unfold.
23 .
26. Fold and unfold.
18, Repeat on the right,
is. i7tn*
21.
Fold and unfold through
both layers along angle
bisectors.
2 1
.
24. Fold and unfold.
27, Fold and unfold.
24 m *2012^
28. Fold and unfold. 29, Fold and unfold.
31.
Fold the bottom edge up
on the existing crease,
3\,^zu^momzm
34. Squeeze the sides inward and
swing the excess paper to the left.
34.
JteJatwtahtJteizmr
unfold two more times in the same
way, folding through all layers.
37. semmzmom&oitt
32.
Crimp the sides inward on
the existing creases.
32 o\,\zi\s>mmzmwzmrOLzmftc
flap to the left, extending existing
creases* and unfold,
35. 7»«r0aur»f0®*O»*
existing crease and unfold.
38,
OI7S
33,
Turn the model over from top
to bottom,
33. ±Tmzbzmm
layers to the left on an existing
crease; press firmly and unfold.
36. ifrOffi£Sfct!T£r<D*ICLofi'DtJfTDSfifcQttS
and unfold on one flap.
39.
ffWKMiiaivaoizv 25
40. Swing
the flap over to the right.
40. £K£6ICtfrOig?
43. And again.
43. ¥j*D*TrtfrO®®oi?-5
46. Swing
the flap back to the left.
46. *b££ICffrOiS?
35-391
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48. Open-sink in and out on
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some paper to the front.
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54.
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55.
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onvention Book Vol.18
We are having, fortunately, the
season of the JOAS 18th Origami
Tanteidan Convention. As we do so
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every year, we call for the diagrams
from folders all over the world. Here
are the conditions of acceptance of
your diagrams:- The diagrams you send are not yet
published.
- The diagrams you send are in the
form of digital data (we STRONG-LY encourage sending diagrams
in either Adobe Illustrator or Free-
Hand format).
If your diagrams are accepted for
publication in the 18th Convention
Book, we will send you one copyof the 18th Convention Book to
express our gratitude. The official
deadline is the end of June, 2012,
but we STRONGLY, again, encour-
age your early submission. Thedata should be send to the following
e-mail address: conv18@origamLgripWe look forward to seeing your
original, unique diagrams, as usual.
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SO 1 1 JOAS Nagoya Convention Report Joseph Wu
2011 JOAS Nagoya Convention Report
In September 2011, Yamaguehi Makoto
asked me if I would be willing to be
the special guest ai the JOAS Nagoya
Convention in November. I was very
surprised because 1 thought I w-as not
eligible for the Yoshino fund, I thought
it was only for young creators w ho were
relatively unknown in Japan. I had not
realized that the rules for the fund had
changed so that any foreign origamist
can be invited.
Of course, I was happy to accept
this great honour I had just returned
from being the special guest at the
British Origami Society’s Fall 2011
Convention, so 1 was already partially
prepared. And, as I always do when
1 prepare to go to Japan, I started to
w-atch Japanese movies to refresh mymemory of the Japanese language. This
time, I focussed on one of my favourite
movies, Tampopo As it turned out, this
became a recurring theme for the entire
trip.
1 travelled from Vancouver to Narita
a few' days before the convention, and
met with Yamaguehi -san at Gallery
Origami House. It is always nice to go
there as it has always been a central
meeting point for foreign ori garni sts in
Tokyo. I enjoyed seeing the new' works
on display, and for the chance to catch
up with the staff there. After spending
the night at Yamaguchi-san's apartment,
I helped load up his car and we headed
off towards Nagoya
The long drive to Nagoya was divided
into two parts: the first day, we drove
to Shizuoka where Yamaguchi-san's
family lives. The nest day we drove on
to Nagoya Despite having known the
Yamague hi family for over 15 years,
this was my first chance to visit their
home. I enjoyed the chance to visit with
them in their home and shop, to meet
their daughter again, and to do a little
shopping as I would not have much
opportunity to buy omiyage. The drive
on the highway definitely made me
think ofTampopo since one of the mamcharacters is a truck driver, and 1 made
a point of having ramen for lunch at
the rest area We even saw' a restaurant
named Tampopo in Shizuoka!
When we arrived at the convention site
in Nagoya, 1 was impressed once again
at how organized everyone w-as in their
preparations. I joined in some of the
setting up activities, but the bulk of my
lime was spent preparing my exhibition
pieces. I was surprised to find that it
wras still very humid in the autumn, and
I had to do some extra work to make
my origami look good under those
conditions.
