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ZARAGOZA CATEDRAL DE EL SALVADOR MUSEO DE LAS TERMAS PALACIO DE LA REAL MUSEO DEL FUEGO (U SEO)middot MUSEO DE TAPICES PUacuteBLICAS DE MAESTRANZA DE CABALLERiA Y DE LOS BOMBEROS El SALVADOR CATHEDRAL ANTIGUO PALACIO DE MIGUEL DOMLOPECAESARAUGUSTA FIRE AND FIRE-FIGHTER (LA SEO) - TAPESTRY MUSEUM PALACE OF TH E REALCAESAR AUGUSTUS PUBLIC MUSEUM Mudeacutejar declarado Patrimonio de la Humanidad THERMAL BATHS MUSEUM MAESTRANZA DE CABALLERIacuteA Mud~Jar declarad aWOI1d Harltage Slte FORMER PALACE OF MIGUEL DONLOPEEel iticios
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wwwrmczcom En origen ette edificiofue Convento de la Victoria de la orden de Miacutenimot de San Fn~ncisco de Paula fJndado enEnt~el ebullpbullciodel foro y el te1tro de Yellfluiexcluntildet seConstruida sobre la mezquita mayor de la antigua ciudad
aluron desde el siglo 1aC y hbulltl comienzos del siglo IV Sede de la Real Mtestn~nza de Cbtlleriacutee eleZragou dnde 1576 El edificio antes de su actual rehabiliucioacuten estebe muymusulmana Ecleacutectico conjuntede estilos que combina desde 1912 Su conWuccioacuten fue ordenada por eljuriacuteJtl de origendC unbulls tenniS puacuteblicas Se h1n conserv~do restoJ de uniS trentformedo debido a los muacuteltiplet usos de lot que hab11tiacutedoMUSEO DEL TEATRO BASfLICA DEL PILAR el Romiacutenico hasta el Neocliacutesico En el edentildeor desuca el
letrinn que fJeron derribtdn P construir JObre eiiiS una converJO Miguel Donlope y $e prolongoacute durante la te~ y la objeto no obstanaet de dettacar que conserve el nuacutecleo deDE CAESARAUGUSTA MUSEO PILARISTA muto de la capilla parroquial de Sn Miguel Arciacutengel obra warta deacutercde del Jiglo XVI En la faehtel $ebullprecien elementos la edificacioacuten mis importana el patio claustn~l Las piezasgr~n pilcinbull portie~dbull bull eire librecumbredel mudeacutejar zaragouno y en el interior el R~blo que seconvertiriacuten en tiacutepicos de eJtas conrtrucciacuteones En el expuettas en esteetpacioexpositivo son el fruto de una laborCAESARAUG USTA BASILICA DEL PILAR Mlryor goacutetico realizado en alabutro poliacutecromo El Museo de interior dntKan la rica omamentlcioacuten en yew del patio y l1 de recopilacioacuten a lo liexclrgo de losiexclntildeos mediante compriexcltPublic Thermel baths were located between the orea of theTHEATRE MUSEUM BASILICA MUSEUM Tapices expone una extraordinaria coleccioacuten de tapices
forum end the Caesar Augustus theatre from the 1st escalen~ el edreordintrio teltho de made111 y los tlte$ontdos de donaciones y objetos guardiexcldos del propio milterial del flamencos del Cbildo Metropolitlno
century BC until the start of the4th century AD Remains ~suiiSen la planta noble Cuerpo de Bomberot de Zaragoza ofsome latrines heve been conserved and had beenBuilt over the main mosque ofthe old Muslim city An Headquarters ofthe Real Maestranza de Cballentildea ofZaragoza This building was originally the Convent ofVictoria ofthedemolished to build a lerge arceded outdoor pooleclectic mi~ ofstyles going from Romanic to Neoclassical since 19121t WllS ordered to be built by thejurist Miguel orderofMinims ofSan Francisco de Paula founded in
Apinnacle ofMudejar art ofZaragoza is the outerwall of Donlope aJewish convert to Christianity and its construction 1576 Before its current restoration the building had been the parish Chapel ofSan Miguel Arcangel and on the was proloniexcled during the third and fourth decadlS of the16thIAACC PABLO SERRANO considerably transformed dueto its many uses However it inside noteworthy is the Gothic Altarpiece made of oentury Elements that would become typical ofthiacutes type of should be pointed out that it conserves the nucleus of the polychrome alabaster An extraordinarycollection of IAACC PABLO SERRANO construction appear on thefayade On the inside its rich most important construction the cloister patio The pieces
pluterworkdecoration in the patio and staircase is outstandingAemish Tapestries from tne metropolitan chapterare on exhibited in this exhibition sp~ce are the resultof display in the Tapestry Museum as well as the extraordinary wooden roofand coffered oeilings collection work carried out throughout the years viacutea
ofthe nooms on the main floor purchases donations and objects which had been kept Es uno de los miexcliexclyores tfitros de la Hispaniiexcl romilniexcl TenIacuteil Templo barroco yuno de los centros de ~regrinacioacuten mis belonging to the materi~l ofthe Rre Brigade ofZaragoza un iexcliexclforo en tornoiexcl 6000 Hpectildores El teiltro M importantes de la cristiandad Es tambieacuten un untro artiacutestico MURALLAS MERCADO CENTRAL milntMne hasti el siglo 111A difan111cIacuteil de otros teiltros que de primerorden que reuacutene obres de gren valor de dife~ntes DE CAESARAUGUSTA aprovechan el dHnivel del trreno PI dewrrollilr el graderiacuteo eacutepociS DKtacan el Retablo Mayor del siefo XVI realindo CENTRAL MARKET IGLESIA DE SAN FELIPECAESAR AUGUSTUS WALLSel de CIISllrlugustil M construye en un JOiilr llilno siguiendo por Damiiacuten Forment el Coro Mayor el Organo y la Santa Y SANTIAGO EL MENORel nnodelo del tNtro de Mucelo en Rom1 Cpilla disentildeada por Ventura Rodriacuteguez obre maMtlll del CHURCH OF SAN FELIPEarte diecioehetCO que alberga la imagen de la Virgen del This is one ofthe l~rgest thNtres ofRom~n Hisp~nia lt Pilar del siglo XV sobre la columna Los Mteos de la boacutevtda AND SANTIAGO EL MENOR
