Quando todo mundo ajuda

Quando todo mundo ajuda

ConteúdoStartO Grupo coletivo Todos Nós de São Paulo

EntrevistaThom Yorke fala sobre show do Radiohead no Brasil

DownloadThom Yorke fala sobre show do Radiohead no Brasil

ArquivoThom Yorke fala sobre show do Radiohead no Brasil

Lado BThom Yorke fala sobre show do Radiohead no Brasil

SonoroThom Yorke fala sobre show do Radiohead no Brasil

09:

22:

StartO Grupo coletivo Todos Nós de São Paulo

EntrevistaThom Yorke fala sobre show do Radiohead no Brasil

DownloadThom Yorke fala sobre show do Radiohead no Brasil

ArquivoThom Yorke fala sobre show do Radiohead no Brasil

Lado BThom Yorke fala sobre show do Radiohead no Brasil

SonoroThom Yorke fala sobre show do Radiohead no Brasil

09:

22:

>>>

Since the dawn of Napster in the late 90s, the Internet has been an all out free-love-bearing orgy for music and media in general. From heavy metal goliath Metal-lica to major record labels such as SONY, the industry has con-stantly been living in fear of the consumer, rather than embracing the consumer’s versatility. While the immobile giants have stum-bled and faltered trying to combat the new age of the Internet, many independent labels have formed

Since the dawn of Napster in the late 90s, the Internet has been an all out free-love-bearing orgy for music and media in general. From heavy metal goliath Metal-lica to major record labels such as SONY, the industry has constantly been living in fear of the con-sumer, rather than embracing the consumer’s versatility. While the immobile giants have stumbled and faltered trying to combat the new age of the Internet, many independent labels have formed

— taking advantage of the new ways of connecting with listen-ers and those whom would never have otherwise crossed the label’s music. Record labels were started by “big suits” with big pockets to take the coffee shop-tarnished faces to the masses and reap the real benefits, while the artist re-tains only the face.

A record label doesn’t play music, usually doesn’t write music (un-less it’s a boy band, etc.), doesn’t

book shows; it doesn’t do any-thing artistic whatsoever. So what exactly does a record label actual-ly do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move people to big places quickly. But this is the 21st Century and suits are rarely wel-come in music anymore.

From P2P networks to digital downloads to viral videos, people

book shows; it doesn’t do any-thing artistic whatsoever. So what exactly does a record label actual-ly do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move people to big places quickly. But this is the 21st Century and suits are rarely wel-come in music anymore.

From P2P networks to digital downloads to viral videos, people have consistently found a way to obtain free music as fast as they can think of a title. Music can be passed for free faster than one can hear it. It’s book shows; it doesn’t do anything artistic whatsoever. So what exactly does a record label actually do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move people to big places quickly. But this is the 21st Century and suits are rarely welcome in music any-more.

From P2P networks to digital downloads to viral videos, people have consistently found a way to obtain free music as fast as they can think of a title. Music can be passed for free faster than one can hear it. It’s book shows; it doesn’t do anything artistic whatsoever. So what exactly does a record label actually do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move

people to big places quickly. But this is the 21st Century and suits are rarely welcome in music any-more.

From P2P networks to digital downloads to viral videos, people have consistently found a way to obtain free music as fast as they can think of a title. Music can be passed for free faster than one can hear it. It’s book shows; it doesn’t do anything artistic whatsoever. So what exactly does a record label actually do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move people to big places quickly. But this is the 21st Century and suits are rarely welcome in music any-more.

From P2P networks to digital downloads to viral videos, people have consistently found a way to obtain free music as fast as they can think of a title. Music can be passed for free faster than one can hear it. It’s book shows; it doesn’t do anything artistic whatsoever. So what exactly does a record label actually do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move people to big places quickly. But this is the 21st Century and suits are rarely welcome in music any-more.

From P2P networks to digital downloads to viral videos, people

RADIOHEAD NO BRASIL

Since the dawn of Napster in the late 90s, the Internet has been an all out free-love-bearing orgy for music and media in general. From heavy metal goliath Metal-lica to major record labels such as SONY, the industry has constantly been living in fear of the con-sumer, rather than embracing the consumer’s versatility. While the immobile giants have stumbled and faltered trying to combat the new age of the Internet, many independent labels have formed

— taking advantage of the new ways of connecting with listen-ers and those whom would never have otherwise crossed the label’s music. Record labels were started by “big suits” with big pockets to take the coffee shop-tarnished faces to the masses and reap the real benefits, while the artist re-tains only the face.

A record label doesn’t play music, usually doesn’t write music (un-less it’s a boy band, etc.), doesn’t

book shows; it doesn’t do any-thing artistic whatsoever. So what exactly does a record label actual-ly do? The answer is short. A label essentially stamps a name on an album and markets and distributes the releases. On the other hand, big suits can move people to big places quickly. But this is the 21st Century and suits are rarely wel-come in music anymore.

From P2P networks to digital downloads to viral videos, people

RADIOHEAD NO BRASIL