park [art magazine] #03 - april 2012

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Crise, je taime: A longplay B-rated film.I.M.F., TROIKA, DEFICIT, RATING, FINANTIAL RESCUE, AUSTERITY ...If we didnt knew it beforehand, we could be led to believe that the above-listed words were part of a script of any B category film, a low budget one and in which the underpaid actors and actresses, try at all costs to interpret poor dialogues between props and sets that have all seen better days.At the cry of "Action!", The actors resignedly obey.To enumerate over the following lines the reasons for which were dedicating Parks 3rd issue to the theme crisis is a task doomed to failure at birth.This is only a brief and modest attempt to probe the way some artists approach the subject and the manner in which it is manifested in their artistic practice.Considering the form and content of submissions received, crisis often appears as a personal factor, the relationship of the self with the other and the world as a whole. In the arts, would be that instead of an inhibitor, this factor could be a catalyst for change, not the inconsequential, change, used and abused as a political slogan, but a concrete change in both mentality and attitudes, the resurgence of the sense of community and the process of sharing, the equitable distribution of wealth and access to justice.However, reality contradicts us, especially in a country that sees its cultural sector recently being demoted from a ministry to a feeble secretariat, in addition to a policy of blind cuts. Meanwhile, the masses get thicker. To the daily dose of (bad) news, one just needs to add a handful of reality shows and the inevitable reminder that ours, the previous and the generations to come already carry the heavy cross that goes under the name of debt.While this tragicomedy drags on, the end credits do not appear. The public stampede. No applause will be heard in this room.

TRANSCRIPT

Swoon (Marc Neys) Martina Grlic Marie Irmgard Ossi Piispanen Eberhard BossletCrise, je taime: Uma longa-metragem srie B.

03Abril | April 2012Crise, je taime: A longplay B-rated film. I.M.F., TROIKA, DEFICIT, RATING, FINANTIAL RESCUE, AUSTERITY ... F.M.I., TROIKA, DFICIT, RATING, RESGATE FINANCEIRO, AUSTERIDADE...

Piotr Kotlicki Weronika Trojanska

Editorial

Se no o soubssemos de antemo, podamosser levados a crer que as palavras acima enunciadas faziam parte de um qualquer guio de filme categoria B, de baixo oramento e no qual actores e actrizes, mal pagos, tentam a todo o custo interpretar dilogos intragveis entre cenrios e adereos que j viram melhores dias. Ao grito de Aco!, os resignados actores obedecem. Enumerar neste editorial os motivos que nos levam a dedicar o 3 nmero da Park ao tema crise uma tarefa priori condenada ao fracasso. Esta apenas uma breve e modesta tentativa de sondar o modo como os artistas a abordam e a forma segundo a qual esta se manifesta na sua prtica. Tendo em conta a forma e contedo das submisses recebidas, a crise surge muitas vezes como um factor pessoal, da relao do eu com o outro e com o mundo. No campo das artes, deseja-se que em vez de inibidor, este seja um factor catalisador de mudana, no a mudana inconsequente, usada e abusada sob a forma de slogan poltico, mas sim uma transformao efectiva de mentalidades e atitudes; do ressurgimento do sentimento de comunidade e partilha, da justa distribuio da riqueza e da acessibilidade justia. Porm, a realidade contradiz-nos, sobretudo num pas que v recentemente o sector da cultura ser despromovido de ministrio a secretariado, vendo-se ainda a braos com uma poltica de cortes cegos. Entretanto, as massas embrutecem. dose diria de (ms) notcias, acrescente-se uma mo-cheia de reality shows e o inevitvel lembrete de que a nossa, a anterior e as geraes por vir j carregam a pesada cruz a que decidiram chamar dvida. Enquanto esta tragi-comdia se arrasta, os crditos finais teimam em no aparecer. O pblico debanda. No vamos ouvir aplausos nesta sala

If

Jophel Ybiosa Diogo Rebelo Tnia Diniz Matt Collier Tina Hage Jayne Surrena

we didnt knew it beforehand, we could be led to believe that the above-listed words were part of a script of any B category film, a low budget one and in which the underpaid actors and actresses, try at all costs to interpret poor dialogues between props and sets that have all seen better days. At the cry of "Action!", The actors resignedly obey. To enumerate over the following lines the reasons for which were dedicating Parks 3rd issue to the theme crisis is a task doomed to failure at birth. This is only a brief and modest attempt to probe the way some artists approach the subject and the manner in which it is manifested in their artistic practice. Considering the form and content of submissions received, crisis often appears as a personal factor, the relationship of the self with the other and the world as a whole. In the arts, would be that instead of an inhibitor, this factor could be a catalyst for change, not the inconsequential, change, used and abused as a political slogan, but a concrete change in both mentality and attitudes, the resurgence of the sense of community and the process of sharing, the equitable distribution of wealth and access to justice. However, reality contradicts us, especially in a country that sees its cultural sector recently being demoted from a ministry to a feeble secretariat, in addition to a policy of blind cuts. Meanwhile, the masses get thicker. To the daily dose of (bad) news, one just needs to add a handful of reality shows and the inevitable reminder that ours, the previous and the generations to come already carry the heavy cross that goes under the name of debt. While this tragicomedy drags on, the end credits do not appear. The public stampede. No applause will be heard in this room.