El Instituto Aragoneacutes de~y Cultura ContAmporiacuteneos con until the 3rd century Unlike other theatres and used the por Goya Descubre las espeetaculares vistls de la ciudad held ~bout 6000 spectators Tne theatre w~smaintained del Coreto y la cuacutepula Regina Mattyrum fueron pintados
unas insulaciones ampliadrs y renovadas se ha maiCido trtS unevenness of the terrain to construct tne ~udience areamp subiendo a una de sus torres rtneas de trabajo dar cabida al arte ycultura centemporiacuteneos the Caesar Augustus theetre was constructed on flat land en Aregoacuten presentir proyectes nacionales e intemaciacuteonales y
poner en marcha ebservatoriacuteos para abordar los temas defollowiacuteng tne model ofthe Tneatre ofMarcellus in Rome ABaroquechurch and one ofthe most importlntcentresof actualidad El edificio ampliado por el arquitecto Joseacute Manuelpilgrimage ofChristendom lt i~ also an arti~ticcentre ofprime Peacutenz ~dispone de plantJI e~lle cuatro pisos en alzado yimportlnce with artworlc ofgreat value from several eras una azotea adaptada para la realizacioacuten de diferentesOutstandingare the 16th century Altarpiece by Damiaacuten Se levanta en 1903 en el mismo lugar que ocupaba el
LA ALJAFERfA Forment the nnain Choir theorgan and the Holy Chapel Da unos 80 mdeloniexclitud es el mayorVHtigiacuteo consaMdo de la actiYidades Mercado de la ciudad desde el siacuteelo XI 11 En su oonstruceioacutenmur~lliexcl construida en el siacuteiexcllo 111 El iexclmuriexclllamianto mantuvoALJAFERlA PALACE designelt by Ventura Rodriacuteguez a masterpiece of18th century se utilizaron el hilfro y el cristal dando como resultldo un
art which houses the 15th centuryimageoftheVirgin ofthe como eficardentildetnsa durante el periodo vibulligodo ymusulrNtilden The Aragonese lnstitute ofContemporary Art and Culture edificio donde se 1Jnden tradicioacuten y modernidadwith elCtended and modemised facilities has set out three linesMudeacuteJar declarado Jgtatrtmonro de la Humanidad Pilar on thecolumn The frescoes ofthe vault ofthe CoretQ and Actualmente mantiene su fJnciacuteoacuten de mercado u ael111 iglesia de Sn Felipe ySantiago el M-rse comie1111Mudeacutejar declared aWcrld Herltage Slte the Regina Martyrum dome were painted by Goya Ascend one Nearly 80 metres long this is the largest vestige conserved ofthis ofworlc to proYide a spaoefor conternporary culture and art in en 1686 tres derriblr la anterior por quedar demasiado pequentildea
of iu towers and discoverthe breath-taking views ofthecity wall constructed in the3rd centuryThe Wlllls were main~ined as Aragon tQ present national and international projecu and to lt was constructeltl in 1903 in the same place occupied by ante el aumento de la poblacioacuten de la piexcl~rroquil En el exterior~n efEctive defence during the Visigoth and Muslim eras mrtup observatories toaddress current topics The building the13th century city marlcetlron and glass were used in its la portlda pnesentl una composicioacuten llena de plasticidad yelCtended by the architect Joseacute Manuel Peacuterez Larorre has a construction resulting in a building where trlt~dition and movimiento Sobre lat columnas salomoacutenicas se Jituacutean lrsIGLESIA DE SAN PABLO ground floor four upper storeys anda nooftop which has been modernity mergelt is still a market today ~guras de los dos tiacutetulartS Sn Fefipe y Santiagoel Menor uMUSEO DEL PUERTO adapted to hold avariety ofactMties
SAN PABLO CHURCH puertl de acceso ala iglesia fue en su diacutea de la blsiacutelica del PilarFLUVIAL DE CAESARAUGUSTA El Altar Mayor es un blldaquino que sigue el modelo creado porMudeacutejar declarado Patrlroonlo de la Humanidad MUSEO DEL FOROCAESAR AUGUSTUS IGLESIA DE LA MAGDALENA Bemini piexcl~ra Sn Pedrodel Vaticano Lucolumnas salomoacutenicasMudeacutejar declarecl aWorld Heritage Site DE CAESARAUGUSTA de miacutermol negro de Claterao enmarcan las imiacutegenes de SnRIVER PORT MUSEUM CHURCH OF MARY MAGDALEN CAESAR AUGUSTUS Felipe ySntiaeo el Menor
FORUM MUSEUM The currentchurch ofSan Felipeand Santiago el Menor was
Es uno deles monumentos mis importlnttJ del1 begun in 1686 after demolishing the previous one because it miexcluitectun1 hibullpbullno-musulm1na del siglo XI Ha sufrido hJd become too small dueto the increase in the parish difan111tes nrfollNsla mil importlnbt dde el punto de population On the outside the oomposition ofthe doorway is viJtlutiacutestico es la re~liuda por los Reyes Ctoacutelicos en 1492 lilled with plasticityand movement The figures ofthe two C1be dest~c~r la Torre del Trovador duda en el siglo IX en saints appear on twist-fluteltl columns San Felipe and el que Verdi situacuteal1 1ecioacuten de su fllmoM oacuteperallTrvntore Santiagoel Menor (St Philip and James the Minor) The ni como el Oratorio y Ptio de Santalnbel exponentesde la entrance door to the church came from the Basiacutelica del Pilar uquitectun1 taifal del siglo XI and waslater transferred to its current location The High
