dilermando reis the guitar works - vol1

CONTENTS1. Caboclinho (choro) ......42. Conversa De Baiana (choro) ........63. Dois Destinos (waltz) ................................... 94. Dr. Sabe-Tudo (choro)....... .........1,25.6.7.8.9.

10.

Promessa (waltz)Se Ela Perguntar (waltz) .............17Sitplica (waltz) ............2OTernura (waltz) ...........24Uma Valsa e Dois Amores (waltz) ..............26Xod6 Da Baiana @atuque) .........28

NOTES ABOUT THE TRANSCRIPTIONS

14

These pieces were transcribed as acurately as possible from Dilermando Reisrecordings. However, due to his personal way of playing, and the existence oftwo or more recordings of the same piece, I adopted the following criteria:

a) I've written a "standard notation" according to the style of thepiece. Dilermando Reis' style was fuIl of rubatos and bassanticipations. To transcribe the recordings with absolutefidelity would result in a very complicated score - even tothose who are familiar with this style of music. What wasnatural in Dilermando's playing could sound artificial inother hands.

b) When there were more than one recording of the same piece, Ichose a solo version. In the case of two or more solo recordings,I took that which I considered the best. The exception is "Dr.Sabe-Tudo", adapted from the one existing recording of twoguitars.

c) Slight alterations in repeated sections were not considered sincethey do not change the musical idea.

This work is dedicated to Mr. Ronoel Simdes, to whom Brazilian guitar and guitaristsowe so much.

Special thanks to friends: Ronoel Simdes, Hdlio Cunha, Edmar Fenicio and WilliamAkira Kobata who gave me recordings, information and suggestions.

IVAN PASCHOITOIune 5, 1990

'N,({.1

DTLERMANDO RErS (L9L6-L977)

Dilermando Reis, probably the most famous Brazilian popular guitarist, wasborn in 56o Paulo State but lived most of his life in Rio de Janeiro, where heworked actively in radio and recordings. From 1941to 1975 he recorded about2O-78rom and 23-LPs.

He played all kinds of music and recorded the compositions of Bach, Barrios,T6rrega, Gnatalli and Pixinguinha among many others. However, his prefer-ence was the traditional Brazilian guitar style: doleful waltzes and choros fullof modulations to "confuse accompanists", played with his unique style andsound.

He was a great composer also. He recorded about 100 of his own compositions,many of which became real standards of Brazilian popular guitar - like "DoisDestinos" and "Se Ela Perguntar".

In 1975 he recorded the LP, "The Brazilian Guitar of Dilermando Reis", containinghis last compositions: choros and waltzes, of course.

IVAN PASCHOITO

Ivan was born in Sdo Paulo, Brazil in 1953. Fascinated with the sound ofDilermando Reis, he began teaching himself the guitar at the age of 12. In1973,Ivan began transcribing and arranging the music of Baden PoweII, Toquinho,Milton Nascimento, Vinicius de Moraes and others. His first arrangements werepublished in 1984.

Ivan's favorite guitarists include: Carlos Barbosa-Lima, Paulinho Nogueira,Dilermando Reis, Garoto (Anibal Augusto Sardinha) and John Williams.

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