As this was my first JOAS convention
as a special guest, I found the
experience to be both familiar and very'
different I think that because 1 had
attended a number of JOAS conventions
in Tokyo, everyone assumed I knew-
what 1 needed to do, and mostly 1 did.
However, because 1 did not have a
schedule that I could read, 1 was caught
unawares a number of times because
I didn’t know- that a certain event was
happening at that time. I w as somew'hat
disorganized when I gave my talk at
the opening, leading to some bizarre
Japanese phrases coming out of mymouth. 1 sincerely hope that I didn’t say
anything offensive.
In general, my biggest difficulty
in Japan is my lack of mastery of
Japanese. 1 speak w'ell enough that
people expect me to understand more
than I actually do. The fact that I look
Japanese adds to the confusion I tried
to do as much speaking and teaching on
my own as possible, but I had to impose
on Hatori Koshi rowan’s generosity
to translate for one of my classes.
Throughout the convention, I felt that
1 should have tried harder to talk to
more people. After all, I was there for
their sake! And, for me, the best part of
any convention is the chance to catch
up with old friends, and to meet new'
ones. I wras certainly able to reconnect
with many old friends, and though I
could have done more, I w-as able to
meet many new- and interesting people,
especially those from the Nagano area.
As with many conventions, it was
the times after hours when smaller
groups met for food and drinks that
the best conversations could be had l
particularly enjoyed the post-convention
meal with the young volunteers where
we were able to talk more about design
and process in more detail. It was then
that I was given the challenge to design
a new dragon for 2012, the year of the
dragon. My new desi gn, the Nagoya
dragon S was the result.
In many ways, besides the fact that
I was the official special guest, this
convention was much like previous
JOAS conventions for me. If there
is one thing that JOAS convention
organizers do well, it is to make foreign
guests feel special. Before, during, and
after the convention, I was taken care
of. Yamaguchi-san, Kuwamura Miyuki-
san, and Mizuno Ken-san even took me
out sightseeing after the convention was
over All-in-all, this was my shortest
trip ever to Japan, but it was just as
memorable as any of them. Thank
you, JOAS, for the this wonderful
opportunity.
I
Obituary: David Petty David Brill
David Petty and his wife Lillian lived
close to me, and they became regular
visitors at origami meetings at my
home in Bnunhall in the *8Q's, Quickly
recognised as reliable and enthusiastic.
David was recruited to British Origami
Society council serving as General
Secretary and Publications Officer We
worked closely together when I became
BOS chairman in 1994, A keen modular
folder, he perfected many original ideas,
notably a modular puppy dog from
innumerable 12 x I strips. His website
remains as a hue legacy to his meticulous
work as a creator, researcher and
col lector: http www.dav id petty,me .uk
He and Lillian planned a holiday of a
lifetime in summer 1993. He was keen to
visit his long time correspondent Francis
Ow in Singapore, as well as meeting
origami contacts in Japan. 1 joined them
on this memorable trip: we spent one
week in Singapore and afterwards two
more weeks in Japan, While in Singapore.
Francis Ow told us he had previously
visited Tomoko Fuse's mountain top
home in Nagano, as we planned to do.
At Francis' suggestion, we delivered
the simple Japanese phrase "yama mata
yama"(Mountain after mountain) en route
to the house, to the appropriate surprise of
our hosts! ,
In Tokyo, we were welcomed by
JOAS/Tatifcidan members at Makoto
Yamaguchi's Origami Gallery House (old
venue). There we were honoured to meet
for the first time notable folders including
Fumiaki Kawahata. Seiji Nishikawa.
Issei Yoshmo, as well as other important
personalities and friends Toshic Takahama
and Kunihiko Kasahara, 1 recall rather
a lot of alcohol being available, which
may explain
the
composition
of this photo (Five folders and three
oranges) Obviously the ladies did not
stoop to such frivolity !
During our time in Japan, we attended
the NOA symposium in Hakone. There
present was a 12 year old Satoshi Kamiya.
although we didn't know it at the time.
David taught the entire 200 people at the
convention, as well as smaller groups
where the late Mrs Toshie Takahama
translated for him. ‘That was a great
honour!" he later wrote.
The origami world is poorer without this
fine ambassador of origami. My deepest
condolences to his widow Lillian.
Dave Brill
i3i ^20!2*