u iglesia de San Pblo se lewntoacute para sustituira la antigua Altar is under a canopy which follows the rnodel created by Thiacutes is one of the most iacutemporunt monuments of11th ermita romiacutenica de Sn Bias En su exterior destaca su esbelta Se conserviexcl la Mtnlctura de un griexcln edificioque constituiacutea el Su edificio iexclctual H detilo mudeacutejar con reformiexcl biirrociexcl Bemini forthe Vatican St Peters The twist-fluted columns century Hispano-Muslim archiacutetecturelt has undergone torre o campanario de plantl octogonal y en el interiorel liacutemit norte del foro de Cemauptil y que poniacuteiexcl en El c1rIacutecter de su tome mudeacutejilr de plantil cuitdriexcldiexcl made ofblack marble from Calatoraoframe tne innages ofSan several reforms the most important from the artistic Retablo Maylaquo obre de Damiiacuten Ferment (tiglo XVI) comunicacioacuteniexcl este con la orilla del Ebro nJWBable en liexcl conJtruidiexcl en lildrillo con dacoriiCIacuteOacuten de iexclzulejosy con un Los restos arqueoloacutegicos pertenecen a un mercado de la Felipe and Santiagoel Menor viewpoint being the reform carried out by the Cetholic eacutepoca romiexcliexclniexcl) donde M situantildea el puerto fluviiexcll remate iexcllmenitdo permite su dilta en el siglo XIV eacutepoce del emperador Augusto y al foro urbano edificadoen Monerchs in 1492 Noteworthy is the Troubedour Tower The San Pablo church was built to replace the old Romanic tiempo de liblfio su sucesor which dotes from the 9th century which Verdi used liS e hemnitage ofSan Bias Noteworthy on the outside is its The structure ofa large building is conserved This formed the The current building is Mudejar in Style with Baroque source for the action ofhis filmous opere 11 Trovltoreulls slender tower or bell tower with its octagonalground plan northem boundary of the Caesar Augustus forum which refomn work The style of its Mud~tiar tower with 11 squ~re The archaeological remains belong to a market from the era M Zaragozawell es the OretQry end the Sltsnte lsiexcl~bel Petio eXlt~mpies of and on the inside theAltarpiece by Damiaacuten Forment (16th connected it to the bankofthe River Ebro (navigable in l~utand made ofbrick decorated with tiles and of Emperor Augustus and to the urban Forum built in times 11th century Taifalt~rchitecture century) Roman times) where the river port was located crenelated finish makes it possible to date itfrom the 14th ofhis successor liberius TURISMO
century
MUSEO GOYA COLECCIOacuteN IIERCAJA PATIO DE LA INFANTA IGLESIA DE SANTA ISABEL IGLESIA DE SAN MIGUEL PALACIO DE CONGRESOS IGLESIA BASIacuteLICA Go y A M uS E uM - IBERCAJA COLLECTION PATIO OF THE INFANTA DE PORTUGAL DE LOS NAVARROS DE ZARAGOZA DE SANTA ENGRACIA
CHURCH OF SANTA ISABEL CHURCH OF SAN MIGUEL ZARAGOZA CONVENTION BASILICA CHURCH OF PORTUGAL DE LOS NAVARROS CENTRE OF SANTA ENGRACIA
Edificio ren~ntistl en el que dHtiei~la deC4r~cioacuten de su Emt patio que formaba parte del palacio que el banquero y palio El museo Htiacute dedicado principalmenteala pintura con comerciante Gabriel Zlporti poseiacutea en la eille de San Jorge obras que ibart41n desde el sigloYN huta el siiexcldo XX Ogrm Ntildee adquirido por lbercaja par~ inmlarlo en el irmtriorde su
Denomin~da popularmente d~~ Sn ~noNtilde~~COMJuida en Edificic mudeacutejar dfl siglo XIV con nmnma poiteriacuteor barrolt~ Obra de los arquitectcs Nifto y Sobejana Us fStanciu lo mis representativo d~~l edificio es su port1d1 ren~centistiinteruacutees el Silloacuten Doriido donde el protaiexclonitles FrmciKo de oficina central Presenti los elementoiexcl y eiexcltructuril propios 1681 en honor a Snti lwbtl de Aregoacuten yReinbull d~~ Pcrtugal L lo miacutei notible d~~ la deC4racioacuten se cC~nCMtre en el menor dfl recibtn luz natural del exteriot por lbulls paredes tllduacutecidM d~~ unbull pieza esmenK11mente realizada a partir d~~ 1512 por GilGaya con IIUS autorrelrltos yotros ltAtoslncluye Ll coleccioacuten de los patio ariexcliexclgoneiexcles del Renacimiento eiJuetura imita los ~mploidel blrroco iulianc En 111 inbrior iacutebsid~~ L torre decorltiv1ment~~ w divide en tns cueltpOi con las f1chedu que eltern~n frentes acriacutestil1dos y cflosiacuteM Mor1nu 111 Viejo y su hijo Ejecuteda a modo de reteblode iexclnbiidos de Goya lll uacutenica que e1ep0ne iacutemiexclnmente las sei5 w conlfMn intemantei tet~blos la meyoril d~~ eacutepoe~ blrroe~ los doi superiores cubiertos d~~ laborei en ladrillo resaltldo mftiacutelicu El espacio comprtndf wis plantas distribuidas ~~n simboliroacute le fundacioacuten d~~ patl(lcinio real d~~l monuterio d~~