No dia 25 de Setembro de 2011, sentiu a crise de um modo especial, no lhe apeteceu fazer o almoo e apanhou o metro at ao Corte Ingls, sua frente, estava sentada uma africana grvida a ler um livro, vestia uma saia verde, sapatos verdes, casaco verde e mala verde. Espreitou para ver se o titulo era verde e leu: Especial Sopa de Letras. Entrou no Corte Ingls e escolheu o menu fatia de pizza + bebida= 2,95. Nas mesas os velhotes lem o jornal e as velhotas olham simplesmente para o estado das coisas. No supermercado ningum faz compras e as meninas das caixas tm o olhar da Monalisa. Regressou a casa e no sabia o que fazer, (estava mesmo em crise), sentar-se, embrulharse num cobertor, comer chourio com po, fumar, trocar o stio de um obbjecto qualquer, lavar a loia que ficou desde ontem, sair, pegar num livro, telefonar sem saldo. Ligou a TV e as vozes dos polticos excitam-na, decide-se ento pela masturbao no sof. Foi interrompida por dois homens que tocavam na rua o Besame Mucho e atirou o euro pela janela.

On September the 25th 2011, she felt the crisis in a special way; didnt felt like making lunch and took the subway to the mall, in front of which sat a pregnant african woman reading a book, wearing a green skirt, green shoes, green coat and a green suitcase. She peeked to see if the title was "Green" and read: "Special Soup of Letters." She entered the mall and chose the slice of pizza + drink = 2.95 menu. As old men read newspapers old women just simply gaze the state of things. In the supermarket you shop one of the boxes and the girls have the look of the Monalisa. He returned home and did not know what to do, (it was even in crisis), sit down, wrap in a blanket, eating sausage with bread, smoking, changing the site of a obbjecto any, who was washing up since yesterday out, pick up a book, call out of funds. She turned the TV on to find that the voices of politicians aroused her, then decide by masturbation on the couch. Was interrupted by two men who played on the street Besame Mucho and she shot the euro through the window. Leonor Oliveira

#03 Maro/March 2012

#03 (Jayne Surrena)

DESIGN: Srgio Marques www.astigmatico.blogspot.com BLOG: Paulo Jesus www.pj-untitled.blogspot.com WEB: Bruno Mota www.bmota.netA Park gostaria de agradecer a todos os colaboradores que forneceram material para este nmero. Os artistas retm todos os direitos de autor sobre os trabalhos, a menos que surja nota especfica em contrrio. Estamos dispostos a corrigir qualquer erro ou omisso no prximo nmero. The publishers would like to thank everyone who has furnished information and materials for this issue. Unless otherwise noted, artists featured in PARK retain copyright to their work. The publishers will be pleased to correct any mistakes or omissions over the next issue. Park 2012

04

Diogo Rebelowww.kimosabedesign.com Neste trabalho, a abordagem ao tema Crise foi feita atravs de uma dicotomia entre a crise financeira, a nvel geral e uma crise de valores e parmetros de felicidade, a um nvel pessoal. Vivemos hoje numa sociedade de consumo, tecnologicamente avanada no sentido de nos criar mais oportunidades a nvel de tempo de qualidade para desfrutar das nossas vidas. No entanto, a ideia de felicidade traduzida numa necessidade de adquirir produtos e tecnologias e so esquecidos por vezes os valores e os pequenos gestos que, no final, so os verdadeiros Tempos de crise so difceis. So tempo propcios a que estes valores sejam esquecidos e que as preocupaes acabem por ganhar mais importncia que a famlia, amizade, compaixo, ou amor. Este trabalho serve para relembra (-me) como exactamente nestas alturas que devemos abraar estes valores e perceber a sua real importncia. Espero com esta ilustrao, incentivar a uma reflexo sobre valores que so inatos, que crescem connosco, na nossa experincia e educao e que esto presentes quando tudo o resto nos tirado. Chegou a hora de perceber que os bens materiais de nada nos servem, que a busca incessante pelo consumo de nada serve, quando tudo o que precisamos amor e grtis! Para expressar a minha ideia tentei criar uma imagem de felicidade, simples: uma famlia que desfruta da companhia uns dos outros, em que todos partilham um momento de felicidade proporcionado apenas por eles. A famlia est em primeiro plano na ilustrao para ter o destaque que lhe devido, ao fundo, uma barraca que simboliza falta de bens materiais, assim como as roupas humildes que usam. uma famlia humilde, simples, mas uma simplicidade feliz. As cores so alegres, utilizei o verde bandeira para transmitir o elemento da esperana. Na barraca coloquei elementos inerentes crise, como retalhos de vrios temas, campanhas eleitorais, pedaos de um todo desfeito. A presena destes elementos servem para mostrar como certas decises nos pode retirar a qualidade de vida material mas que no final, cabe-nos a ns a deciso de deixar que nos tirem aquilo que nos faz mais feliz. Para a Crise, com amor

The approach to the theme Crisis was made by a dichotomy between the financial crisis, at a general level and, on a personal level, a crisis of values and happiness parameters. Were living in a consumer society these days, a technologically advanced one in order to create more opportunities in the level of quality time to enjoy our lives. However, the idea of happiness is translated into a need to acquire products and technologies and values and small gestures are often forgotten, the ones which ultimately are the real drivers of this happiness. Times of crisis are hard. Times in which these values are forsaken and day-to-day worries end up gaining more focus than family, friendship, compassion or love. This is a work that serves to remind (me) how its exactly during these times we should embrace these values and understand their real importance. My hopes with this illustration, are to encourage reflection on values that are innate, they grow within ourselves, in our experience and education and that are present when everyt