o cuidado com as cores
Post on 07-Jul-2018
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8/19/2019 o Cuidado Com as Cores
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o cuidado com as cores:
http://fleetfilms.blogspot.com.br/2010/07/sven-nykvist-interview-from.html
Making the transition from black and white to color was not easy for ngmar and me.
!e felt that color raw stock was technically too perfect" it was diffic#lt not to make it
look bea#tif#l. !hen we came to shoot $he %assion of &nna' we wanted to control the
color palette so it wo#ld reflect the mood of the story. !e managed to find a location
with very little color' and everything in the film(s design was intended to simplify the
colors in front of the camera. wanted to avoid warm skin tones' and after e)ha#stive
testing' learned to #se very little make-#p and to drain some of the color in the labs. *
#sed a similar techni+#e on $he ,acrifice for $arkovsky' where we took o#t the red and
the bl#e' giving #s a look that was neither black-and-white nor color it was
monocolor(. ries and !hispers marked another important step in my appreciation of
how to #se colored light for dramatic effect. !e developed a color scheme for the
interiors based on the color red every room was a different shade of red. diences
watching the film might not realie this conscio#sly b#t they feel it. My e)perience
has ta#ght me that people are held spellbo#nd by the mood created thro#gh proper
#tiliation and integration of light and design.
ritos e ,#ss#rros marco# minha aprecia34o de como #sar a cor para efeitos dram5ticos.
6esenvolvemos #ma estratgia de cor para interiores baseado na cor vermelha. ada c8modo
teria #m tom diferente de vermelho. 9s espectadores +#e assistiriam o filme' poderiam n4o se
dar conta conscientemente' mas sentiriam isto.
m filme n4o tem +#e parecer absol#tamente realista. %ode ser bela e realista ao mesmo tempo.
;4o esto# interessado na fotografia preciosista. avier ?allesteros
?aseado na entrevista de %eter
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