series CopiHde Velizquez CprichosTiurom1qui1 This patio which formed part of the palace which the 22285 rrfl de los walu17700 m2 sor~ uacutetiles loi Jeroacutenimos que existioacute en el lugar y qu~~ fut construido enDisp~rms gtsastresde la Guem1 yToros de BurdiOf banker and merchant Gabriel Zaporta owned in the uacutelle Popularly lnown as San Cayetano it was built in 1681 in honour A 14th c~~nturyMudejar building with Baroque reform lbull primere mitid del siglo YNI sobre la 1ntigua necroacutepolisSan Jorge was purchased by lbercaja ~nd installed in the of ~nta ls~bel ofAragon and Queen of PortugalThe structure worlc The most ou~tanding aspect in terms ofits The worlc of the architect~ Nieto and Sob~anaThe halis and cristiano-romana Conserva en su ctipti dos sarcoacutefagosA Ren~iss~nce building whose m~in highlight in terms of interior of its nead offices lt presents typic~l features and imitates ltalian BaroqueTemples lnteresting reredoses ~re decoration is concentrated outside the apse The tower is rooms receive naturallight from the exterior through the ptleocristianos d~~ maacutermol d~~l siglc IV dC y reliquits d~~ lo$decoration is its p~tio The museum is mainly dedic~ted to the structure of Aragonese Renaissanlte patios preserved on the inside tne majority ofwhiacutech are Baroque decoratively divided into three sections with the uppet two translucent walls of the fa~Jltdes which altemate glazed front priacutemlfO$ maacutertires cristianosp~inting with works which go from the15th to the 20tn
covered in projected brickworlc with metallattice worlc The building has six floors distributedcentury The Golden Room is ofgreat interest domin~ted by over 22285 rrfl of which 17700 rrfl are useable The most repre~entative part of the building is its RenaissanceFrencisco de Goy~ wiacuteth his self-pomits togetner with other LA LONJA IGLESIA PARROQUIAL doorway a piece that was started in 1512 and meticulouslyportraitslt indudes Goyas collection ofetchings the onlyone DE SAN GIL ABAD MUSEO PABLO GARGALLO carried out by Gil Morlanes el Vtejo and his iltln Eicecuted as awhicn nas tne entire six series on display Copies ofVelizquez LA LONJA (MERCHANTSEXCHANGEMARKET)
PUENTE DEL TERCER MILENIO refedos it symbolizes the foundation with royal patronage ofPABLO GARGALLO MUSEUMThe Cprices Tauromaquia (bullfiamphting) The Follies The PARISH CHURCH the Jeronimos Monastery that existed there and which wasDiwtersoFWarand The BullsoFBordeaux THIRD MILLENNIUM BRIDGEOF SAN GIL ABAD builtduring the first halfof the 16th century over the old Christian Roman necropolis In its crypt it preserves two early Christian sarcophaampus made of marble from the 4th centuryTORRE DEL AGUA AD and relics of the first Christian martyrs
WATER TOWER ~MUSEO DE ZARAGOZA 1MUSEUM OF ZARAGOZA 1 t
Utiliziida durilntelill uacuteltimas dicildn corno sala de exposiciones e
municipales debe su nombre a la funcioacuten par~ la que fue M~ monogrlaquofico dedicdo bull le obrbull del escultor bullragoneacutes creada eor1St1uida por el Concejocomo lonja de Merciidere Peblo Grgbullllo lnsllledo en el Pbulllbullcio de Argillo es une l
Obr C4nstruidten2008 porelerquitectooscenseJJArennde EacuteTrIS la rtltOnquista de la ciudad se construyoacute un templodurrnte los antildeos 1541-1551 Miacutelcirno exponente de la nlioSI muestrbull de le evolucioacuten de t erqu~turbull civil de Peblo Se t111t1 de ~nen p~~ente de ello elmdo ltir~ntldo elIOIlinico que mediado el siglo XIV Ntildeedestruido pari l~v~ntarbullrquitecturr civil renacentim aragonKil presenti m01rcadn lmgou en el siglo XVII Fue declbullmo Monumento maacutes lelOdel mundo de eJte tipo de 270 mde loriexclOtud q~e Cfsobre liUS ruinas la ilctuil iiexcldesia mudeacutejar En el exteriordntilcltlliacuten-wiltroclntisus y florentinas dHtacando en su exterior N1cion~l en 1943 o Npermitecrunrel Cl~cedel riacuteo Ebro con totll fimpiera Susla portada principal construida en 1640 y sobre todo la torreel alero y la giexcliexclleriacutea de arquillos y en su interior un iexclrlt~n saloacuten dimensiOft Ncen honor su nomb~ Este puente he pennitidol~v~ntadi en ladrillo comoel rebullto de la construccioacuten yampte siacutembolo de l1 Expo de Zr~amporbull 2008 de 76 metros de con columnas anilladn yboacutevedu de cruceriacutea atrellada A monognsphic museum dediceted to the worlr of the ile comuniCICioacuten de los bmoiexclde Defocin yAlmon111 con el Actur ulaquoltulll 1Uacuten1 dos elementos seplllldos un zoacuteclo yun cuetpo documentada yiexcl en 1356 El interior14m~~ponde 1 la reforma Aregonese sculptor Pablo Gargallolnstalled in the Atgillo
bullcristlbulldo y t111nsp~~rente cuybull formbull escultoacuteric ltOr$tIacute111ye Used over the last fewdecades as a municipal exhibition hall it birFOQ IIIMda 1 cabo entre1719 y1725 Dstltlei el retablo Palace it is a valuable example of tne evolution ofcivilian i5
