SÉRIE DE CONFERÊNCIAS PPGM-UFRJ

Elliott Antokoletz (Universidade do Texas-Austin, EUA)

Rio de Janeiro, 18 e 19 de agosto de 2011

O Programa de Pós-Graduação em Música da UFRJ anuncia a série de quatro conferências, do Prof. Dr. Elliott Antokoletz da Universidade do Texas-Austin, EUA, nos dias 18 e 19 de agosto de 2011.

A série de conferências será oferecida para os alunos internos e externos ao Programa e computará 15 horas e respectivos certificados de participação.

As quatro conferências estão integradas na disciplina “Tópicos Especiais em Musicologia: Teorias Analíticas da Música do Século XX”, sob a responsabilidade da Profa. Dra. Maria Alice Volpe, sendo obrigatória a presença dos alunos nela matriculados.

As conferências serão ministradas em inglês (sem tradução simultânea), contando com apoio pontual de tradução para o português para esclarecimentos.

As inscrições devem ser feitas na Secretaria do Programa de Pós-Graduação da Escola de Música da UFRJ. Rua do Passeio, 98 – Lapa. Rio de Janeiro RJ. Tel. (21) 2240-1441. Endereço eletrônico: volpe@musica.ufrj.br

LECTURE SERIES AT UFRJ

Elliott Antokoletz (The University of Texas at Austin, USA)

PPGM-UFRJ Sala 31

18 agosto 2011 (quinta-feira), 9h às 12h: “A New Concept of Tonality and Progression in 20th-Century Music: From Bartók and Berg to Perle”

18 agosto 2011 (quinta-feira), 15h às 18h: “Identity and Distinction Between Stravinsky’s and Nobre’s In Memoriam”

19 agosto 2011 (sexta-feira), 9h às 12h: “Organicism in the Pre-Serial Interval Constructions of Blacher and Tower”

19 agosto 2011 (sexta-feira), 15h às 18h: “Timbre as Structural Determinant in Contrasting Musical Aesthetics: Carter and Stockhausen”

Elliott Antokoletz, Professor of Musicology at the University of Texas at Austin, has held the Alice Mackie Scott Tacquard Endowed Centennial Chair and E.W. Doty Professorship in Fine Arts. He is the author of The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music (University of California Press, 1984), Béla Bartók, A Guide To Research (Garland, 1988; 2nd ed. rev. 1997), Twentieth Century Music (Prentice Hall, 1992), Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious (Oxford, 2004), and co-author of Manuel de Falla's Cuatro Piezas Españolas: Combinations and Transformations of the Spanish Folk Modes (VDM Verlag, 2009). He is contributing editor of Bartók Perspectives: Man, Composer, and Ethnomusicologist (Oxford, 2000) and Rethinking Debussy (Oxford, in press). He is also co-editor of the International Journal of Musicology (Frankfurt: Peter Lang, since 1992) and editor of Georg von Albrecht: From Musical Folklore to Twelve-Tone Technique: Memoirs of a Musician Between East and West (Scarecrow Press, 2004). Several book translations include Chinese, Polish, Spanish, and Italian. He has contributed entries to the New Grove Dictionary of Music and Musicians, articles to most of the major music journals, and chapters to various book compilations such as Sibelius Studies (Cambridge, 2001), Encomium Musicae: Essays in Honor of Robert J. Snow (Pendragon, 2002) on 20th-century composers from Spain, The Bartók Companion (Faber, 1993), Copland and His Times (Princeton, 2005), and Ravel Studies (Rochester, forthcoming). In 1982 he served as scholarly evaluator for the Harry Ransom Center (HRC) at the University of Texas for acquisition of the Stravinsky Archive as well as archival collections of Ravel, Dukas, Roussel, Fauré, and Debussy. The "Elliott Antokoletz Bartókiana Collection" is housed, together with the "Benjamin Suchoff Bartókiana Collection" (Former Trustee of the Béla Bartók Estate and Head of the New York Bartók Archive), at the University of South Florida at Tampa. Antokoletz has lectured in Hungary, Germany, England, Spain, Switzerland, Poland, Mexico, Brazil, Australia, and throughout the United States. He received the Béla Bartók Memorial Plaque and Diploma from the Hungarian Government in 1981, two subventions from the National Endowment for the Humanities (1980 and 1982), Teaching Excellence Award from the University of Texas (1981), and PhD Alumni Award from the City University of New York (1987). He was Director of the Bartók International Congress 2000 and Debussy International Congress 2006 at the University of Texas. Antokoletz majored in violin performance under Dorothy Delay and Ivan Galamian at the Juilliard School of Music (1960-1964), and received his PhD in Historical Musicology from the City University of New York (1975). From 1973 to 1976, he taught theory and chamber music at Queens College, where he was a member of the Faculty String Quartet, and was also concertmaster of the New Repertory Ensemble of New York.