apostila de percepção musical - b4

5/21/2018 Apostila de Percep o Musical - B4

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ESCOLA TCNICA DE MSICA E DANA IVANILDO REBOUAS DA SILVA Pg. 1de 108

Apostila de Percepo MusicalCurso BsicoMdulo B4

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APOSTILA DE PERCEPO MUSICAL

ASPECTOS RTMICOS

COMPASSOS SIMPLES

PRINCE, Adamo Mto do Pr in ce Lei tu ra e Perc epo Ri tm o - vo l 1 ..........................................pg. 03

COMPASSOS COMPOSTOSPRINCE, Adamo Mto do Pr in ce Lei tu ra e Perc epo Ri tm o - vo l 2 ..........................................pg. 23

QUILTERASPRINCE, Adamo Mto do Pr in ce Lei tu ra e Perc epo Ri tm o - vo l 2 ..........................................pg. 28

POZZOLIGuia Terico-Prtico p ara o ensin o do Ditado Musi cal 1e 2partes (rtm ic o)................. pg. 40

ASPECTOS MELDICOS

POZZOLIGuia Terico-Prtico p ara o ensin o do Ditado Musi cal 3e 4part es (meldic o).............pg. 44

BERKOWITZ, Sol e outros A new approach to sight sing ing............................................................ pg. 86

EDLUND, Lars Modus Vetus .......................................................... pg. 94

CROWELL, Benjamin

Eyes and ears......................................................... pg. 100


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APOSTILA DEPERCEPO MUSICAL

ASPECTOS RTMICOS

UT=82

.Compassos simples e compostos, por 2, 4 e 8.

Leituras a 2 alturas alternadas, com:

.Valores inteiros, com pausas, ligaduras e ponto de aumento

.1 subdiviso com pausas, ligaduras e ponto de aumento.

.2 subdiviso, com pausas de 2 subdiviso e ligaduras.

Leituras a uma voz, com:

.quilteras de 3 a 7 figuras, incluindo subdivises.


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COMPASSOS SIMPLESPRINCE, AdamoMto do Pr in ce Lei tura e Percepo Ritmo - vol 1;

Rio de Janeiro, Editora Lumiar Editora, 1997.

Mtodo Prince - vol. I - pg. 142


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COMPASSOS COMPOSTOSPRINCE, AdamoMto do Pr in ce Lei tura e Percepo Ritmo - vol 2;


Mtodo Prince - vol. II - pg. 100


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QUILTERASPRINCE, AdamoMto do Pr in ce Lei tura e Percepo Ritmo - vol 2;




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POZZOLIGuia Teric o-Prtico para o ens ino do Ditado Mu sic al

1e 2par tes (rtm ico), Ed Ricordi.

Pozzoli Rtmico - pg. 52, 53a


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Pozzoli Rtmico - pg. 53b


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Pozzoli Rtmico - pg. 54


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APOSTILA DE

PERCEPO MUSICAL

ASPECTOS MELDICOS

.Tonalidades maiores e menores nos modos harmnico, antigo e

meldico (at todos #/b)

.Acidentes ocorrentes que diferenciem os modos (alternando-se)

.Acidentes ocorrentes em 2m e passagens cromticas

.Extenso: uma 12

.Intervalos: 2s, 3s, 4J, 5J, 6s, 7s e 8J.

.Compassos simples e compostos, at 2 subdiviso (simples).

. Melodia acompanhada de ritmo sem subdiviso

.Melodias cantadas a duas vozes (em grupo)


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POZZOLIGuia Teric o-Prtico para o ens ino do Ditado Music al

3e 4part es (m eld ic o), Ed Ricordi.

Pozzoli Meldico - pg. 91


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Modo Maior



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BERKOWITZ, Sol e outrosA new approach to s igh t s ing ing;

N Y, WW Norton Co, 1997.

A new approach to sight singing - pg. 38, 39


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A new approach to sight singing - pg. 118, 119a


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A new approach to sight singing - pg. 119B, 120, 121


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A new approach to sight singing - pg. 122


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EDLUND, Lars Modus Vetus; N Y, Wilhelm Hansen-G. Schirmer.

Modus Vetus - pg. 43, 44a


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Modus Vetus - pg. 44b, 45


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Modus Vetus - pg. 53, 54


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Modus Vetus - pg. 66, 67, 70


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Modus Vetus - pg. 71, 72, 73


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Modus Vetus - pg. 84, 86, 88, 89, 90


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CROWELL, Benjamin Eyes and ears;

website www.lightandmatter.com/sight/sight.html , 2004.

Eyes and Ears - pg. 107, 108a


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Eyes and Ears - pg. 108b, 109


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Eyes and Ears - pg. 113


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Eyes and Ears - pg. 119, 120


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Eyes and Ears - pg. 122

apostila de percepção musical - b4

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