This building was conwucted in 2008 by the Huesca architectnwayor contritado en 1628 dedictdc 1 San Gil Abidunbull gota de IampUI El interior cuente con Splnh unbull owes its nameto the Ntildenction for which it was created built by arcnitecture in Zaragoza in the 17th oentury lt was declarelt JJArenas de Pablolt is a large bridge with a rai~ csble-steyed bull Secciones de Arqueologiacutea y de Belln Artes El edificio fueeSC411turbull uacutenic1 que representi une enorme got1 de~~~ tne Council as a Merdhants Eicchange or Muket duringthe a national monument in 1943Alter the reconquest of the city a Romanesque Temple was are the largest in the world ofthis type measuring 270m long proyectado con motiYO dala Exposicioacuten Hispano-Fr~nce5lt1imp~~cQindo sobre un~ superficie decade 1541-1551 Amagtcimum exponent ofcivilian Aragonese built ~ichwas ~troyed in mid-14th century to build the which enables it to very easily span the cour5e ofthe Ebro River de1908 como Pibelloacuten de las Artes Obr~ de Ricardo
Renaisltgtance architecture it has marked 15th centuryand current Mudejar church on its ruins Noteworthy on the outside lts dimension~are a tribute to its name This bridge connects the Magdilena yJulio Bravo Susfondos comprenden la SeccioacutenALBERGUE DE ZARAGOZAThis symbol of the 2008 Za111goza Expo is 76 metres high Florentine lines Noteworthy on the outsiacutedeare the eaves and i~ th~~ main doorway built in 1640 and abDYI all th~~ tower Deliciaand Almozara districts to the Actur Arqueoloacutegica que se elltiende desde la Prehistori1 huu laend combines two sepa111te features 11 base and a glazed tne gallery ofarenes and on the inside a large hill with ringed raised in brick like the rest of the building and already ALBERGUE CHOSTEL) iacutepOCil musulmana y la Seccioacuten de Bellas Artes en la quetrensparent body whose sculptulll form is a drop ofwater columns and starred rib wults docum~~nted in 1356 Th~~ interiorcorriSponds to the Baroque OF ZARAGOZA daucan obrlt~s de Goylt~The interior conteins Splash a unique sculpture which ALMA MATER MUSEUM bull Secciones de Crimici y EtnologIacutei En el Piexclrque Gnnderefonm carried out bltweeo1719 and 1725 The high altarpiecerepresents en enormous drop of water falling onto 11 surntildece ALMA MATER MUSEUM Joseacute Antonio Ubordeta seenwentrlt~n las CiWS de Albam~ciacuten
y de Ansoacute que ilbergiexcliexcln respectivlt~mentelas secciones de contracted in 1628 and dedicated to St Gil Abad stand out
CAIXAFORUM ZARAGOZA Ceriacutemici y de EtnologiacuteaPABELLOacuteN PUENTE CAIXAFORUM ZARAGOZA PALACIO DE SAacuteSTAGO bullArcnaeology and Rne Arts SectionsThe building wasBRIDGE PAVILION PALACE OF SAacuteSTAGO plllnned on the occasion ofthe Hispano-French Exposition as Plvilion of the Arts The work of Ric~rdo Magdalena and Julio Br~vo lts collections comprise the Archaeology Section which goes from prehistoric times to the Muslim era and the Fine Arts section highlighting the works byGoya bull Ceramics and Ethnology Sections The houses ofAlbam~ciacuten
Situado en un palacio renacenti~ta de1470 En 1600 fue and Ansoacute are located in the Joseacute Antonio Lllbordeta Parirreformado totalmente manteni111do uacutenicamente la boacuteveda respectively nousing the Ceramics and Ethnology sectionsirmtriordel edificio enriquecieacutendolo con una impresionante L visit11l miiSeo permite clncubrir restos de les estincin eSCOllar~ goacutetica De esta eacutepoca timbieacuten son las fachadas romiacutenie~s ampoacuteli~n mudeacutejares y renbullcenlistu con impor1llntes lirteral y frontl de ladrillo en el mis puro estilo ar~goneacutes En elementos 1rquitectOacutenIacuteCO$ recupelldos de In obra de
wwwlbull rbull1bull1bull tu ris rn bullmiddotbullbullCentro cultur1l y social de lbull Obr1 Socill bullu Cixbullmiddot El el antildeo 2008 se realizoacute una importante labor de consolidacioacuten resturecioacuten del Pal1cio Anobispll Sobre ese conjunto de Fue uno de los pabelloneselepegtsitivos de Expo Zlllampon edificio es obrbull del Estudio Cnme Pinoacutes En sus Slu de Edificio renacenlisti connruido entre 1570 y1574 por Don y recuperlt~cioacuten par~ su utilizicioacuten como Alberiexclue pawndo a esp1cios se he 14nstruido un discurso muscogriacutefilto que es obr~ 2008 Disentildeo de la prestiacutegiosbullarquitect1 Zh1 Hedid el Eicposiacuteciones w suceden exposiciones de Irte yciencia Ami de Aligoacuten tercer Condede Saacutestago y ViY de Ar~goacuten convertirse en patrimoniode los lliajeros q111 nos viacutesitin del doctor Domingo BueSI 14n el ntilden de protege- ctil~r y lnrtnncioacuten lunlltic~ 1 +34 902142 008 pabelloacuten cuenti con dos plantu yestiacute concebido en forma de OTece une 1mpli1 proglllmecioacuten de 1ctividedes ciclosde Dest-ca su sobria ftchiida de ladrillo y su hermoso patio de Mlv~ampubullrdbullrel rico legedo histoacuterico de l1 lgle1i1 de lbullgora Touriltinlwmation +34 976 201200 gladiolo que se biNtilderc1 en tres r1m1les U b1Seestructur1l del muacuteloicl y poaiacutebull conferencin tlleres y ectivid1cles p11111 esbeltu columnu Actu1lmente se utiliza como wla de Situ~ted in a 1470 Renaissance palace in 1600 it was P1belloacuten Puentees de -ro todos los puacuteblicos eMposiciones de la DiputKioacuten Provincial de Zmgou reformed in its entirety presenving only tne interior vault of Avisit to the museum permits discovering remains of Roman
