Congresso arqueologia da mídia até dia 06

In places online (web) marked by the coalescence times, the geological layers are crossed voraciously with a trend of the shards Crush own (or better-preserved site) for the web "surface. Or perhaps this behavior during frequent burial.

It is possible to " Invade " deep time web and audiovisual becomings authenticate it ? Cultural web interfaces seem to be short " time " circuit when observing initiatives that aim to preserve an attitude of what fades during the ephemeral ( Chun ) network . This preservation, we review in principle constructs of memory, which among other " saved " cultural products , makes us reflect on the audiovisual / audiovisual becomings / audiovisualidades who signed up / enroll in online interfaces qualities . The research is believed while a midio - archaeological dig because it is inspired by certain principles of a " school" of media archeology , but dare to amalgamate with cartographic dissecatório - producing movements that come up in searches TCAV . If , in previous research , intentions revolved around authenticate movements via remidiação archaeological attitude to think that roamed the dynamic interface design , now we cut to specific initiatives that propose themselves as the curators of the instances that preserves / lost , end up " Loading " in their intrerfaces opportunities (more or less clear ) of the dig audiovisualidades ( web -or online technoculture ? ) that are buried , and that once displaced explicitly shone in their original " local " .

Um ingresso exploratório em sites que enunciam memória das mídias online

From Huhtamo to Chun: how web preservation initiatives help us discuss a web of ephemeral screens

wreckage traces remainsWhat web archiving initiatives teaches us about

wreckage traces remains notes on interfaces that enunciate memory

Searching through wreckage: Searching through buried

First steps on interface dissection: ideas towards mapping traces of video via the WaybackMachine.

Methodological ideias around interface dissection: the video that wasn’t there

The audiovisual that hardly is: interface dissection as methodological approach to excavate websites

interface dissection as methodolical approach to excavate websites

The audiovisual that hardly is: reflecting on the wayback machine as a media archeological field for video and film.

O artigo tem por objetivo relatar um conjunto de incursões ao projeto The WayBack Machine que conserva, pertencente à orgnaização sem fins lucrativos Internet Archive (www.archive.org), que se caracteriza

The audio-visual that hardly is: reflecting on the wayback machine as a media archeological field for video and film.

Dentro do espectro amplo de incursões em torno do conceito de arqueologia da mídia e suas subsequentes abordagens e procedimentos metodológicas, o presente artigo visa discutir especificamente movimentos