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Maybe Manifesto***

( montador Bruno Freire)( trad. Andre Lepecki)

Maybe our spit is spent in idle talk ("or maybe this is nothing but salia!s aste).

Maybe to rede#ne irtuosity is already irtuosity.

Maybe the anti$spectacle ill become% in some measure% spectacular.Maybe concepts moe you across spaces% een before you choose here to begin.Maybe all bodies are already being choreographed% een if you neer think of it.Maybe hero% maybe anti$hero% maybe picares&ue.Maybe techni&ue is indispensable.Maybe to make is to think. Maybe to make think. Maybe to think making.Maybe the performer has no control on the degree of a spectator's inolement.Maybe it is important for the performer to think on his or her spectator.Maybe they are caring% sensitie% disorderly% confused% illogical% precise% materialists% busybodies%comple% festie% clear% daring% presumptuous% loing% ecentric.

Maybe ecess is incapacity to #lter.Maybe simplicity is incapacity to inestigate deeply.Maybe e are not super#cial% cause e loe penetration.

Maybe compleity.Maybe no dance is uniersal.Maybe this manifesto hae pirated ideas of others.Maybe i am not the author cause maybe eery author is a netork of authorsMaybe the economy ill modify your dance.Maybe your proposal does not hae a name yet.Maybe eerything ill daily become more eible.Maybe each day it is becoming more dicult to make a decision.Maybe yes% maybe no.

+,- MA/F,-01

(Mette /ngartsen% 2334)+es to rede#ning irtuosity

+es to conceptuali5ing eperience% a6ects% sensation+es to materiality7body practice+es to inestment of performer and spectator+es to epression+es to ecess+es to 8inention9 (hoeer impossible)+es to un$naming% decoding and recoding epression+es to non$recognition% non$resemblance+es to non$sense7illogic+es to organi5ing principles rather than #ed logic systems+es to moing the 8clear concept9 behind the actual performance of

+es to methodology and procedures+es to animation+es to style as a result of procedure and speci#city of a proposal.+es to compleity

"No Manifesto" (Yvonne Rainer, 1965)

NO to spectacle.No to virtuosity.No to transformations an ma!ic an mae#$elieve.

No to t%e !lamour an transcenency of t%e star ima!e.No to t%e %eroic.No to t%e anti#%eroic.

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No to tras% ima!ery.No to involvement of performer or spectator,No to style.No to camp.No to seuction of spectator $y t%e &iles of t%e performer.No to eccentricity.

No to movin! or $ein! move.

'luusManifesto 196 ($y *eor!e Maciunas)2. 0o a6ect or bring to a certain state% by sub:ecting to% or treating ith% au. 8Flued into another orld.9 ;. to cause discharge from% as inpurging.FL. A. a oing of uid or discharge from the boels or other part%especially an ecessie and morbid discharge. As the bloody u% ordysentery. B. the matter thus discharged.+ur!e t%e &orl of $our!eois sicness,

-intellectual, pro/esionalan commerciali0e culture, +R*2t%e &orl of ea art, imitation, arti3cial art, a$stract art,illusionistic art, mat%ematical art4pur!e t%e &orl of-2RO+N7M82. Act of oing? a continuing of moing or passing by% as a oingstream% a continuing succession of changes. ;. A stream% copious o%ood% outo. @. the setting in of the tide toard the shore. 4. -tate ofbeing li&uid through heat fusion.+ROMO2 R2:O;ONRY ';OO< N<

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or hateer is necessary.

/ am for all art that takes its form from the lines of life itself% that tists andetends and accumulates and spits and drips% and is heay and coarse andblunt and seet and stupid as life itself.

/ am for an artist ho anishes% turning up in a hite cap painting signs or

hallays./ am for art that comes out of a chimney like black hair and scatters in the sky.

/ am for art that spills out of an old mans purse hen he is bounced o6 apassing fender.

/ am for the art out of a doggys mouth% falling #e stories from the roof.

/ am for the art that a kid licks% after peeling aay the rapper...