the buildingand enriching it with an impressive Gothic Gothic Mudiexcljar end RenoiiSance rooms with important 0 0 00 0 9 This was one of the exnibition pavilions ofExpo Za111goza Acultural end social centre of La Ceixa Obra Social (Social A renaissanoe building built between 1571 and 1574 by Don staircase The side and front facades tNde of brick in orchitectonic elements recovered following the restoretion work 2008 Designed by the prestigious arcniteltt Zaha Hadid Projeltts) The building is the work of the Carme Pinoacutes Studio Artll ofAlagan third Count of Sastago and Viceroy of purest Aregonese style are also from the same period on the Archbishop$ Palace Amuseographic discourse has beEn the pavilion nas two floors lt is sheped like a gladiolus lts exhibition rooms house both artand science eKhibitions lt Aragon Noteworthy is its sober brick Fa~adeand its beautiful Considereble restoration and ltonsolidation worlc was constructed on this ensemble ofspace$ which is the work of r1 Zaragozawnich splits into three brenches Tne structural base of the offers en extensive activity prog111mme music and poetry courtyard with its slendercolumns lt is currently used asan carried OUt in 2008 for it to be used liS ll nostel becoming Doctor Domingo Buesa in order to protect catalogue and Bridge Pavilion is m a de ofsteel cycles lectures workshops and activities for all ages ~~xhibition room by the Provincial Council oflaragoza an asset for travellers who visit us sefeguard the rich historicsllegacyofthe Church ofleragoza ~TURISMO
MUSEO GOYA COLECCIOacuteN IIERCAJA PATIO DE LA INFANTA IGLESIA DE SANTA ISABEL IGLESIA DE SAN MIGUEL PALACIO DE CONGRESOS IGLESIA BASIacuteLICA Go y A M uS E uM - IBERCAJA COLLECTION PATIO OF THE INFANTA DE PORTUGAL DE LOS NAVARROS DE ZARAGOZA DE SANTA ENGRACIA
CHURCH OF SANTA ISABEL CHURCH OF SAN MIGUEL ZARAGOZA CONVENTION BASILICA CHURCH OF PORTUGAL DE LOS NAVARROS CENTRE OF SANTA ENGRACIA
Edificio ren~ntistl en el que dHtiei~la deC4r~cioacuten de su Emt patio que formaba parte del palacio que el banquero y palio El museo Htiacute dedicado principalmenteala pintura con comerciante Gabriel Zlporti poseiacutea en la eille de San Jorge obras que ibart41n desde el sigloYN huta el siiexcldo XX Ogrm Ntildee adquirido por lbercaja par~ inmlarlo en el irmtriorde su
Denomin~da popularmente d~~ Sn ~noNtilde~~COMJuida en Edificic mudeacutejar dfl siglo XIV con nmnma poiteriacuteor barrolt~ Obra de los arquitectcs Nifto y Sobejana Us fStanciu lo mis representativo d~~l edificio es su port1d1 ren~centistiinteruacutees el Silloacuten Doriido donde el protaiexclonitles FrmciKo de oficina central Presenti los elementoiexcl y eiexcltructuril propios 1681 en honor a Snti lwbtl de Aregoacuten yReinbull d~~ Pcrtugal L lo miacutei notible d~~ la deC4racioacuten se cC~nCMtre en el menor dfl recibtn luz natural del exteriot por lbulls paredes tllduacutecidM d~~ unbull pieza esmenK11mente realizada a partir d~~ 1512 por GilGaya con IIUS autorrelrltos yotros ltAtoslncluye Ll coleccioacuten de los patio ariexcliexclgoneiexcles del Renacimiento eiJuetura imita los ~mploidel blrroco iulianc En 111 inbrior iacutebsid~~ L torre decorltiv1ment~~ w divide en tns cueltpOi con las f1chedu que eltern~n frentes acriacutestil1dos y cflosiacuteM Mor1nu 111 Viejo y su hijo Ejecuteda a modo de reteblode iexclnbiidos de Goya lll uacutenica que e1ep0ne iacutemiexclnmente las sei5 w conlfMn intemantei tet~blos la meyoril d~~ eacutepoe~ blrroe~ los doi superiores cubiertos d~~ laborei en ladrillo resaltldo mftiacutelicu El espacio comprtndf wis plantas distribuidas ~~n simboliroacute le fundacioacuten d~~ patl(lcinio real d~~l monuterio d~~
series CopiHde Velizquez CprichosTiurom1qui1 This patio which formed part of the palace which the 22285 rrfl de los walu17700 m2 sor~ uacutetiles loi Jeroacutenimos que existioacute en el lugar y qu~~ fut construido enDisp~rms gtsastresde la Guem1 yToros de BurdiOf banker and merchant Gabriel Zaporta owned in the uacutelle Popularly lnown as San Cayetano it was built in 1681 in honour A 14th c~~nturyMudejar building with Baroque reform lbull primere mitid del siglo YNI sobre la 1ntigua necroacutepolisSan Jorge was purchased by lbercaja ~nd installed in the of ~nta ls~bel ofAragon and Queen of PortugalThe structure worlc The most ou~tanding aspect in terms ofits The worlc of the architect~ Nieto and Sob~anaThe halis and cristiano-romana Conserva en su ctipti dos sarcoacutefagosA Ren~iss~nce building whose m~in highlight in terms of interior of its nead offices lt presents typic~l features and imitates ltalian BaroqueTemples lnteresting reredoses ~re decoration is concentrated outside the apse The tower is rooms receive naturallight from the exterior through the ptleocristianos d~~ maacutermol d~~l siglc IV dC y reliquits d~~ lo$decoration is its p~tio The museum is mainly dedic~ted to the structure of Aragonese Renaissanlte patios preserved on the inside tne majority ofwhiacutech are Baroque decoratively divided into three sections with the uppet two translucent walls of the fa~Jltdes which altemate glazed front priacutemlfO$ maacutertires cristianosp~inting with works which go from the15th to the 20tn
