vibrant · vibrant v.10 n.2 v vibrant v. 10, n. 2 07 – 12 / 2013 articles 13 in and around life...

vibrantv. 10, n. 2 | July – December 2013

Dossier Migration and Exile

vibrant v.10 n.2 ii

Conselho Editorial

Beatriz Heredia (ifcs/ufrj) bheredia@pobox.com

Bela Feldman Bianco (unicamp) bfb@uol.com.br

Claudia Fonseca (ufrgs) claudiaf2@uol.com.br

Gustavo Lins Ribeiro (unb) gustavor@unb.br

Jane Beltrão (ufpa) jane@ufpa.br

João Pacheco de Oliveira Filho (ufrj/mn) jpacheco@ism.com.br

Lívio Sansone (ufba) sansone@ufba.br

Lux Vidal (usp) luxvidal@ig.com.br

Manuela C. da Cunha (Universidade de Chicago) mm-cunha@uchicago.edu

Maria do Carmo Brandão (ufpe) mctbmachado@ig.com.br

Mariza Peirano (unb) mpeirano@uol.com.br

Omar Thomas (Unicamp) omarfe@uol.com.br

Patrícia Monte-Mor (uerj) patriciamontemor@terra.com.br

Paul Elliott Little (unb) little@unb.br

Rafael M. Bastos (ufsc) rafael@cfh.ufsc.br

Roberto Kant de Lima (uff) kant@web4u.com.br

Ruben Oliven (ufrgs) oliven@uol.com.br

v. 10, n. 2

07 – 12 / 2013

vibrant

vibrant v.10 n.2 iv

Editor: Peter Fry, Universidade Federal do Rio de Janeiro

Co-editor: Carmen Rial, Universidade Federal de Santa CatarinaReviews Editor: Lilia Moritz Schwarcz, Universidade de São Paulo

International relations: Gustavo Lins Ribeiro, Universidade de Brasília

Editorial Supervision: Antonio Luz Costa, Universidade Federal do Rio

de Janeiro

Design & typesetting: Gabriel H Lovato gabrielhl.com

Cover image: Fernando Lemos, Cada vez somos mais..., 1978. Litography

(85 × 47 cm). Artist’s Collection.

V626

Vibrant : Virtual Brazilian Anthropology / Associação Brasileira de

Antropologia. Vol. 1, n. 1/2 (jan./dez. 2004) – . Brasília : Associação Brasileira

de Antropologia, 2004 -

v.

Semestral

ISSN 1809-4341

1. Antropologia - Periódicos. I. Associação Brasileira de Antropologia.

CDD : 301

Apoio

vibrant v.10 n.2 v

vibrant v. 10, n. 2

07 – 12 / 2013

Articles

13 In and Around LifeBiopolitics in the TropicsPedro Paulo Gomes Pereira

39 “All Against Pedophilia”Ethnographic notes about a contemporary moral crusade Laura Lowenkron

73 Eduardo Mondlane and the social sciencesLivio Sansone

Dossier Migration and ExileEditors: Bela Feldman-Bianco, Liliana Sanjurjo, Desirée Azevedo & Douglas Mansur da Silva

113 Foreword

Part 1: The Meanings of Immigration in Brazilian History

118 The diverse understandings of foreign migration to the South of Brazil (1818-1950)Giralda Seyferth

163 Immigration and the maintenance of the religious moral orderThe case of the Ruthenian immigration to Parana in the late nineteenth centuryPaulo Renato Guérios

Part 2: Immigration, Work and Nationality

198 The Experience of Guestworkers at a United States Tourist ResortGuilherme Mansur Dias

vibrant v.10 n.2 vi

229 Para pensar las redes transnacionalesItinerarios e historias migratorias de los capoeiristas brasileños en MadridMenara Lube Guizardi

Part 3: Deconstructing Exile

273 Portuguese writers and scientists exiled in BrazilExclusion, cosmopolitanism and particularism (1945-1974)Douglas Mansur da Silva

305 Between Dictatorships and RevolutionsNarratives of Argentine and Brazilian ExilesDesirée Azevedo and Liliana Sanjurjo

Part 4: Migration as Crime

340 Confounding Borders and WallsDocuments, letters and the governance of relationships in São Paulo and Barcelona prisonsNatália Corazza Padovani

377 Cinderella DeceivedAnalyzing a Brazilian Myth Regarding Trafficking in Persons.Ana Paula da Silva, Thaddeus Gregory Blanchette and Andressa Raylane Bento  

vibrant v.10 n.2 vii

Cover and section images

Fernando Lemos, Cada vez somos mais..., 1978. Litography (85 × 47 cm). Artist’s Collection.

“Progress For Women Is Progress For Everyone” & “We Are All Immigrants”, signs at the May Day Immigration Rights Rally (Washington, DC) by takomabibelot or Jim Kuhn.

Family of ruthenian colonists in Prudentópolis (PR), in the beginning of the 20th century. Collection of the Millennium Museum - Prudentópolis.

vibrant v.10 n.2 viii

Photo: Marcello Casal Jr./ABr

Fernando Lemos, Desenho, 1955 . Ink on paper (63,2 × 44cm) The Museum of Contemporary Art, University of São Paulo collection

Fernando Lemos, Sem título, 1984. From series Memórias Nº5. Ink on tracing paper (52 × 65cm). Artist’s Collection.