covered in projected brickworlc with metallattice worlc The building has six floors distributedcentury The Golden Room is ofgreat interest domin~ted by over 22285 rrfl of which 17700 rrfl are useable The most repre~entative part of the building is its RenaissanceFrencisco de Goy~ wiacuteth his self-pomits togetner with other LA LONJA IGLESIA PARROQUIAL doorway a piece that was started in 1512 and meticulouslyportraitslt indudes Goyas collection ofetchings the onlyone DE SAN GIL ABAD MUSEO PABLO GARGALLO carried out by Gil Morlanes el Vtejo and his iltln Eicecuted as awhicn nas tne entire six series on display Copies ofVelizquez LA LONJA (MERCHANTSEXCHANGEMARKET)
PUENTE DEL TERCER MILENIO refedos it symbolizes the foundation with royal patronage ofPABLO GARGALLO MUSEUMThe Cprices Tauromaquia (bullfiamphting) The Follies The PARISH CHURCH the Jeronimos Monastery that existed there and which wasDiwtersoFWarand The BullsoFBordeaux THIRD MILLENNIUM BRIDGEOF SAN GIL ABAD builtduring the first halfof the 16th century over the old Christian Roman necropolis In its crypt it preserves two early Christian sarcophaampus made of marble from the 4th centuryTORRE DEL AGUA AD and relics of the first Christian martyrs
WATER TOWER ~MUSEO DE ZARAGOZA 1MUSEUM OF ZARAGOZA 1 t
Utiliziida durilntelill uacuteltimas dicildn corno sala de exposiciones e
municipales debe su nombre a la funcioacuten par~ la que fue M~ monogrlaquofico dedicdo bull le obrbull del escultor bullragoneacutes creada eor1St1uida por el Concejocomo lonja de Merciidere Peblo Grgbullllo lnsllledo en el Pbulllbullcio de Argillo es une l
Obr C4nstruidten2008 porelerquitectooscenseJJArennde EacuteTrIS la rtltOnquista de la ciudad se construyoacute un templodurrnte los antildeos 1541-1551 Miacutelcirno exponente de la nlioSI muestrbull de le evolucioacuten de t erqu~turbull civil de Peblo Se t111t1 de ~nen p~~ente de ello elmdo ltir~ntldo elIOIlinico que mediado el siglo XIV Ntildeedestruido pari l~v~ntarbullrquitecturr civil renacentim aragonKil presenti m01rcadn lmgou en el siglo XVII Fue declbullmo Monumento maacutes lelOdel mundo de eJte tipo de 270 mde loriexclOtud q~e Cfsobre liUS ruinas la ilctuil iiexcldesia mudeacutejar En el exteriordntilcltlliacuten-wiltroclntisus y florentinas dHtacando en su exterior N1cion~l en 1943 o Npermitecrunrel Cl~cedel riacuteo Ebro con totll fimpiera Susla portada principal construida en 1640 y sobre todo la torreel alero y la giexcliexclleriacutea de arquillos y en su interior un iexclrlt~n saloacuten dimensiOft Ncen honor su nomb~ Este puente he pennitidol~v~ntadi en ladrillo comoel rebullto de la construccioacuten yampte siacutembolo de l1 Expo de Zr~amporbull 2008 de 76 metros de con columnas anilladn yboacutevedu de cruceriacutea atrellada A monognsphic museum dediceted to the worlr of the ile comuniCICioacuten de los bmoiexclde Defocin yAlmon111 con el Actur ulaquoltulll 1Uacuten1 dos elementos seplllldos un zoacuteclo yun cuetpo documentada yiexcl en 1356 El interior14m~~ponde 1 la reforma Aregonese sculptor Pablo Gargallolnstalled in the Atgillo
bullcristlbulldo y t111nsp~~rente cuybull formbull escultoacuteric ltOr$tIacute111ye Used over the last fewdecades as a municipal exhibition hall it birFOQ IIIMda 1 cabo entre1719 y1725 Dstltlei el retablo Palace it is a valuable example of tne evolution ofcivilian i5
This building was conwucted in 2008 by the Huesca architectnwayor contritado en 1628 dedictdc 1 San Gil Abidunbull gota de IampUI El interior cuente con Splnh unbull owes its nameto the Ntildenction for which it was created built by arcnitecture in Zaragoza in the 17th oentury lt was declarelt JJArenas de Pablolt is a large bridge with a rai~ csble-steyed bull Secciones de Arqueologiacutea y de Belln Artes El edificio fueeSC411turbull uacutenic1 que representi une enorme got1 de~~~ tne Council as a Merdhants Eicchange or Muket duringthe a national monument in 1943Alter the reconquest of the city a Romanesque Temple was are the largest in the world ofthis type measuring 270m long proyectado con motiYO dala Exposicioacuten Hispano-Fr~nce5lt1imp~~cQindo sobre un~ superficie decade 1541-1551 Amagtcimum exponent ofcivilian Aragonese built ~ichwas ~troyed in mid-14th century to build the which enables it to very easily span the cour5e ofthe Ebro River de1908 como Pibelloacuten de las Artes Obr~ de Ricardo
Renaisltgtance architecture it has marked 15th centuryand current Mudejar church on its ruins Noteworthy on the outside lts dimension~are a tribute to its name This bridge connects the Magdilena yJulio Bravo Susfondos comprenden la SeccioacutenALBERGUE DE ZARAGOZAThis symbol of the 2008 Za111goza Expo is 76 metres high Florentine lines Noteworthy on the outsiacutedeare the eaves and i~ th~~ main doorway built in 1640 and abDYI all th~~ tower Deliciaand Almozara districts to the Actur Arqueoloacutegica que se elltiende desde la Prehistori1 huu laend combines two sepa111te features 11 base and a glazed tne gallery ofarenes and on the inside a large hill with ringed raised in brick like the rest of the building and already ALBERGUE CHOSTEL) iacutepOCil musulmana y la Seccioacuten de Bellas Artes en la quetrensparent body whose sculptulll form is a drop ofwater columns and starred rib wults docum~~nted in 1356 Th~~ interiorcorriSponds to the Baroque OF ZARAGOZA daucan obrlt~s de Goylt~The interior conteins Splash a unique sculpture which ALMA MATER MUSEUM bull Secciones de Crimici y EtnologIacutei En el Piexclrque Gnnderefonm carried out bltweeo1719 and 1725 The high altarpiecerepresents en enormous drop of water falling onto 11 surntildece ALMA MATER MUSEUM Joseacute Antonio Ubordeta seenwentrlt~n las CiWS de Albam~ciacuten
y de Ansoacute que ilbergiexcliexcln respectivlt~mentelas secciones de contracted in 1628 and dedicated to St Gil Abad stand out
CAIXAFORUM ZARAGOZA Ceriacutemici y de EtnologiacuteaPABELLOacuteN PUENTE CAIXAFORUM ZARAGOZA PALACIO DE SAacuteSTAGO bullArcnaeology and Rne Arts SectionsThe building wasBRIDGE PAVILION PALACE OF SAacuteSTAGO plllnned on the occasion ofthe Hispano-French Exposition as Plvilion of the Arts The work of Ric~rdo Magdalena and Julio Br~vo lts collections comprise the Archaeology Section which goes from prehistoric times to the Muslim era and the Fine Arts section highlighting the works byGoya bull Ceramics and Ethnology Sections The houses ofAlbam~ciacuten
Situado en un palacio renacenti~ta de1470 En 1600 fue and Ansoacute are located in the Joseacute Antonio Lllbordeta Parirreformado totalmente manteni111do uacutenicamente la boacuteveda respectively nousing the Ceramics and Ethnology sectionsirmtriordel edificio enriquecieacutendolo con una impresionante L visit11l miiSeo permite clncubrir restos de les estincin eSCOllar~ goacutetica De esta eacutepoca timbieacuten son las fachadas romiacutenie~s ampoacuteli~n mudeacutejares y renbullcenlistu con impor1llntes lirteral y frontl de ladrillo en el mis puro estilo ar~goneacutes En elementos 1rquitectOacutenIacuteCO$ recupelldos de In obra de
wwwlbull rbull1bull1bull tu ris rn bullmiddotbullbullCentro cultur1l y social de lbull Obr1 Socill bullu Cixbullmiddot El el antildeo 2008 se realizoacute una importante labor de consolidacioacuten resturecioacuten del Pal1cio Anobispll Sobre ese conjunto de Fue uno de los pabelloneselepegtsitivos de Expo Zlllampon edificio es obrbull del Estudio Cnme Pinoacutes En sus Slu de Edificio renacenlisti connruido entre 1570 y1574 por Don y recuperlt~cioacuten par~ su utilizicioacuten como Alberiexclue pawndo a esp1cios se he 14nstruido un discurso muscogriacutefilto que es obr~ 2008 Disentildeo de la prestiacutegiosbullarquitect1 Zh1 Hedid el Eicposiacuteciones w suceden exposiciones de Irte yciencia Ami de Aligoacuten tercer Condede Saacutestago y ViY de Ar~goacuten convertirse en patrimoniode los lliajeros q111 nos viacutesitin del doctor Domingo BueSI 14n el ntilden de protege- ctil~r y lnrtnncioacuten lunlltic~ 1 +34 902142 008 pabelloacuten cuenti con dos plantu yestiacute concebido en forma de OTece une 1mpli1 proglllmecioacuten de 1ctividedes ciclosde Dest-ca su sobria ftchiida de ladrillo y su hermoso patio de Mlv~ampubullrdbullrel rico legedo histoacuterico de l1 lgle1i1 de lbullgora Touriltinlwmation +34 976 201200 gladiolo que se biNtilderc1 en tres r1m1les U b1Seestructur1l del muacuteloicl y poaiacutebull conferencin tlleres y ectivid1cles p11111 esbeltu columnu Actu1lmente se utiliza como wla de Situ~ted in a 1470 Renaissance palace in 1600 it was P1belloacuten Puentees de -ro todos los puacuteblicos eMposiciones de la DiputKioacuten Provincial de Zmgou reformed in its entirety presenving only tne interior vault of Avisit to the museum permits discovering remains of Roman
the buildingand enriching it with an impressive Gothic Gothic Mudiexcljar end RenoiiSance rooms with important 0 0 00 0 9 This was one of the exnibition pavilions ofExpo Za111goza Acultural end social centre of La Ceixa Obra Social (Social A renaissanoe building built between 1571 and 1574 by Don staircase The side and front facades tNde of brick in orchitectonic elements recovered following the restoretion work 2008 Designed by the prestigious arcniteltt Zaha Hadid Projeltts) The building is the work of the Carme Pinoacutes Studio Artll ofAlagan third Count of Sastago and Viceroy of purest Aregonese style are also from the same period on the Archbishop$ Palace Amuseographic discourse has beEn the pavilion nas two floors lt is sheped like a gladiolus lts exhibition rooms house both artand science eKhibitions lt Aragon Noteworthy is its sober brick Fa~adeand its beautiful Considereble restoration and ltonsolidation worlc was constructed on this ensemble ofspace$ which is the work of r1 Zaragozawnich splits into three brenches Tne structural base of the offers en extensive activity prog111mme music and poetry courtyard with its slendercolumns lt is currently used asan carried OUt in 2008 for it to be used liS ll nostel becoming Doctor Domingo Buesa in order to protect catalogue and Bridge Pavilion is m a de ofsteel cycles lectures workshops and activities for all ages ~~xhibition room by the Provincial Council oflaragoza an asset for travellers who visit us sefeguard the rich historicsllegacyofthe Church ofleragoza ~TURISMO
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